Sebastian Baden – författare
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2 produkter
2 produkter
Häftad, Engelska, 2021
370 kr
Skickas inom 3-6 vardagar
RAF, NSU and IS are acronyms of terrorist groups whose extremist propaganda and political violence challenge the visual arts to react decisively. The exhibition catalogue therefore opens up a highly topical artistic perspective on the history and political iconography of modern terrorism. For the first time, three sections comparatively examine the effects of social revolutionary, far-right, and jihadist terrorism on visual culture. 20 years after September 11, 2001, and ten years after the discovery of the NSU in the fall of 2011, the exhibition and publication together explore the question of how acts of political violence affect cultural memory through the media.Artists: Hiba Al Ansari (SY), Khalid Albaih (SD), Morehshin Allahyari (IR), Francis Alÿs (BE), Kader Attia (FR), Walter Dahn & Jiří Dokoupil (DE/CZ), Christoph Draeger (CH), Hans-Peter Feldmann (DE), Forensic Architecture (GB/IL), Chloé Galibert-Lâiné & Kevin B. Lee (FR/US), Gregory Green (USA), Johan Grimonprez (BE), Richard Hamilton (GB), Omar Imam (SY), Christof Kohlhöfer (D/US), Susanne Kriemann (D), Jean-Jacques Lebel (FR), Almut Linde (DE), Georg Lutz (DE), Édouard Manet (FR), Paula Markert (DE), Olaf Metzel (DE), Henrike Naumann (DE), Wolf Pehlke (DE), Ariel Reichman (IL), Gerhard Richter (DE), Thomas Ruff (DE), Ivana Spinelli (IT), Klaus Staeck (DE), Hito Steyerl (DE), J.M. Voltz (DE)Text in English and German.
Häftad, Engelska, 2023
380 kr
Skickas inom 3-6 vardagar
The American conceptual artist and pioneer of critical feminism Martha Rosler (b. 1943 in Brooklyn, NY, lives and works in Brooklyn, NY) has influenced numerous contemporary artists with the radicalism of her artistic position. Rosler’s work is always political and examines questions of power and violence, the ideals of beauty and their demolition, and the purported contrasts between war and consumption. For her sociocritical collages and videos, Rosler uses found pictorial material that has already been published.The artist delights in working with photos from public sources like magazines and newspapers, which she processes and arranges in new contexts in order to visualize inequality and protest. Following on from Rosler’s iconic series House Beautiful: Bringing the War Home (ca. 1967–1972), at the heart of the publication lies the confrontation with warlike disputes as conveyed in the media, together with the associated dissonance between the private and the political.Martha Rosler received a Bachelor of Arts from Brooklyn College in 1965 and a Master of Arts from the University of California, San Diego in 1985.