Blackstone Audio presents An American Family Shakespeare Entertainment, a sparkling adaptation based on Tales from Shakespeare by Charles and Mary Lamb, augmented by miscellaneous scenes and soliloquies from Shakespeare’s plays. Read by a full cast and featuring Elizabethan songs and dances in new arrangements for stringed instruments, this production is entertaining and accessible for young and old alike!

THE TWO GENTLEMEN OF VERONA read by Stephen Hoye THE COMEDY OF ERRORS read by Arte Johnson THE TAMING OF THE SHREW read by Robert Forster SCENE: Petruchio & Kate read by Gabrielle de Cuir & Stefan Rudnicki A MIDSUMMER NIGHT’S DREAM read by John Rubinstein ROMEO AND JULIET read by Orson Scott Card THE MERCHANT OF VENICE read by David Birney SOLILOQUY: “Hath not a Jew...” read by David Birney MUCH ADO ABOUT NOTHING read by Scott Brick MUSIC: “It Was a Lover and his Lass...” by Stefan Rudnicki AS YOU LIKE IT read by Stephanie Zimbalist HAMLET read by Joe Barrett SOLILOQUY: “O What a Rogue... “ read by Joe Barrett TWELFTH NIGHT read by Cassandra Campbell ALL’S WELL THAT ENDS WELL read by Emily Janice Card MEASURE FOR MEASURE read by Lorna Raver

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

“The Eyrie” by Jonathan Maberry“The City in the Sea: A Hellboy Story” by Mike Mignola and Christopher Golden“When the Stars Are Right: The Weird Tales Origins of Cosmic Horror” by Nicholas Diak“A Ghost Story for Christmas” by Paul Cornell“The Forest Gate” by Samantha Underhill“Night Fishing” by Caitlín R. Kiernan“The Traveler” by Francesco Tignini“Cosmic vs Abrahamic Horror” by F. Paul Wilson“The Last Bonneville” by F. Paul Wilson“Lost Generations” by Angela Yuriko Smith“Concerto in Five Movements” by Ramsey Campbell“Mozaika” by Nancy Kilpatrick“Inkblot Succubus” by Nikki Sixx“Laid to Rest” by Tim Lebbon“Call of the Void - L’appel du vide” by Carol Gyzander

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

“Clap Hands and Sing” shows us a lonely—but rich and powerful—old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing—either into space or the dark recesses of her own mind?

Read by Eric Artell, Scott Brick, Emily Janice Card, Sara Ellis, Kirby Heybourne, Kelly Lohman, Stefan Rudnicki, Lara Schwartzberg, and Victoria Von Roth, the original cast of the stage production, September 21, 2004 at the Whitefire Theatre Los Angeles directed by Orson Scott Card.

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

“Clap Hands and Sing” shows us a lonely—but rich and powerful—old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing—either into space or the dark recesses of her own mind?

Read by Eric Artell, Scott Brick, Emily Janice Card, Sara Ellis, Kirby Heybourne, Kelly Lohman, Stefan Rudnicki, Lara Schwartzberg, and Victoria Von Roth, the original cast of the stage production, September 21, 2004 at the Whitefire Theatre Los Angeles directed by Orson Scott Card.

Welcome to a very special issue of Weird Tales.

This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (www.horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award. Whether you are familiar with horror at its finest or are a longstanding fan, you’ll find much to love here. Familiar and unfamiliar faces, inventive storytelling approaches, and a whole lot of creepy fun.

“The Eyrie” by Jonathan Maberry“Cannibal Dwight’s Last Chance” by Nancy Holder“REM Sleep” a poem by Bruce Boston“Under the Fang, Then and Now” by Maxwell I. Gold“It Was the Night of the Demon” by Gabino Iglesias“The Want” by Yvonne Navarro“Brought Back” by Ramsey Campbell“The Time Less Gambit” by Linda D. Addison“The Real Trends Jen” by Lee Murray“Cul-de-Sac” by Del Howison“When the Masks Come Off” by Tim Waggoner“The Gathering Time” a poem by Marge Simon“On the Far Side of the Cadillac Desert with Dead Folks” by Joe R. Lansdale“Places My Father Left” by Mercedes M. Yardley“The Telephone Game” by Eric J. Guignard“Imaginary Beings” a poem by Cynthia Pelayo

Blackstone Audio presents An American Family Shakespeare Entertainment, a sparkling adaptation based on Tales from Shakespeare by Charles and Mary Lamb, augmented by miscellaneous scenes and soliloquies from Shakespeare’s plays. Read by a full cast and featuring Elizabethan songs and dances in new arrangements for stringed instruments, this production is entertaining and accessible for young and old alike!

THE TWO GENTLEMEN OF VERONA read by Stephen Hoye THE COMEDY OF ERRORS read by Arte Johnson THE TAMING OF THE SHREW read by Robert Forster SCENE: Petruchio & Kate read by Gabrielle de Cuir & Stefan Rudnicki A MIDSUMMER NIGHT’S DREAM read by John Rubinstein ROMEO AND JULIET read by Orson Scott Card THE MERCHANT OF VENICE read by David Birney SOLILOQUY: “Hath not a Jew...” read by David Birney MUCH ADO ABOUT NOTHING read by Scott Brick MUSIC: “It Was a Lover and his Lass...” by Stefan Rudnicki AS YOU LIKE IT read by Stephanie Zimbalist HAMLET read by Joe Barrett SOLILOQUY: “O What a Rogue... “ read by Joe Barrett TWELFTH NIGHT read by Cassandra Campbell ALL’S WELL THAT ENDS WELL read by Emily Janice Card MEASURE FOR MEASURE read by Lorna Raver

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

“The Eyrie” by Jonathan Maberry“The City in the Sea: A Hellboy Story” by Mike Mignola and Christopher Golden“When the Stars Are Right: The Weird Tales Origins of Cosmic Horror” by Nicholas Diak“A Ghost Story for Christmas” by Paul Cornell“The Forest Gate” by Samantha Underhill“Night Fishing” by Caitlín R. Kiernan“The Traveler” by Francesco Tignini“Cosmic vs Abrahamic Horror” by F. Paul Wilson“The Last Bonneville” by F. Paul Wilson“Lost Generations” by Angela Yuriko Smith“Concerto in Five Movements” by Ramsey Campbell“Mozaika” by Nancy Kilpatrick“Inkblot Succubus” by Nikki Sixx“Laid to Rest” by Tim Lebbon“Call of the Void - L’appel du vide” by Carol Gyzander

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

“Clap Hands and Sing” shows us a lonely—but rich and powerful—old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing—either into space or the dark recesses of her own mind?

Read by Eric Artell, Scott Brick, Emily Janice Card, Sara Ellis, Kirby Heybourne, Kelly Lohman, Stefan Rudnicki, Lara Schwartzberg, and Victoria Von Roth, the original cast of the stage production, September 21, 2004 at the Whitefire Theatre Los Angeles directed by Orson Scott Card.

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

“Clap Hands and Sing” shows us a lonely—but rich and powerful—old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing—either into space or the dark recesses of her own mind?

Read by Eric Artell, Scott Brick, Emily Janice Card, Sara Ellis, Kirby Heybourne, Kelly Lohman, Stefan Rudnicki, Lara Schwartzberg, and Victoria Von Roth, the original cast of the stage production, September 21, 2004 at the Whitefire Theatre Los Angeles directed by Orson Scott Card.

Welcome to a very special issue of Weird Tales.

This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (www.horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award. Whether you are familiar with horror at its finest or are a longstanding fan, you’ll find much to love here. Familiar and unfamiliar faces, inventive storytelling approaches, and a whole lot of creepy fun.

“The Eyrie” by Jonathan Maberry“Cannibal Dwight’s Last Chance” by Nancy Holder“REM Sleep” a poem by Bruce Boston“Under the Fang, Then and Now” by Maxwell I. Gold“It Was the Night of the Demon” by Gabino Iglesias“The Want” by Yvonne Navarro“Brought Back” by Ramsey Campbell“The Time Less Gambit” by Linda D. Addison“The Real Trends Jen” by Lee Murray“Cul-de-Sac” by Del Howison“When the Masks Come Off” by Tim Waggoner“The Gathering Time” a poem by Marge Simon“On the Far Side of the Cadillac Desert with Dead Folks” by Joe R. Lansdale“Places My Father Left” by Mercedes M. Yardley“The Telephone Game” by Eric J. Guignard“Imaginary Beings” a poem by Cynthia Pelayo