Sayantani DasGupta – författare

Narrative medicine is a fresh discipline of health care that helps patients and health professionals to tell and listen to the complex and unique stories of illness. The Principles and Practice of Narrative Medicine expresses the collective experience and discoveries of the originators of the field. Arising at Columbia University in 2000 from roots in the humanities and patient-centered care, narrative medicine draws patients, doctors, nurses, therapists, and health activists together to re-imagine a health care based on trust and trustworthiness, humility, and mutual recognition.Over a decade of education and research has crystallized the goals and methods of narrative medicine, leading to increasingly powerful means to improve the care that patients receive. The methods described in this book harness creativity and insight to help the professionals in being with patients, not just to diagnose and treat them but tobear witness to what they undergo. Narrative medicine training in literary theory, philosophy, narrative ethics, and the creative arts increases clinicians' capacity to perceive the turmoil and suffering borne by patients and to help them to cohere or endure the chaos of illness.Narrative medicine has achieved an international reputation and reach. Many health care settings adopt methods of narrative medicine in teaching and practice. Through the Master of Science in Narrative Medicine graduate program and health professions school curricula at Columbia University, more and more clinicians and scholars have obtained the rigorous training necessary to practice and teach narrative medicine. This text is offered to all who seek the opportunity for disciplined training in narrative medicine. By clearly articulating our principles and practice, this book provides the standards of the field for those who want to join us in seeking authenticity, recognition, affiliation, and justice in a narrative health care.

From chudails and peris to jinn and goddesses, this lush collection of South Asian folklore, myths, and legends reimagines stories of old for a modern audience.This fantasy and science fiction teen anthology edited by Samira Ahmed and Sona Charaipotra contains a wide range of diverse stories from fourteen bestselling, award-winning, and emerging writers from the South Asian diaspora that will surprise, delight, and move you. So read on, for after all, magic has no borders.A pair of star-crossed lovers search for a way back to one another against all odds . . .A girl fights for her life against a malignant, generations-old evil . . .A peri seeks to reclaim her lost powers . . .A warrior rebels against her foretold destiny . . .With stories by:Sabaa Tahir, #1 New York Times bestselling author of the Ember in the Ashes series and winner of the National Book Award and Printz Award for All My RageSayantani DasGupta, New York Times bestselling author of the Kiranmala and the Kingdom Beyond seriesPreeti Chhibber, author of Spider-Man’s Social Dilemma Sona Charaipotra, author of Symptoms of a Heartbreak and How Maya Got Fierce and coauthor of The Rumor Game and Tiny Pretty Things, now a Netflix original series.Tanaz Bhathena, award-winning author of Hunted by the Sky and Of Light and Shadow Sangu Mandanna, bestselling author of The Very Secret Society of Irregular Witches and the Celestial TrilogyOlivia Chadha, author of Rise of the Red HandNafiza Azad, author of William C. Morris Award nominee The Candle and the FlameTracey Baptiste, New York Times bestselling author of the Jumbies series and Minecraft: The CrashNaz Kutub, author of The LoopholeNikita Gill, bestselling author of Wild Embers and Fierce FairytalesSwati Teerdhala, author of the Tiger at Midnight trilogyShreya Ila Anasuya, New Voices selectionTahir Abrar, New Voices selectionA New York Public Library Best Book of the Year for Teens 2023!

From chudails and peris to jinn and goddesses, this lush collection of South Asian folklore, legends, and epics reimagines stories of old for a modern audience.This fantasy and science fictionteen anthology edited by Samira Ahmed and Sona Charaipotra contains a wide range of stories from fourteen bestselling, award-winning, and emerging writers from the South Asian diaspora that will surprise, delight, and move you. So read on, for after all, magic has no borders.A pair of star-crossed lovers search for a way back to one another against all odds . . .A girl fights for her life against a malignant, generations-old evil . . .A peri seeks to reclaim her lost powers . . .A warrior rebels against her foretold destiny . . .With stories by:Sabaa Tahir, #1New York Timesbestselling author of the Ember in the Ashes series, and winner of the National Book Award and Printz Award forAll My Rage Sayantani DasGupta, New York Times bestselling author of the Kiranmala and the Kingdom Beyond seriesPreeti Chhibber, author of Spider-Mans Social Dilemma Sona Charaipotra, author of Symptoms of a Heartbreak and How Maya Got Fierce, and coauthor of The Rumor Game and Tiny Pretty Things, now a Netflix original series.Tanaz Bhathena, award-winning author of Hunted by the Sky and Of Light and Shadow Sangu Mandanna, bestselling author of The Very Secret Society of Irregular Witches and the Celestial TrilogyOlivia Chadha, author of Rise of the Red HandNafiza Azad, author of William C. Morris Award nominee, The Candle and the FlameTracey Baptiste, New York Times bestselling author of The Jumbies series and Minecraft: The CrashNaz Kutub, author of The LoopholeNikita Gill, bestselling author of Wild Embers and Fierce FairytalesSwati Teerdhala, author of the Tiger at Midnight trilogyShreya Ila Anasuya, New Voices selectionTahir Abrar, New Voices selection

Narrative medicine is a fresh discipline of health care that helps patients and health professionals to tell and listen to the complex and unique stories of illness. The Principles and Practice of Narrative Medicine expresses the collective experience and discoveries of the originators of the field. Arising at Columbia University in 2000 from roots in the humanities and patient-centered care, narrative medicine draws patients, doctors, nurses, therapists, and health activists together to re-imagine a health care based on trust and trustworthiness, humility, and mutual recognition.Over a decade of education and research has crystallized the goals and methods of narrative medicine, leading to increasingly powerful means to improve the care that patients receive. The methods described in this book harness creativity and insight to help the professionals in being with patients, not just to diagnose and treat them but tobear witness to what they undergo. Narrative medicine training in literary theory, philosophy, narrative ethics, and the creative arts increases clinicians'' capacity to perceive the turmoil and suffering borne by patients and to help them to cohere or endure the chaos of illness.Narrative medicine has achieved an international reputation and reach. Many health care settings adopt methods of narrative medicine in teaching and practice. Through the Master of Science in Narrative Medicine graduate program and health professions school curricula at Columbia University, more and more clinicians and scholars have obtained the rigorous training necessary to practice and teach narrative medicine. This text is offered to all who seek the opportunity for disciplined training in narrative medicine. By clearly articulating our principles and practice, this book provides the standards of the field for those who want to join us in seeking authenticity, recognition, affiliation, and justice in a narrative health care.

Narrative medicine is a fresh discipline of health care that helps patients and health professionals to tell and listen to the complex and unique stories of illness. The Principles and Practice of Narrative Medicine expresses the collective experience and discoveries of the originators of the field. Arising at Columbia University in 2000 from roots in the humanities and patient-centered care, narrative medicine draws patients, doctors, nurses, therapists, and health activists together to re-imagine a health care based on trust and trustworthiness, humility, and mutual recognition.Over a decade of education and research has crystallized the goals and methods of narrative medicine, leading to increasingly powerful means to improve the care that patients receive. The methods described in this book harness creativity and insight to help the professionals in being with patients, not just to diagnose and treat them but tobear witness to what they undergo. Narrative medicine training in literary theory, philosophy, narrative ethics, and the creative arts increases clinicians'' capacity to perceive the turmoil and suffering borne by patients and to help them to cohere or endure the chaos of illness.Narrative medicine has achieved an international reputation and reach. Many health care settings adopt methods of narrative medicine in teaching and practice. Through the Master of Science in Narrative Medicine graduate program and health professions school curricula at Columbia University, more and more clinicians and scholars have obtained the rigorous training necessary to practice and teach narrative medicine. This text is offered to all who seek the opportunity for disciplined training in narrative medicine. By clearly articulating our principles and practice, this book provides the standards of the field for those who want to join us in seeking authenticity, recognition, affiliation, and justice in a narrative health care.

A collection of women's illness narratives Stories of Illness and Healing is the first collection to place the voices of women experiencing illness alongside analytical writing from prominent scholars in the field of narrative medicine. The collection includes a variety of women's illness narratives—poetry, essays, short fiction, short drama, analyses, and transcribed oral testimonies—as well as traditional analytic essays about themes and issues raised by the narratives. Stories of Illness and Healing bridges the artificial divide between women's lives and scholarship in gender, health, and medicine.The authors of these narratives are diverse in age, ethnicity, family situation, sexual orientation, and economic status. They are doctors, patients, spouses, mothers, daughters, activists, writers, educators, and performers. The narratives serve to acknowledge that women's illness experiences are more than their diseases, that they encompass their entire lives. The pages of this book echo with personal accounts of illness, diagnosis, and treatment. They reflect the social constructions of women's bodies, their experiences of sexuality and reproduction, and their roles as professional and family caregivers. Finally, and perhaps most importantly, Stories of Illness and Healing draws the connection between women's suffering and advocacy for women's lives.

On the morning of her twelfth birthday, Kiranmala is just a regular sixth grader...until her parents vanish and a demon slams through her kitchen, determined to eat her. Suddenly, Kiran is swept into another dimension full of magic, winged horses, moving maps, and talking birds. (Runtime 8 hours, 15 min)

As a child growing up in New Delhi, Sayantani Dasgupta wanted to go on adventures involving shipwrecks and treasure chests. Her parents wanted her to stay in school instead. She satisfied her curiosity by drawing maps, inventing languages with friends, and reading everything: English adventures, Russian folktales, Hindi comics, Bengali ghost stories.br/>Brown Women Have Everything embraces the same spirit of wonder as we follow Dasgupta, now living and teaching in the United States, to cathedrals in Italy, pirate graveyards in North Carolina, hair salons in Idaho, her aunt's kitchen in Bangladesh, graffiti-lined streets of Colombia, the hierarchical world of academia, and her marriage to a handsome Sikh. As she moves through the world, she examines issues of the body, violence, travel, and belonging with a mix of humor, joy, pride, and outrage. While the eighteen interwoven essays in this collection call out bigotry, bias, and othering, they ultimately celebrate the ties that bind our disparate, global lives together.

As a child growing up in New Delhi, Sayantani Dasgupta wanted to go on adventures involving shipwrecks and treasure chests. Her parents wanted her to stay in school instead. She satisfied her curiosity by drawing maps, inventing languages with friends, and reading everything: English adventures, Russian folktales, Hindi comics, Bengali ghost stories.Brown Women Have Everything embraces the same spirit of wonder as we follow Dasgupta, now living and teaching in the United States, to cathedrals in Italy, pirate graveyards in North Carolina, hair salons in Idaho, her aunt's kitchen in Bangladesh, graffiti-lined streets of Colombia, the hierarchical world of academia, and her marriage to a handsome Sikh. As she moves through the world, she examines issues of the body, violence, travel, and belonging with a mix of humor, joy, pride, and outrage. While the eighteen interwoven essays in this collection call out bigotry, bias, and othering, they ultimately celebrate the ties that bind our disparate, global lives together.

As a child growing up in New Delhi, Sayantani Dasgupta wanted to go on adventures involving shipwrecks and treasure chests. Her parents wanted her to stay in school instead. She satisfied her curiosity by drawing maps, inventing languages with friends, and reading everything: English adventures, Russian folktales, Hindi comics, Bengali ghost stories.Brown Women Have Everything embraces the same spirit of wonder as we follow Dasgupta, now living and teaching in the United States, to cathedrals in Italy, pirate graveyards in North Carolina, hair salons in Idaho, her aunt’s kitchen in Bangladesh, graffiti-lined streets of Colombia, the hierarchical world of academia, and her marriage to a handsome Sikh. As she moves through the world, she examines issues of the body, violence, travel, and belonging with a mix of humor, joy, pride, and outrage. While the eighteen interwoven essays in this collection call out bigotry, bias, and othering, they ultimately celebrate the ties that bind our disparate, global lives together.

As a child growing up in New Delhi, Sayantani Dasgupta wanted to go on adventures involving shipwrecks and treasure chests. Her parents wanted her to stay in school instead. She satisfied her curiosity by drawing maps, inventing languages with friends, and reading everything: English adventures, Russian folktales, Hindi comics, Bengali ghost stories.Brown Women Have Everything embraces the same spirit of wonder as we follow Dasgupta, now living and teaching in the United States, to cathedrals in Italy, pirate graveyards in North Carolina, hair salons in Idaho, her aunt’s kitchen in Bangladesh, graffiti-lined streets of Colombia, the hierarchical world of academia, and her marriage to a handsome Sikh. As she moves through the world, she examines issues of the body, violence, travel, and belonging with a mix of humor, joy, pride, and outrage. While the eighteen interwoven essays in this collection call out bigotry, bias, and othering, they ultimately celebrate the ties that bind our disparate, global lives together.

From computer support and hotel reservations to laboratory results and radiographic interpretations, it seems everything can be ‘outsourced’ in our globalized world. One would not think so with parenthood, however, especially motherhood, as it is a fundamental activity humans have historically preserved as personal and private. In our modern age, however, the advent and accessibility of assisted reproductive technologies (ARTs) and the ease with which they have traversed global borders, has fundamentally altered the meaning of childbearing and parenting. In thetwenty-first century, parenthood is no longer achieved only through gestation, adoption, or traditional surrogacy, but also via assisted reproductive technologies (ARTs), where science and technology play lead roles. Furthermore, in a globalized world economy, where the movement and transfer of people and commodities are increasing to serve the interests of capitalism, gamete donation and surrogate birth can traverse innumerable geographic, socio-economic, racialized, and political borderlands. Thus, reproduction itself can be outsourced. This edited volume explores one specific aspect of the new assisted reproductive technologies: gestational surrogacy and how its practice is changing the traditional concept of parenthood across the globe. The phenomenon of transnational surrogacy has given rise to a thriving international industry where money is being ‘legally’ exchanged for babies and ‘reproductive labor’ has taken on a lucrative commercial tone. Yet, law, research, and activism are barely aware of this experience and are still playing catch-up with rapidly changing on-the-ground realities. This interdisciplinary collection of essays assuages the dearth of knowledge and addresses significant issues in transnational commercial gestational surrogacy as it takes shape in a peculiar relation between the West (primarily the United States) and India.

This anthology of eight short stories and eight narrative essays depicts diverse facets of the South Asian experience in the American South. Some of them relate to the proverbial longing for what the immigrants have left behind, while the others spotlight the immigrants’ struggles to reconcile with realities they did not sign up for. In Chaitali Sen’s “The Immigrant,” Dhruv is unable to talk about a lost boy because he feels “as if he were trapping the boy with his story,” as if the lost boy’s story were his own story of getting lost in a foreign country. In Hasanthika Sirisena’s “Pine,” a Christmas tree becomes more than “only a pine tree with decorations thrown on it” when Lakshmi’s ex-husband lets her know he is converting to Christianity “to get ahead in this country.” Aruni Kashyap’s “Nafisa Ali’s Life, Love, and Friendships, Before and after the Travel Ban” tell a post-2016 immigrant story in which love is baffling. In “Gettysburg,” Kirtan Nautiyal asks, how does an immigrant become part of the new country’s history? Soniah Kamal’s essay “Writing the Immigrant Southern in the New New South” reflects on what it means to be an immigrant writer and if one can write from two places at once. Together, the stories and essays in the anthology compose a mosaic of South Asian lived experiences in the American South.