Scott Grant Barker – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2008
459 kr
Skickas inom 5-8 vardagar
Artspace critic Dave Hickey once identified the Fort Worth Circle as ""Texas' first indigenous group of consciously cosmopolitan and irrefutably modern artists."" Their work, he wrote, ""represents the fruit of a special time in the culture of the western United States.""This book chronicles the Circle's distinctive output during the 1940s, the decade of their genesis and greatest innovation. These ""genuine citizens of the world,"" as Hickey called them, possessed an unconventional vision that radically sidestepped the traditional art of post-Depression Texas. Drawing from their own fertile imaginations, the members of the Circle responded to modern art by creating a unique aesthetic based on contemporary surrealism and abstraction.Published by the Amon Carter Museum to coincide with an exhibition by the same title, ""Intimate Modernism: Fort Worth Circle Artists in the 1940s"" is a ""must have"" for any library of American modernism and the art of Texas.The catalogue also includes succinct biographies, accompanied by photographs, of each of the eleven artists of the Fort Worth Circle; a bibliography; exhibition checklist; and brief foreword.
Inbunden, Engelska, 2024
742 kr
Skickas inom 5-8 vardagar
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise WÜste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.