National Jewish Book Awards FinalistA close reading of postrevolutionary Russian and Yiddish literature and film recasts the Soviet Jew as a novel cultural figure: not just a minority but an ambivalent character navigating between the Jewish past and Bolshevik modernity.The Russian Revolution of 1917 transformed the Jewish community of the former tsarist empire. The Pale of Settlement on the empire's western borderlands, where Jews had been required to live, was abolished several months before the Bolsheviks came to power. Many Jews quickly exited the shtetls, seeking prospects elsewhere. Some left for bigger cities, others for Europe, America, or Palestine. Thousands tried their luck in the newly established Jewish Autonomous Region in the Far East, where urban merchants would become tillers of the soil. For these Jews, Soviet modernity meant freedom, the possibility of the new, and the pressure to discard old ways of life.This ambivalence was embodied in the Soviet Jew—not just a descriptive demographic term but a novel cultural figure. In insightful readings of Yiddish and Russian literature, films, and reportage, Sasha Senderovich finds characters traversing space and history and carrying with them the dislodged practices and archetypes of a lost Jewish world. There is the Siberian settler of Viktor Fink’s Jews in the Taiga, the folkloric trickster of Isaac Babel, and the fragmented, bickering family of Moyshe Kulbak’s The Zelmenyaners, whose insular lives are disrupted by the march of technological, political, and social change. There is the collector of ethnographic tidbits, the pogrom survivor, the émigré who repatriates to the USSR.Senderovich urges us to see the Soviet Jew anew, as not only a minority but also a particular kind of liminal being. How the Soviet Jew Was Made emerges as a profound meditation on culture and identity in a shifting landscape.

A first-of-its kind collection of short stories that provides an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union.A death camp survivor asks a local woman to write down in Russian his story, which he conveys in Yiddish. The Jewish population of Kyiv makes a pilgrimage to the site of a massacre on its anniversary. A single teacup becomes the focal point of a Jewish family's complex history. These are just three of the stories featured in In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, a collection of newly translated short fiction written in the aftermath of one of the most significant Jewish tragedies of the 20th century. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works. The significance of the texts they wrote, however, has remained largely neglected. This volume brings these compelling stories to light, providing readers with critical, annotated translations of authors who wrote in richly diverse ways in the shadow of World War II.The voices brought together in In the Shadow of the Holocaust create a distinct chorus of personal, idiosyncratic experiences of loss and provide new perspectives on questions fundamental to literature of the Holocaust, the legacies of genocide, and the nature of historical trauma and memory.

National Jewish Book Awards FinalistA close reading of postrevolutionary Russian and Yiddish literature and film recasts the Soviet Jew as a novel cultural figure: not just a minority but an ambivalent character navigating between the Jewish past and Bolshevik modernity.The Russian Revolution of 1917 transformed the Jewish community of the former tsarist empire. The Pale of Settlement on the empire's western borderlands, where Jews had been required to live, was abolished several months before the Bolsheviks came to power. Many Jews quickly exited the shtetls, seeking prospects elsewhere. Some left for bigger cities, others for Europe, America, or Palestine. Thousands tried their luck in the newly established Jewish Autonomous Region in the Far East, where urban merchants would become tillers of the soil. For these Jews, Soviet modernity meant freedom, the possibility of the new, and the pressure to discard old ways of life.This ambivalence was embodied in the Soviet Jew—not just a descriptive demographic term but a novel cultural figure. In insightful readings of Yiddish and Russian literature, films, and reportage, Sasha Senderovich finds characters traversing space and history and carrying with them the dislodged practices and archetypes of a lost Jewish world. There is the Siberian settler of Viktor Fink’s Jews in the Taiga, the folkloric trickster of Isaac Babel, and the fragmented, bickering family of Moyshe Kulbak’s The Zelmenyaners, whose insular lives are disrupted by the march of technological, political, and social change. There is the collector of ethnographic tidbits, the pogrom survivor, the émigré who repatriates to the USSR.Senderovich urges us to see the Soviet Jew anew, as not only a minority but also a particular kind of liminal being. How the Soviet Jew Was Made emerges as a profound meditation on culture and identity in a shifting landscape.

A first-of-its kind collection of short stories that provides an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union.A death camp survivor asks a local woman to write down in Russian his story, which he conveys in Yiddish. The Jewish population of Kyiv makes a pilgrimage to the site of a massacre on its anniversary. A single teacup becomes the focal point of a Jewish family's complex history. These are just three of the stories featured in In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, a collection of newly translated short fiction written in the aftermath of one of the most significant Jewish tragedies of the 20th century. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works. The significance of the texts they wrote, however, has remained largely neglected. This volume brings these compelling stories to light, providing readers with critical, annotated translations of authors who wrote in richly diverse ways in the shadow of World War II.The voices brought together in In the Shadow of the Holocaust create a distinct chorus of personal, idiosyncratic experiences of loss and provide new perspectives on questions fundamental to literature of the Holocaust, the legacies of genocide, and the nature of historical trauma and memory.