Sarah Howe – författare

'Howe is peerless and I look at her work, happily, with awe' OCEAN VUONGA landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism – and forming a portrait of a mother in search of her past and herself.'Unearthed in a clear-out, a picture calendar she’s kept – hoarding, I’ve learnt, is a mark of the emigrant – across continents and time.'So begins Sarah Howe’s extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother’s clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives.Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.'Foretokens arrives . . . as a kind of literary event . . . It’s a work of supreme concision. Not a word is out of place' Lucy Thynne, Telegraph

*WINNER OF THE T. S. ELIOT PRIZE 2015**WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015**SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015*There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots.With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.

*WINNER OF THE T. S. ELIOT PRIZE 2015**WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015**SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015*There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots.With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.

The highly anticipated annual anthology of the best Canadian and international poetry, edited by Ian Williams, Scotiabank Giller Prize winner Griffin Poetry Prize finalist. Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001 this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Each year, the Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.