Seymour Chatman – författare

Offers an interdisciplinary approach to narrative perspective, with essays by leading scholars of literary studies, cognitive psychology, linguistics, philosophy, and film and media criticism.Narrative perspective is the faculty through which humans understand, structure, and explore the world that confronts them. This is the first volume to bring together the theoretical study of perspective with the rigor of experimental studies, combining work in narratology with that in linguistics, philosophy, film studies, literary theory, and cognitive psychology. The chapters are grouped thematically and drawn together by the editors, who provide guidance through this new and fascinating interdisciplinary territory.

"An important American contribution to the study of narrative theory."―ChoiceThis book is the first comprehensive approach in English to a general theory of narrative, both in verbal and in visual media.The primary question to which Professor Chatman addresses himself is what narrative is in itself. Following such French structuralists as Roland Barthes, Tzvetan Todorov, and Gerard Genette, he posits a what and a way. "The what of narrative," he says, "I call its 'story'; the way, I call its 'discourse.'" Liberally illustrating his concepts with discussions of particular novels and films, he effects a synthesis of the latest Continental critical thinking about narrative and the Anglo-American tradition exemplified by Henry James, Percy Lubbock, Wayne Booth, and others.A judicious and well-informed book, Story and Discourse should become a standard guide to narrative and to modern thinking about narrative.

"An important American contribution to the study of narrative theory."―ChoiceThis book is the first comprehensive approach in English to a general theory of narrative, both in verbal and in visual media.The primary question to which Professor Chatman addresses himself is what narrative is in itself. Following such French structuralists as Roland Barthes, Tzvetan Todorov, and Gerard Genette, he posits a what and a way. "The what of narrative," he says, "I call its 'story'; the way, I call its 'discourse.'" Liberally illustrating his concepts with discussions of particular novels and films, he effects a synthesis of the latest Continental critical thinking about narrative and the Anglo-American tradition exemplified by Henry James, Percy Lubbock, Wayne Booth, and others.A judicious and well-informed book, Story and Discourse should become a standard guide to narrative and to modern thinking about narrative.

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No detailed description available for "A Theory of Meter".