Sofia Samatar – författare

Nebula Award Finalist for Best NovellaNamed a Best Sci-Fi Book of 2024 by Esquire, The New York Times, SLATE, The Washington Post, and ELLE“I am in love with Sofia Samatar''s lyricism and the haunting beauty of her imagination. Her stories linger, like the memory of a sumptuous feast.”—N. K. JemisinA Most Anticipated in 2024 Pick for Goodreads | LitHub | Book Riot | She Reads | The Nerd Daily | New ScientistCelebrated author Sofia Samatar presents a mystical, revolutionary space adventure for the exhausted dreamer in this brilliant science fiction novella tackling the carceral state and violence embedded in the ivory tower while embodying the legacy of Ursula K. Le Guin.The boy was raised as one of the Chained, condemned to toil in the bowels of a mining ship out among the stars. His whole world changes—literally—when he is yanked “upstairs” and informed he has been given an opportunity to be educated at the ship’s university alongside the elite.Overwhelmed and alone, the boy forms a bond with the woman he comes to know as “the professor,” a weary idealist and descendent of the Chained who has spent her career striving for validation from her more senior colleagues, only to fall short at every turn.Together, the boy and the woman will embark on a transformative journey to grasp the design of the chains that fetter them both—and are the key to breaking free.At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

The first collection of short fiction from a rising star whose stories have been anthologized in the first two volumes of the Best American Science Fiction and Fantasy series and nominated for many awards. Some of Samatar’s weird and tender fabulations spring from her life and her literary studies; some spring from the world, some from the void.

Praise for Sofia Samatar’s Books:

“The excerpt from Sofia Samatar’s compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don’t overlook her short ‘Selkie Stories Are for Losers,’ the best story about loss and love and selkies I’ve read in years.” —K. Tempest Bradford, NPR

“An imaginative, poetic, and dark meditation on how history gets made.” —Hello Beautiful

“Pleasantly startling and unexpected. Her prose is by turns sharp and sumptuous, and always perfectly controlled. . . . There are strains here too of Jane Austen and something wilder.”—Publishers Weekly (starred review)

“Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences.” —Shelf Awareness (starred review)

“Beauty, wonder, and a soaring paean to the power of story.”—Jason Heller, NPR

“Highly recommended.” —N. K. Jemisin, New York Times Book Review

Sofia Samatar is the author of the novels A Stranger in Olondria and The Winged Histories. She has written for the Guardian, Strange Horizons, and Clarkesworld, among others, and has won the John W. Campbell Award, the Crawford Award, the British Fantasy Award, and the World Fantasy Award. She lives in Virginia.

Longlisted for the PEN/Jean Stein Book Award

A historical tapestry of border-crossing travelers, of students, wanderers, martyrs and invaders, The White Mosque is a memoiristic, prismatic record of a journey through Uzbekistan and of the strange shifts, encounters, and accidents that combine to create an identity

In the late nineteenth century, a group of German-speaking Mennonites traveled from Russia into Central Asia, where their charismatic leader predicted Christ would return.

Over a century later, Sofia Samatar joins a tour following their path, fascinated not by the hardships of their journey, but by its aftermath: the establishment of a small Christian village in the Muslim Khanate of Khiva. Named Ak Metchet, "The White Mosque," after the Mennonites' whitewashed church, the village lasted for fifty years.

In pursuit of this curious history, Samatar discovers a variety of characters whose lives intersect around the ancient Silk Road, from a fifteenth-century astronomer-king, to an intrepid Swiss woman traveler of the 1930s, to the first Uzbek photographer, and explores such topics as Central Asian cinema, Mennonite martyrs, and Samatar's own complex upbringing as the daughter of a Swiss-Mennonite and a Somali-Muslim, raised as a Mennonite of color in America.

A secular pilgrimage to a lost village and a near-forgotten history, The White Mosque traces the porous and ever-expanding borders of identity, asking: How do we enter the stories of others? And how, out of the tissue of life, with its weird incidents, buried archives, and startling connections, does a person construct a self?

In the late 1800s, a group of German-speaking Mennonites fled Russia for Muslim Central Asia, to await Christ’s return.

Over a century later, Sofia Samatar traces their gruelling journey across desert and mountains, and its improbable fruit: a small Christian settlement inside the Khanate of Khiva. Named ‘The White Mosque’ after the Mennonites’ whitewashed church, the village—a community of peace, prophecy, music and martyrs—lasted fifty years.

Within this curious tale, Sofia discovers a tapestry of characters connected by the ancient Silk Road: a fifteenth-century astronomer-king; an intrepid Swiss woman traveller; the first Uzbek photographer; a free spirit of the Harlem Renaissance. Along the way, in a voice both warm and wise, she explores her own complex upbringing as an American Mennonite of colour, the daughter of a Swiss-American Christian and a Somali Muslim.

On this pilgrimage to a lost village and a near-forgotten history, Samatar traces the porous borders of identity and narrative. When you leave your tribe, what remains? How do we enter the stories of others? And how, out of life’s buried archives and startling connections, does a person construct a self?

Time Magazine: 100 Best Fantasy Books of All Time · World Fantasy, British Fantasy, & Crawford Award winner

Jevick, the pepper merchant''s son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick''s life is as close to perfect as he canimagine. But just as he revels in Olondria''s Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.