Silvia Battista – författare

Mattering Spiritualities brings together an array of international scholars and practitioners to explore spirituality in embodiment through the lens of performance, performative writing, and performance studies.The book concerns spirituality and takes the body as the site of whatever it is we call spirituality. The methodological assumption is that the opposition of body and spirit is a false binary that calls for re-examination and revision. It stems from the argument that people can deliberately shift their boundaries of perception and knowing through practice, technologies and performative techniques that can alter the way in which they perceive the ecologies in which they are embedded. This approach understands that careful attention to which bodies are performing in any given scenario is crucial, as is a sensitivity to the ramifications of any body’s race, gender, class, and biological ability. Performance can therefore be regarded as anything through which individuals and collectives experiment with bodies as technologies. Each chapter engages with such experiments to explore how bodies experience and relate to other bodies, human and other-than-human, but also how, by mobilizing bodies and changing relationships between them, practitioners can transform people, spaces and places, objects, ecologies large and small, and shift the borders-of-the-known. Such experiments can also reveal intersectional dynamics within given social, political, and biological borders offering new perspectives and angles of analysis.This collection intends to serve transdisciplinary studies and to support varied learning and teaching environments for undergraduate, postgraduate, and PhD students.

Mattering Spiritualities brings together an array of international scholars and practitioners to explore spirituality in embodiment through the lens of performance, performative writing, and performance studies.The book concerns spirituality and takes the body as the site of whatever it is we call spirituality. The methodological assumption is that the opposition of body and spirit is a false binary that calls for re-examination and revision. It stems from the argument that people can deliberately shift their boundaries of perception and knowing through practice, technologies and performative techniques that can alter the way in which they perceive the ecologies in which they are embedded. This approach understands that careful attention to which bodies are performing in any given scenario is crucial, as is a sensitivity to the ramifications of any body’s race, gender, class, and biological ability. Performance can therefore be regarded as anything through which individuals and collectives experiment with bodies as technologies. Each chapter engages with such experiments to explore how bodies experience and relate to other bodies, human and other-than-human, but also how, by mobilizing bodies and changing relationships between them, practitioners can transform people, spaces and places, objects, ecologies large and small, and shift the borders-of-the-known. Such experiments can also reveal intersectional dynamics within given social, political, and biological borders offering new perspectives and angles of analysis.This collection intends to serve transdisciplinary studies and to support varied learning and teaching environments for undergraduate, postgraduate, and PhD students.

This is the first book to explore the notion of sacred places from the perspective of performance studies and presents both practice-as-research accounts alongside theoretical analysis. It is multidisciplinary, bringing together religious studies, philosophy and anthropological approaches under the umbrella of performance studies. By focusing on practice and performance rather than theology it also expands the notion of sacred places to non-religious contexts.This new collection offers a multi-layered and contemporary approach to the question of sacred sites, their practices, politics and ecologies. The overarching critical framework of inquiry is performance studies, a multidisciplinary methodological perspective that stresses the importance of investigating the practices and actions through which things are conducted and processes activated. This is an innovative perspective that recognizes the value, function and role that practices and their materialities have in the constitution of special places, their developments in culture, and the politics in place for the conservation of their sense of specialness. The questions investigated are: what is a sacred place? Is a place inherently sacred or does it become sacred? Is it a paradigm, a real location, an imaginary place, a projected condition, a charged setting, an enhanced perception? What kind of practices and processes allow the emergence of a sacred place in human perception? And what is its function in contemporary societies?The book is divided into three sections that evidence the three approaches that are generally engaged with and through which sacred places are defined, actualized and activated: Crossing, Breathing and Resisting. There is a strong field of international contributors including practitioners and academics working in the United Kingdom, the United States, Poland and Australia.Primary interest will be students, academics and practitioners studying or working in theatre and performance studies; fine art; architecture; cultural and visual studies; geography; religious studies; and psychology.Potential for classroom use, and very strong potential for inclusion on reading lists as a secondary text for undergraduate and postgraduate courses in fine art, live art, performance art, performance and theatre studies.

This book provides an interpretative analysis of the notion of spirituality through the lens of contemporary performance and posthuman theories.