Samer Al-Saber - Böcker

This book is a ground-breaking collection on contemporary Arab theatre.Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.

The official journal of the Mid-America Theatre ConferenceTheatre History Studies is the official journal of the Mid-America Theatre Conference, Inc. (MATC). The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region that includes the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, and Wisconsin. Its purposes are to unite people and organizations within this region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre.Published annually since 1981, Theatre History Studies provides critical, analytical, and descriptive essays on all aspects of theatre history and is devoted to disseminating the highest quality peer-review scholarship in the field.

Palestinian theater today is drawing increasing interest throughout the Arab world and beyond, as theaters and universities in the English-speaking world are becoming familiar with companies like the Freedom Theatre, Al-Kasaba Theatre, Ashtar, Al-Rowwad, Yes Theatre, Al-Harah, and the Palestinian National Theatre. This volume for the first time presents contemporary plays from a number of Palestinian theatres in English. The collection offers a rare look into the dynamic life of contemporary Palestinian theater. The works gathered here arise directly from the physical and psychological realities of the occupation, combining activism and critical self-inquiry. The anthology represents both the micro-political geography and theatrical institutions of Palestine, covering the West Bank from the farthest north to the farthest south, the Galilee, Gaza, and Jerusalem. What emerges is the range of contemporary Palestinian national identity as expressed in the content, styles and institutions of its theater. As part of the In Performance series, the plays in this anthology will be of interest to those who want to produce new work, read diverse dramatic and performance literature, and understand the ways in which theater contributes to international discussions of culture, rights, history, and more.

This book is a ground-breaking collection on contemporary Arab theatre.Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.

The first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction.In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.

The first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction.In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With this book, Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation.The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.