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4 produkter
182 kr
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Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales."Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian"O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman"The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist
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In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions. In contrast with Leigh's prevailing reputation as a straightforward crafter of social realist movies, O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike. O'Sullivan challenges the prevailing characterizations of Leigh's cinema by detailing the complicated constructions of his realism, positing his films not as transparent records of life but as aesthetic transformations of it. Concentrating on the most recent two decades of Leigh's career, the study examines how Naked, Secrets and Lies, Topsy-Turvy, Vera Drake, and other films engage narrative convergence and narrative diffusion, the tension between character and plot, the interplay of coincidence and design, cinema's relationship to other systems of representation, and the filmic rendering of the human figure. The book also spotlights such earlier, less-discussed works as Four Days in July and The Short and Curlies, illustrating the recurring visual and storytelling concerns of Leigh's cinema. With a detailed filmography, this volume also includes key selections from O'Sullivan's several interviews with Leigh.
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Do you play GAA?Do you feel there’s something missing from your game?Do you want to improve as a player and athlete?The Players' Advice is a compilation of guidance aimed at you, the player, to give you the tools and disciplines to improve and excel in your code. With advice from over 100 of the top footballers, hurlers and camogie players in a range of areas such as gym, nutrition, routine, lifestyle, skill development, mindset and preparation.Features players from goalkeeper to full forward from every code, and from nearly every county in Ireland. Advice and tips cover a broad range of areas - from nutrition to rest days to a player's mental attitude to training and match days. Selected images throughout.
315 kr
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Images of Incarceration focuses on fictional portrayals of prison and prisoners to demonstrate how they are depicted in the cinema and on TV, featuring films such as The Shawshank Redemption, The Birdman of Alcatraz, Scum, McVicar, Brubaker, Cool Hand Luke, Made in Britain and Greenfingers as well as TV dramas like Porridge , Bad Girls , Buried and Oz. The book is part of the Prison Film Project sponsored by the Esmee Fairbairn Foundation under its Rethinking Crime and Punishment initiative. It compares fictional representations with 'actual existing reality' to provide insights into how screen images affect understanding of complex social and penal issues: 'Is prison really as represented on screen, harsher, softer or different?'; 'Do viewers separate fact from fiction?'; and 'What might films tell us about the experiences of prisoners and whether prison reduces crime and protects victims?' As authors David Wilson and Sean O'Sullivan explain, prison may be violent and de-humanising but it makes for gripping drama and human interest.Most people know little about what really happens inside prison, so that as prison numbers in the UK and USA escalate as never before, the 'prison film' and 'TV prison drama' can have a significant influence on popular culture and attitudes towards penal reform. Informative, educational and illuminating, Images of Incarceration will be of value to anyone interested in the effect of screen representations on the democratic process, and in particular to people concerned with criminal justice, penal affairs, penal reform, sociology and the media. Reviews 'Fascinating for anyone who has even a passing interest in penal matters or film': Howard Journal of Criminal Justice Author David Wilson is professor of criminology at the Centre for Criminal Justice Policy and Research at the University of Central England in Birmingham. A former prison governor, he is editor of the Howard Journal and a well-known author, broadcaster and presenter for TV and radio, including for the BBC, C4 and Sky Television.He has written three other books for Waterside Press: The Longest Injustice: The Strange Story of Alex Alexandrowicz (with the latter), Prison(er) Education : Stories of Change and Transformation (with Ann Reuss) (2000), and Serial Killers: Hunting Britons and Their Victims 1960-2006 (2007).