Scott McKinnon – författare

Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period.

Disasters in Australia and New Zealand brings together a collection of essays on the history of disasters in both countries. Rich in oral history and archival research, Disasters in Australia and New Zealand offers practical and illuminating insights that will appeal to historians and disaster scholars across multiple disciplines.

Disasters in Australia and New Zealand brings together a collection of essays on the history of disasters in both countries. Rich in oral history and archival research, Disasters in Australia and New Zealand offers practical and illuminating insights that will appeal to historians and disaster scholars across multiple disciplines.

This is the first book-length study of Australia’s rich history of LGBTQ+ film and television, covering histories, production, screen representation and audience identities.Despite a long-standing international field of queer media studies, Australian scholarship has only recently emerged. Screen diversity in Australia is important to cultural policy, education and social harmony. This book presents new scholarship on the role and significance of gender- and sexually-diverse characters, themes and narratives on Australian screens, as Australian film and television has a very rich history of representing LGBTQ+, gender- and sexually-diverse characters, stories and themes.The chapters in this book cover a broad range of areas to provide a comprehensive overview of LGBTQ+ film and television in Australia, including: the history and formation of LGBTQ+ screen representation in such film and TV series as Dad and Dave Come To Town, Lovers and Luggers, Cop Shop, Division 4, and Homicide; production perspectives and challenges, including insights from screen writers and actors; the significance of LGBTQ+ film festivals as part of Australian cultural heritage; analyses of key Australian queer film and TV series to draw out themes that foreground their ‘Australianness’, including The Set, Victims, and Boys in the Band, among others; and perspectives on audience and culture, including the utility and value of LGBTQ+ screen representation to identity, belonging and social change.