Emily Janice Card – författare

An original science fiction tale by the bestselling author of Ender’s Game and his daughter

Twenty-five years ago, the alien Givers came to Earth and bestowed upon the human race the greatest technology ever seen—four giant towers known as Ladders that rise thirty-six thousand miles and culminate in space stations that power the entire planet. Then, for reasons unknown, the Givers disappeared. Due to the unique alien construction of the Laddertop space stations, only a skilled crew of children can perform the maintenance necessary to keep the stations up and running.

Back on Earth, competition is fierce to enter Laddertop Academy. It is an honor few students will achieve. Best friends Robbi and Azure, two eleven-year-old girls who are candidates for the academy, will become entangled in a dangerous mystery that may help them solve the riddle of the Givers—if it doesn’t destroy the Earth first.

Blackstone Audio presents An American Family Shakespeare Entertainment, a sparkling adaptation based on Tales from Shakespeare by Charles and Mary Lamb, augmented by miscellaneous scenes and soliloquies from Shakespeare’s plays. Read by a full cast and featuring Elizabethan songs and dances in new arrangements for stringed instruments, this production is entertaining and accessible for young and old alike!

THE TWO GENTLEMEN OF VERONA read by Stephen Hoye THE COMEDY OF ERRORS read by Arte Johnson THE TAMING OF THE SHREW read by Robert Forster SCENE: Petruchio & Kate read by Gabrielle de Cuir & Stefan Rudnicki A MIDSUMMER NIGHT’S DREAM read by John Rubinstein ROMEO AND JULIET read by Orson Scott Card THE MERCHANT OF VENICE read by David Birney SOLILOQUY: “Hath not a Jew...” read by David Birney MUCH ADO ABOUT NOTHING read by Scott Brick MUSIC: “It Was a Lover and his Lass...” by Stefan Rudnicki AS YOU LIKE IT read by Stephanie Zimbalist HAMLET read by Joe Barrett SOLILOQUY: “O What a Rogue... “ read by Joe Barrett TWELFTH NIGHT read by Cassandra Campbell ALL’S WELL THAT ENDS WELL read by Emily Janice Card MEASURE FOR MEASURE read by Lorna Raver

Too long to be a short story, too short to be a novel—welcome to the surprisingly potent world of the novelette. The award-winning magazine Orson Scott Card''s Intergalactic Medicine Show has been an online haven for this powerful form of storytelling since 2005. Now its editors have selected their all-time favorite science fiction novelettes from the magazine''s eight-year history and reprinted them together in one big book of reading pleasure. Anything that is remotely possible—futures near and far, artificial intelligence and alien encounters, alternate timelines and alternate theories about creating universes, planet-eating black holes and lunar racetracks—is all here under the big tent of Orson Scott Card''s Intergalactic Medicine Show.

This anthology features stories by such award-winning authors as Orson Scott Card, Wayne Wightman, Aliette de Bodard, Eric James Stone, Mary Robinette Kowal, Stephen Kotowych, Jackie Gamber, Greg Siewert, Jamie Todd Rubin, Brad R. Torgersen, and Marina J. Lostetter, plus an all-new essay by Orson Scott Card about writing the character of Ender.

Basic training is over. For eleven-year-old Robbi, the real work on the Laddertop station begins … even as its strange, dark secrets grow more compelling. With the help of mentally-linked robot companions, she and an elite crew of children perform the dangerous maintenance work on the Power Web. But only Robbi keeps having urgent dreams from The Givers, the alien species who bestowed upon humans all the Laddertop technology. Meanwhile, her best friend Azure goes from Laddertop reject to a recruit for a secret research mission, led by a group of rebels who don’t trust that the Givers mean no harm. Though on different paths, the two friends’ destinies soon collide, as they decipher an alien message and solve an ancient mystery that could either save the Earth from invasion … or trigger its imminent destruction.

All seems lost as a giant comet hurtles toward Earth, while Robbi’s Laddertop is thrown into chaos by the unleashing of Energy Spiders that now prowl the Power Web. As Robbi races against time to save the Laddertop and reveal its final secret, Azure and the rest of her research team discover the horrible truth about the comet and the existence of a different, malevolent group of aliens: The Takers.

It’s up to these brilliant children to work together, using their special gifts and the unique bonds they share, to find a way to stop the end of the world before it’s too late.

Science fiction is rare in theatrical form, but with Posing As People, three unforgettable sci-fi stories by Orson Scott Card are adapted into powerful stage plays by three different writers.

“Clap Hands and Sing” shows us a lonely—but rich and powerful—old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing—either into space or the dark recesses of her own mind?

Read by Eric Artell, Scott Brick, Emily Janice Card, Sara Ellis, Kirby Heybourne, Kelly Lohman, Stefan Rudnicki, Lara Schwartzberg, and Victoria Von Roth, the original cast of the stage production, September 21, 2004 at the Whitefire Theatre Los Angeles directed by Orson Scott Card.