Sarah Pink is Professor of Design and Emerging Technologies, Founding Director of the Emerging Technologies Research Lab at Monash University Australia and Associate Director of Monash Energy Institute. She is International Guest Professor at Halmstad University in Sweden, Adjunct Distinguished Professor at RMIT University Australia, where she was previously Director of the Digital Ethnography Research Centre. She is also Visiting Professor in the Design School and Fellow of the Institute of Advanced Studies at Loughborough University, where she was formerly Professor of Social Sciences. Sarah is a Fellow of the Academy of the Social Sciences in Australia.Sarah is a world leader in innovative digital, visual and sensory research and dissemination methodologies, which she engages in interdisciplinary projects with design, engineering and creative practice disciplines to engage with contemporary issues and challenges. She is known globally for her design anthropological research and collaboration across disciplines and with partners inside and outside academia. She has developed and collaborated in visual ethnography research across the world, including in the United Kingdom, Spain, Sweden, Australia, Brazil, Chile and Indonesia.

This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social researchRob WalkerUniversity of East Anglia A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the ′must have′ text for teachers and students of `the visual′ across the arts, humanities and social sciencesElaine CampbellReader in Criminology, Newcastle University Sarah Pink′s edited collection brings together a range of experienced researchers to share and exemplify their work with visual data in social research... The strength of the collection lies in the consistent combining of introductory material with evidence from authors′ own research and reflexive critique of political and ethical issues arising from the work... Recommended reading for doctoral students and teacher-researchers who either intend to elicit visual data or just want to know why they won′t.Julian McDougallMedia Education Research Journal Pink has put together a volume of essays on visual methodology with the task of "understanding and engaging not only with the newest and latest theoretical developments in our fields, but also with the ways these are co-implicated with technological developments and media practices" (Pink, 2012, p. 3)... The strength of these essays is the rigor with which they engage the concept of space and place, giving them enough detail to be useful not only for theory but also practice - or, put another way, to be useful in meaningfully breaking down theory, practice, and how they need to intersect for strong research.Sara MartelThe Communication Review

• PART ONE: KEY DEVELOPMENTS AND ISSUESAdvances in Visual Methodology: An Introduction - Sarah PinkVisual Ethics in a Contemporary Landscape - Andrew ClarkPART TWO: VISUAL PRACTICES AND VISUALING PRACTICEThe Politics and Practices of Looking: CCTV Video and Domestic Kitchen Practices - Lydia MartensVideo in Analytic Practice - Jon Hindmarsh and Dylan TuttVirtual/Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research - Elisenda ArdévolPART THREE: NEW VISUAL SPATIALITIESCommunity Mapping as Auto-Ethno-Cartography - Cristina GrasseniVisual Ethnography and the Internet: Visuality, Virtuality and the Spatial Turn - Sarah PinkGeomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques - Francesco Lapenta PART FOUR: PUBLIC SCHOLARSHIP, ARTS AND VISUAL INTERVENTIONEthno-Mimesis and Participatory Arts - Maggie O′NeillHealing Mirrors: Body Arts and Ethnographic Methodologies - Christina LammerDigital Technologies, Visual Research and the Non-Fiction Image - Roderick Coover with Pat Badani, Flavia Caviezel, Mark Marino, Nitin Sawhney, William Uricchio PART FIVE: TOWARDS AN INTERDISCIPLINARY VISUAL METHODOLOGY?An Anthropologist in the Film Archives: Interdisciplinary Approaches - Marcus BanksVisualizing Interior Worlds: Interdisciplinary Routes to Knowing - Susan Hogan and Sarah PinkContemplating the State of Visual Research: An Assessment of Obstacles and Opportunities - Luc Pauwels

Sarah Pink is Professor of Design and Emerging Technologies, Founding Director of the Emerging Technologies Research Lab at Monash University Australia and Associate Director of Monash Energy Institute. She is International Guest Professor at Halmstad University in Sweden, Adjunct Distinguished Professor at RMIT University Australia, where she was previously Director of the Digital Ethnography Research Centre. She is also Visiting Professor in the Design School and Fellow of the Institute of Advanced Studies at Loughborough University, where she was formerly Professor of Social Sciences. Sarah is a Fellow of the Academy of the Social Sciences in Australia.Sarah is a world leader in innovative digital, visual and sensory research and dissemination methodologies, which she engages in interdisciplinary projects with design, engineering and creative practice disciplines to engage with contemporary issues and challenges. She is known globally for her design anthropological research and collaboration across disciplines and with partners inside and outside academia. She has developed and collaborated in visual ethnography research across the world, including in the United Kingdom, Spain, Sweden, Australia, Brazil, Chile and Indonesia.

This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social researchRob WalkerUniversity of East Anglia A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the ′must have′ text for teachers and students of `the visual′ across the arts, humanities and social sciencesElaine CampbellReader in Criminology, Newcastle University Sarah Pink′s edited collection brings together a range of experienced researchers to share and exemplify their work with visual data in social research... The strength of the collection lies in the consistent combining of introductory material with evidence from authors′ own research and reflexive critique of political and ethical issues arising from the work... Recommended reading for doctoral students and teacher-researchers who either intend to elicit visual data or just want to know why they won′t.Julian McDougallMedia Education Research Journal Pink has put together a volume of essays on visual methodology with the task of "understanding and engaging not only with the newest and latest theoretical developments in our fields, but also with the ways these are co-implicated with technological developments and media practices" (Pink, 2012, p. 3)... The strength of these essays is the rigor with which they engage the concept of space and place, giving them enough detail to be useful not only for theory but also practice - or, put another way, to be useful in meaningfully breaking down theory, practice, and how they need to intersect for strong research.Sara MartelThe Communication Review

• PART ONE: KEY DEVELOPMENTS AND ISSUESAdvances in Visual Methodology: An Introduction - Sarah PinkVisual Ethics in a Contemporary Landscape - Andrew ClarkPART TWO: VISUAL PRACTICES AND VISUALING PRACTICEThe Politics and Practices of Looking: CCTV Video and Domestic Kitchen Practices - Lydia MartensVideo in Analytic Practice - Jon Hindmarsh and Dylan TuttVirtual/Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research - Elisenda ArdévolPART THREE: NEW VISUAL SPATIALITIESCommunity Mapping as Auto-Ethno-Cartography - Cristina GrasseniVisual Ethnography and the Internet: Visuality, Virtuality and the Spatial Turn - Sarah PinkGeomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques - Francesco Lapenta PART FOUR: PUBLIC SCHOLARSHIP, ARTS AND VISUAL INTERVENTIONEthno-Mimesis and Participatory Arts - Maggie O′NeillHealing Mirrors: Body Arts and Ethnographic Methodologies - Christina LammerDigital Technologies, Visual Research and the Non-Fiction Image - Roderick Coover with Pat Badani, Flavia Caviezel, Mark Marino, Nitin Sawhney, William Uricchio PART FIVE: TOWARDS AN INTERDISCIPLINARY VISUAL METHODOLOGY?An Anthropologist in the Film Archives: Interdisciplinary Approaches - Marcus BanksVisualizing Interior Worlds: Interdisciplinary Routes to Knowing - Susan Hogan and Sarah PinkContemplating the State of Visual Research: An Assessment of Obstacles and Opportunities - Luc Pauwels

Sarah Pink is Professor of Design and Emerging Technologies, Founding Director of the Emerging Technologies Research Lab at Monash University Australia and Associate Director of Monash Energy Institute. She is International Guest Professor at Halmstad University in Sweden, Adjunct Distinguished Professor at RMIT University Australia, where she was previously Director of the Digital Ethnography Research Centre. She is also Visiting Professor in the Design School and Fellow of the Institute of Advanced Studies at Loughborough University, where she was formerly Professor of Social Sciences. Sarah is a Fellow of the Academy of the Social Sciences in Australia.Sarah is a world leader in innovative digital, visual and sensory research and dissemination methodologies, which she engages in interdisciplinary projects with design, engineering and creative practice disciplines to engage with contemporary issues and challenges. She is known globally for her design anthropological research and collaboration across disciplines and with partners inside and outside academia. She has developed and collaborated in visual ethnography research across the world, including in the United Kingdom, Spain, Sweden, Australia, Brazil, Chile and Indonesia.

This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social researchRob WalkerUniversity of East Anglia A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the ′must have′ text for teachers and students of `the visual′ across the arts, humanities and social sciencesElaine CampbellReader in Criminology, Newcastle University Sarah Pink′s edited collection brings together a range of experienced researchers to share and exemplify their work with visual data in social research... The strength of the collection lies in the consistent combining of introductory material with evidence from authors′ own research and reflexive critique of political and ethical issues arising from the work... Recommended reading for doctoral students and teacher-researchers who either intend to elicit visual data or just want to know why they won′t.Julian McDougallMedia Education Research Journal Pink has put together a volume of essays on visual methodology with the task of "understanding and engaging not only with the newest and latest theoretical developments in our fields, but also with the ways these are co-implicated with technological developments and media practices" (Pink, 2012, p. 3)... The strength of these essays is the rigor with which they engage the concept of space and place, giving them enough detail to be useful not only for theory but also practice - or, put another way, to be useful in meaningfully breaking down theory, practice, and how they need to intersect for strong research.Sara MartelThe Communication Review

• PART ONE: KEY DEVELOPMENTS AND ISSUESAdvances in Visual Methodology: An Introduction - Sarah PinkVisual Ethics in a Contemporary Landscape - Andrew ClarkPART TWO: VISUAL PRACTICES AND VISUALING PRACTICEThe Politics and Practices of Looking: CCTV Video and Domestic Kitchen Practices - Lydia MartensVideo in Analytic Practice - Jon Hindmarsh and Dylan TuttVirtual/Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research - Elisenda ArdévolPART THREE: NEW VISUAL SPATIALITIESCommunity Mapping as Auto-Ethno-Cartography - Cristina GrasseniVisual Ethnography and the Internet: Visuality, Virtuality and the Spatial Turn - Sarah PinkGeomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques - Francesco Lapenta PART FOUR: PUBLIC SCHOLARSHIP, ARTS AND VISUAL INTERVENTIONEthno-Mimesis and Participatory Arts - Maggie O′NeillHealing Mirrors: Body Arts and Ethnographic Methodologies - Christina LammerDigital Technologies, Visual Research and the Non-Fiction Image - Roderick Coover with Pat Badani, Flavia Caviezel, Mark Marino, Nitin Sawhney, William Uricchio PART FIVE: TOWARDS AN INTERDISCIPLINARY VISUAL METHODOLOGY?An Anthropologist in the Film Archives: Interdisciplinary Approaches - Marcus BanksVisualizing Interior Worlds: Interdisciplinary Routes to Knowing - Susan Hogan and Sarah PinkContemplating the State of Visual Research: An Assessment of Obstacles and Opportunities - Luc Pauwels