Sarah Pink - Böcker

This book advances the practice and theory of design ethnography. It presents a methodologically adventurous and conceptually robust approach to interventional and ethical research design, practice and engagement.The authors, specialising in design ethnography across the fields of anthropology, sociology, human geography, pedagogy and design research, draw on their extensive international experience of collaborating with engineers, designers, creative practitioners and specialists from other fields. They call for, and demonstrate the benefits of, ethnographic and conceptual attention to design as part of our personal and public everyday lives, society, institutions and activism. Design Ethnography is essential reading for researchers, scholars and students seeking to reshape the way we research, live and design ethically and responsibly into yet unknown futures.

This book advances the practice and theory of design ethnography. It presents a methodologically adventurous and conceptually robust approach to interventional and ethical research design, practice and engagement.The authors, specialising in design ethnography across the fields of anthropology, sociology, human geography, pedagogy and design research, draw on their extensive international experience of collaborating with engineers, designers, creative practitioners and specialists from other fields. They call for, and demonstrate the benefits of, ethnographic and conceptual attention to design as part of our personal and public everyday lives, society, institutions and activism. Design Ethnography is essential reading for researchers, scholars and students seeking to reshape the way we research, live and design ethically and responsibly into yet unknown futures.

We live in atmospheres, we talk about them and we move through them. They offer us an important route into comprehending several aspects of human life and experience, what is important to people, the environments life is played out in, and the processes of change and possible futures. Atmospheres are an ephemeral yet inescapable element of our everyday experiential and conceptual environments. They are continually beyond our grasp as they undergo constant transformation.By interrogating atmospheres, this book arrives at new ways of thinking about the relationships between people, space, time and events. Atmospheres and the Experiential World explores the ways we engage with these affective modes, and the possibilities they offer for researchers, designers and policy-makers to make and intervene in the world.Chapters propose an approach to atmospheres that is not fixed to certain forms or boundaries. Instead, this book argues that atmospheres should be conceptualised as dynamic and changing configurations that allow analytical insight into a range of topics when we think in, about and through them. This book offers scholars, designers and creative practitioners, professionals and students a research-based way of understanding and intervening in atmospheres.

This Open Access book brings the experiences of automation as part of quotidian life into focus. It asks how, where and when automated technologies and systems are emerging in everyday life across different global regions? What are their likely impacts in the present and future? How do engineers, policy makers, industry stakeholders and designers envisage artificial intelligence (AI) and automated decision-making (ADM) as solutions to individual and societal problems? How do these future visions compare with the everyday realities, power relations and social inequalities in which AI and ADM are experienced? What do people know about automation and what are their experiences of engaging with ‘actually existing’ AI and ADM technologies? An international team of leading scholars bring together research developed across anthropology, sociology, media and communication studies and ethnology, which shows how by rehumanising automation, we can gain deeper understandings of its societal impacts.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

This Open Access book brings the experiences of automation as part of quotidian life into focus. It asks how, where and when automated technologies and systems are emerging in everyday life across different global regions? What are their likely impacts in the present and future? How do engineers, policy makers, industry stakeholders and designers envisage artificial intelligence (AI) and automated decision-making (ADM) as solutions to individual and societal problems? How do these future visions compare with the everyday realities, power relations and social inequalities in which AI and ADM are experienced? What do people know about automation and what are their experiences of engaging with ‘actually existing’ AI and ADM technologies? An international team of leading scholars bring together research developed across anthropology, sociology, media and communication studies and ethnology, which shows how by rehumanising automation, we can gain deeper understandings of its societal impacts.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

Visual methods such as drawing, painting, video, photography and hypermedia offer increasingly accessible and popular resources for ethnographic research. In Working Images, prominent visual anthropologists and artists explore how old and new visual media can be integrated into contemporary forms of research and representation. Drawing upon projects undertaken both 'at home' in their native countries and abroad in locations such as Ethopia and Venezuela, the book's contributors demonstrate how visual methods are used in the field, and how these methods can produce and communicate knowledge about our own and other cultures. As well as focusing on key issues such as ethics and the relationship between word and image, they emphasize the huge range of visual methods currently opening up new possibilities for field research, from cartoons and graphic art to new media such as digital video and online technologies.

Visual methods such as drawing, painting, video, photography and hypermedia offer increasingly accessible and popular resources for ethnographic research. In Working Images, prominent visual anthropologists and artists explore how old and new visual media can be integrated into contemporary forms of research and representation. Drawing upon projects undertaken both 'at home' in their native countries and abroad in locations such as Ethopia and Venezuela, the book's contributors demonstrate how visual methods are used in the field, and how these methods can produce and communicate knowledge about our own and other cultures. As well as focusing on key issues such as ethics and the relationship between word and image, they emphasize the huge range of visual methods currently opening up new possibilities for field research, from cartoons and graphic art to new media such as digital video and online technologies.

From an eminent author in the field, The Future of Visual Anthropology develops a new approach to visual anthropology and presents a groundbreaking examination of developments within the field and the way forward for the subdiscipline in the twenty-first century.The explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis. The result is an exciting new interdisciplinary approach of great potential influence for the future of social/cultural anthropology.Sarah Pink argues that this potential can be harnessed by engaging visual anthropology with its wider contexts, including:the increasing use of visual research methods across the social sciences and humanities the growth in popularity of the visual as methodology and object of analysis within mainstream anthropology and applied anthropology the growing interest in 'anthropology of the senses' and media anthropologythe development of new visual technologies that allow anthropologists to work in new ways.This book has immense interdisciplinary potential, and is essential reading for students, researchers and practitioners of visual anthropology, media anthropology, visual cultural studies, media studies and sociology.

From an eminent author in the field, The Future of Visual Anthropology develops a new approach to visual anthropology and presents a groundbreaking examination of developments within the field and the way forward for the subdiscipline in the twenty-first century.The explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis. The result is an exciting new interdisciplinary approach of great potential influence for the future of social/cultural anthropology.Sarah Pink argues that this potential can be harnessed by engaging visual anthropology with its wider contexts, including:the increasing use of visual research methods across the social sciences and humanities the growth in popularity of the visual as methodology and object of analysis within mainstream anthropology and applied anthropology the growing interest in 'anthropology of the senses' and media anthropologythe development of new visual technologies that allow anthropologists to work in new ways.This book has immense interdisciplinary potential, and is essential reading for students, researchers and practitioners of visual anthropology, media anthropology, visual cultural studies, media studies and sociology.

The construction industry as a workplace is commonly seen as problematic for a number of reasons, including its worrying health and safety record, the instability of its workforce, and the poorly regulated nature of the sector. It is surprising therefore, that the sector and its working practices remain so under-theorised. Now though, there is a growing interest in and awareness of the utility of an ethnographic approach to the construction industry. Ethnographic Research in the Construction Industry draws together in one volume a set of expert contributions which demonstrate how social science perspectives, rooted in ethnographic research on construction sites and with construction workers themselves, can generate fresh insights into the social, cultural and material ways that the industry and conditions of work in it are experienced and played out. Each chapter develops discussion on the basis of an ethnographic case study to examine how theoretically informed ethnographic research can help us understand industry problems, and can challenge common perceptions of the construction industry. This book will be of interest to students and scholars of anthropology, sociology, geography and organization studies, as well as those from the built environment and related applied fields.

The study of everyday life is fundamental to our understanding of modern society. This agenda-setting book provides a coherent, interdisciplinary way to engage with everyday activities and environments. Arguing for an innovative, ethnographic approach, it uses detailed examples, based in real world and digital research, to bring its theories to life.The book focuses on the sensory, embodied, mobile and mediated elements of practice and place as a route to understanding wider issues. By doing so, it convincingly outlines a robust theoretical and methodological approach to understanding contemporary everyday life and activism.A fresh, timely book, this is an excellent resource for students and researchers of everyday life, activism and sustainability across the social sciences.

The study of everyday life is fundamental to our understanding of modern society. This agenda-setting book provides a coherent, interdisciplinary way to engage with everyday activities and environments. Arguing for an innovative, ethnographic approach, it uses detailed examples, based in real world and digital research, to bring its theories to life.The book focuses on the sensory, embodied, mobile and mediated elements of practice and place as a route to understanding wider issues. By doing so, it convincingly outlines a robust theoretical and methodological approach to understanding contemporary everyday life and activism.A fresh, timely book, this is an excellent resource for students and researchers of everyday life, activism and sustainability across the social sciences.

A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the 'must have' text for teachers and students of `the visual' across the arts, humanities and social sciences.

- Elaine Campbell, Reader in Criminology, Newcastle University

 

This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social research.

- Rob Walker, Emeritus Professor, University of East Anglia

 

This innovative book examines and introduces cutting edge visual methods in social research.

 

It explores the development of visual methodology as a field of interdisciplinary and post-disciplinary practice spanning scholarly and applied concerns. Positioned at the innovative edge of theory and practice in contemporary visual research, Pink's engaging book goes beyond the methods, ideas and fields of practice outlined in existing texts and handbooks.

 

This book examines:

-How new theoretical and methodological engagements are developing and emerging in research practice;

-the impact new approaches are having on the types of knowledge visual research produces and critiques;

-the ways visual research intersects with new media;

-and the implications for social and cultural research, scholarship and intervention.

 

This book will be essential reading for any student or researcher thinking of using visual methods in their own research.

 

Sarah Pink is Professor of Social Sciences at Loughborough University.

Emerging Technologies / Life at the Edge of the Future invites us to think forward from our present moment of planetary, public and everyday crisis, through the prism of emerging technologies.It calls for a new ethical, responsible and equitable path towards possible futures, curated through in-depth engagement with and across experiential, environmental and technological possibilities. It tackles three of the most significant challenges for contemporary society by asking: how emerging technologies are implicated in the sites of everyday lives; what place emerging technologies have in an evolving world in crisis; and how we might better imagine and shape ethical, equitable and responsible futures. The book interweaves three narratives, each of which advances three sets of concerns for our societal futures: ‘Emergence’, which addresses futures, trust and hope; ‘Worlds’, which addresses data, air and energy; and ‘Technologies’, which addresses the future of mobilities, homes and work.Not simply a critical study of emerging technologies, this book is also an approach to thinking and practice in times of global crisis that plays out a mode of future-focused scholarship and action for the first half of the twenty-first century.

Emerging Technologies / Life at the Edge of the Future invites us to think forward from our present moment of planetary, public and everyday crisis, through the prism of emerging technologies.It calls for a new ethical, responsible and equitable path towards possible futures, curated through in-depth engagement with and across experiential, environmental and technological possibilities. It tackles three of the most significant challenges for contemporary society by asking: how emerging technologies are implicated in the sites of everyday lives; what place emerging technologies have in an evolving world in crisis; and how we might better imagine and shape ethical, equitable and responsible futures. The book interweaves three narratives, each of which advances three sets of concerns for our societal futures: ‘Emergence’, which addresses futures, trust and hope; ‘Worlds’, which addresses data, air and energy; and ‘Technologies’, which addresses the future of mobilities, homes and work.Not simply a critical study of emerging technologies, this book is also an approach to thinking and practice in times of global crisis that plays out a mode of future-focused scholarship and action for the first half of the twenty-first century.

Digital self-tracking devices and data have become normal elements of everyday life. Imagining Personal Data examines the implications of the rise of body monitoring and digital self-tracking for how we inhabit, experience and imagine our everyday worlds and futures. Through a focus on how it feels to live in environments where data is emergent, present and characterized by a sense of uncertainty, the authors argue for a new interdisciplinary approach to understanding the implications of self-tracking, which attends to its past, present and possible future. Building on social science approaches, the book accounts for the concerns of scholars working in design, philosophy and human-computer interaction. It problematizes the body and senses in relation to data and tracking devices, presents an accessible analytical account of the sensory and affective experiences of self-tracking, and questions the status of big data. In doing so it proposes an agenda for future research and design that puts people at its centre.

Can We Trust Technology? examines the contemporary crisis of trust, where people’s trust in organisations and in emerging technologies is decreasing. As governments, industry organisations and research funders are investing millions in the quest to design technologies people will trust, this book asks if it is plausible to think tech workers and research designers can produce trustworthy technologies and, moreover, if it is realistic to assume everyday users of those technologies will ever truly trust them? Drawing on incisive analysis of the contemporary context and ethnographic research with those who develop and use technologies, the book reconsiders dominant assumptions about trust, arguing for a shift in thinking away from motifs of trustworthy technology and toward a vision for trusted futures.This book is for researchers, professionals and practitioners from all disciplines and professions, interested in technology, trust and futures.

Can We Trust Technology? examines the contemporary crisis of trust, where people’s trust in organisations and in emerging technologies is decreasing. As governments, industry organisations and research funders are investing millions in the quest to design technologies people will trust, this book asks if it is plausible to think tech workers and research designers can produce trustworthy technologies and, moreover, if it is realistic to assume everyday users of those technologies will ever truly trust them? Drawing on incisive analysis of the contemporary context and ethnographic research with those who develop and use technologies, the book reconsiders dominant assumptions about trust, arguing for a shift in thinking away from motifs of trustworthy technology and toward a vision for trusted futures.This book is for researchers, professionals and practitioners from all disciplines and professions, interested in technology, trust and futures.

How are intergenerational relationships playing out in and through the digital rhythms of the household? Through extensive fieldwork in Tokyo, Shanghai and Melbourne, this book ethnographically explores how households are being understood, articulated and defined by digital media practices. It investigates the rise of self-tracking, quantified self and informal practices of care at distance as part of contemporary household dynamics.

We live in atmospheres, we talk about them and we move through them. They offer us an important route into comprehending several aspects of human life and experience, what is important to people, the environments life is played out in, and the processes of change and possible futures. Atmospheres are an ephemeral yet inescapable element of our everyday experiential and conceptual environments. They are continually beyond our grasp as they undergo constant transformation.By interrogating atmospheres, this book arrives at new ways of thinking about the relationships between people, space, time and events. Atmospheres and the Experiential World explores the ways we engage with these affective modes, and the possibilities they offer for researchers, designers and policy-makers to make and intervene in the world.Chapters propose an approach to atmospheres that is not fixed to certain forms or boundaries. Instead, this book argues that atmospheres should be conceptualised as dynamic and changing configurations that allow analytical insight into a range of topics when we think in, about and through them. This book offers scholars, designers and creative practitioners, professionals and students a research-based way of understanding and intervening in atmospheres.

The construction industry as a workplace is commonly seen as problematic for a number of reasons, including its worrying health and safety record, the instability of its workforce, and the poorly regulated nature of the sector. It is surprising therefore, that the sector and its working practices remain so under-theorised. Now though, there is a growing interest in and awareness of the utility of an ethnographic approach to the construction industry. Ethnographic Research in the Construction Industry draws together in one volume a set of expert contributions which demonstrate how social science perspectives, rooted in ethnographic research on construction sites and with construction workers themselves, can generate fresh insights into the social, cultural and material ways that the industry and conditions of work in it are experienced and played out. Each chapter develops discussion on the basis of an ethnographic case study to examine how theoretically informed ethnographic research can help us understand industry problems, and can challenge common perceptions of the construction industry. This book will be of interest to students and scholars of anthropology, sociology, geography and organization studies, as well as those from the built environment and related applied fields.

Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative ‘technology’ for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative ‘technology’ for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

Digital self-tracking devices and data have become normal elements of everyday life. Imagining Personal Data examines the implications of the rise of body monitoring and digital self-tracking for how we inhabit, experience and imagine our everyday worlds and futures. Through a focus on how it feels to live in environments where data is emergent, present and characterized by a sense of uncertainty, the authors argue for a new interdisciplinary approach to understanding the implications of self-tracking, which attends to its past, present and possible future. Building on social science approaches, the book accounts for the concerns of scholars working in design, philosophy and human-computer interaction. It problematizes the body and senses in relation to data and tracking devices, presents an accessible analytical account of the sensory and affective experiences of self-tracking, and questions the status of big data. In doing so it proposes an agenda for future research and design that puts people at its centre.

This book examines emerging automated technologies and systems and the increasingly prominent roles that each plays in our lives and our imagined futures. It asks how technological futures are being constituted and the roles anthropologists can play in their making; how anthropologists engage with emerging technologies within their fieldwork contexts in research which seeks to influence future design; how to create critical and interventional approaches to technology design and innovation; and how a critical anthropology of the way that emerging technologies are experienced in everyday life circumstances offers new insights for future-making practices. In pursuing these questions, this book responds to a call for new anthropologies that respond to the current and emerging technological environments in which we live, environments for which thinking critically about the possible, plausible, and impossible futures are no longer sufficient. Taking the next step, this book asserts that anthropology must now propose alternative ways, rooted in ethnography, to approach and engage with what is coming and to contest dominant narratives of industry, policy, and government, and to respond to our contemporary context through a public, vocal, and interventional approach.

This book examines emerging automated technologies and systems and the increasingly prominent roles that each plays in our lives and our imagined futures. It asks how technological futures are being constituted and the roles anthropologists can play in their making; how anthropologists engage with emerging technologies within their fieldwork contexts in research which seeks to influence future design; how to create critical and interventional approaches to technology design and innovation; and how a critical anthropology of the way that emerging technologies are experienced in everyday life circumstances offers new insights for future-making practices. In pursuing these questions, this book responds to a call for new anthropologies that respond to the current and emerging technological environments in which we live, environments for which thinking critically about the possible, plausible, and impossible futures are no longer sufficient. Taking the next step, this book asserts that anthropology must now propose alternative ways, rooted in ethnography, to approach and engage with what is coming and to contest dominant narratives of industry, policy, and government, and to respond to our contemporary context through a public, vocal, and interventional approach.

This bold agenda-setting title continues to spearhead interdisciplinary, multisensory research into experience, knowledge and practice.

Drawing on an explosion of new, cutting edge research Sarah Pink uses real world examples to bring this innovative area of study to life. She encourages us to challenge, revise and rethink core components of ethnography including interviews, participant observation and doing research in a digital world. The book provides an important framework for thinking about sensory ethnography stressing the numerous ways that smell, taste, touch and vision can be interconnected and interrelated within research. Bursting with practical advice on how to effectively conduct and share sensory ethnography this is an important, original book, relevant to all branches of social sciences and humanities.

As the distinction between the digital and the material world becomes increasingly blurred, the ways in which we think about design are also shifting and evolving. How can the human, digital and material be brought together to intervene in the world? What constitutes our digital-material environments? How can we engage with digital technologies to make sustainable, healthy and meaningful decisions, both now and in the future? Digital Materialities presents twelve chapters by scholars and practitioners working at the intersection between design and digital research in the UK, Spain, Australia and the USA. By incorporating in-depth understandings of the digital-material world from both the social sciences and design, the book considers how this combined knowledge might advance our capacity to design for the future. Divided into three parts, the focus of the book moves from the theoretical to the practical: how different digital materialities are imagined and emerge, through software emulation, urban sensors and smart homes; how new digital designs are sparked through collaborations between social scientists and designers; and finally, how digital design emerges from the insider work of everyday designers. A fascinating, ground-breaking book for students and scholars of digital anthropology, media and communication, and anyone interested in the future of digital design.