Rosamund Johnston – författare

This cutting-edge collection of essays analyzes the pivotal year of 1989 and the transformation processes that resulted from a historical perspective. It takes the events of that momentous year as a pivot to explore longer-term processes of economic, social, political, and cultural transformation linked to the rise of neoliberalism and globalization since the 1970s and enduring until now.Referencing the work of Karl Polanyi, the handbook advances four main arguments: that the “great transformation” presented here started earlier than 1989; that its legacies linger in spaces, practices, and objects; that in order to grasp the scale of what happened around 1989, it is important to bring Eastern and Central Europe into conversation with other global regions; and that the former Eastern Bloc served as an important node in a larger, global transformation. Insisting on the “Second World’s” place in the global history of the past five decades, this handbook challenges straightforward core-periphery dichotomies. The contributions to this volume provide different case studies—some national, some comparative, some international or global—each illustrating particular trends and developments.The handbook is directed at students and scholars of contemporary history of East Central Europe, of global and economic history, and at scholars of sociology, anthropology, and political science interested in post-1989 transformation, neoliberalism, and globalization.

In socialist Eastern Europe, radio simultaneously produced state power and created the conditions for it to be challenged. As the dominant form of media in Czechoslovakia from 1945 until 1969, radio constituted a site of negotiation between Communist officials, broadcast journalists, and audiences. Listeners' feedback, captured in thousands of pieces of fan mail, shows how a non-democratic society established, stabilized, and reproduced itself. In Red Tape, historian Rosamund Johnston explores the dynamic between radio reporters and the listeners who liked and trusted them while recognizing that they produced both propaganda and entertainment. Red Tape rethinks Stalinism in Czechoslovakia—one of the states in which it was at its staunchest for longest—by showing how, even then, meaningful, multi-directional communication occurred between audiences and state-controlled media. It finds de-Stalinization's first traces not in secret speeches never intended for the ears of "ordinary" listeners, but instead in earlier, changing forms of radio address. And it traces the origins of the Prague Spring's discursive climate to the censored and monitored environment of the newsroom, long before the seismic year of 1968. Bringing together European history, media studies, cultural history, and sound studies, Red Tape shows how Czechs and Slovaks used radio technologies and institutions to negotiate questions of citizenship and rights.