Stephane Gerson – författare

The predictions of the sixteenth-century French astrologer Nostradamus have long proved captivating. He has been credited with anticipating the Great Fire of London, the rise of Adolf Hitler, and the September 11 terrorist attacks. Today, as the world grapples with financial meltdowns, global terrorism, and environmental disasters-as well as the Mayan prediction of the apocalypse on December 21, 2012-his prophecies of doom have assumed heightened relevance. A revelatory new translation with the original French on facing pages, this edition also features extensive introductory and supplementary material, all helping to illuminate the cultural, political, and historical forces that resonate throughout Nostradamus's epic and give it its visionary power.

Spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about the most slippery of subjects: their own families.  Historians have often been discouraged from writing about their relatives, subjects who are deemed too close for objective analysis. But new work by scholars interested in their own families raises fascinating questions about subjectivity—and how historians might put it to use. It also invites historians to abandon traditional aspects of academic writing and draw, instead, on literary forms more equipped to highlight the relationships between scholar and material, feeling and reason.  Scholars and Their Kin embraces diverse approaches to such writing, bringing into the open the personal, professional, and historiographic complexities that ensue when scholars write intimate yet self-aware histories about their families. The first book devoted to this genre, which editor Stéphane Gerson terms “personal family history,” this anthology features ten essays and an afterword by scholars working in this vein. The contributors—varied in their disciplines, themes, and nationalities—reflect on their motivations and methodological choices, the politics of family history, and the institutional constraints they have sometimes faced. Making full use of the creative possibilities of voice and form, they expand the literary ambitions of personal family history, provide readers with narrative models, and address questions of shame, responsibility, love, gendered and racial violence, family archives, as well as the tall tales, myths, misrepresentations, memories, and omissions that suffuse family lives. Scholars and Their Kin will interest historians, scholars in other disciplines, and readers interested in family histories that open broader worlds.

Spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about the most slippery of subjects: their own families.  Historians have often been discouraged from writing about their relatives, subjects who are deemed too close for objective analysis. But new work by scholars interested in their own families raises fascinating questions about subjectivity—and how historians might put it to use. It also invites historians to abandon traditional aspects of academic writing and draw, instead, on literary forms more equipped to highlight the relationships between scholar and material, feeling and reason.  Scholars and Their Kin embraces diverse approaches to such writing, bringing into the open the personal, professional, and historiographic complexities that ensue when scholars write intimate yet self-aware histories about their families. The first book devoted to this genre, which editor Stéphane Gerson terms “personal family history,” this anthology features ten essays and an afterword by scholars working in this vein. The contributors—varied in their disciplines, themes, and nationalities—reflect on their motivations and methodological choices, the politics of family history, and the institutional constraints they have sometimes faced. Making full use of the creative possibilities of voice and form, they expand the literary ambitions of personal family history, provide readers with narrative models, and address questions of shame, responsibility, love, gendered and racial violence, family archives, as well as the tall tales, myths, misrepresentations, memories, and omissions that suffuse family lives. Scholars and Their Kin will interest historians, scholars in other disciplines, and readers interested in family histories that open broader worlds.

Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and middling provincials, of obscure historians and intellectual luminaries. Arguing that the "local" and modernity were interlaced, rather than inimical, between the 1820s and 1890s, Gerson explores the diverse uses of local memories in modern France—from their theatricality and commercialization to their political and pedagogical applications. The Pride of Place shows that, contrary to our received ideas about French nationhood and centralism, the "local" buttressed the nation while seducing Parisian and local officials. The state cautiously supported the cult of local memories even as it sought to co-opt them and grappled with their cultural and political implications. The current enthusiasm for local memories, Gerson thus finds, is neither new nor a threat to Republican unity. More broadly yet, this book illuminates the predicament of countries that, like France, are now caught between supranational forces and a revival of local sentiments.

France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era.To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stéphane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.Contributors: Ken Alder, Northwestern University; John W. Baldwin, The Johns Hopkins University; Edward Berenson, New York University; Herrick Chapman, New York University; Roger Chartier, cole des Hautes tudes en Sciences Sociales; Clare Haru Crowston, University of Illinois at Urbana-Champaign; Barbara Diefendorf, Boston University; Laura Lee Downs, cole des Hautes tudes en Sciences Sociales; Stéphane Gerson, New York University; Jan Goldstein, The University of Chicago; Lynn Hunt, UCLA; Steven Kaplan, Cornell University; Thomas Kselman, Notre Dame University; Herman Lebovics, SUNY Stony Brook; Robert Paxton, Columbia University; Todd Shepard, The Johns Hopkins University; Leonard V. Smith, Oberlin College; Gabrielle Spiegel, The Johns Hopkins University; Tyler Stovall, University of California, Berkeley

France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era.To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stéphane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.Contributors: Ken Alder, Northwestern University; John W. Baldwin, The Johns Hopkins University; Edward Berenson, New York University; Herrick Chapman, New York University; Roger Chartier, cole des Hautes tudes en Sciences Sociales; Clare Haru Crowston, University of Illinois at Urbana-Champaign; Barbara Diefendorf, Boston University; Laura Lee Downs, cole des Hautes tudes en Sciences Sociales; Stéphane Gerson, New York University; Jan Goldstein, The University of Chicago; Lynn Hunt, UCLA; Steven Kaplan, Cornell University; Thomas Kselman, Notre Dame University; Herman Lebovics, SUNY Stony Brook; Robert Paxton, Columbia University; Todd Shepard, The Johns Hopkins University; Leonard V. Smith, Oberlin College; Gabrielle Spiegel, The Johns Hopkins University; Tyler Stovall, University of California, Berkeley

Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and middling provincials, of obscure historians and intellectual luminaries. Arguing that the "local" and modernity were interlaced, rather than inimical, between the 1820s and 1890s, Gerson explores the diverse uses of local memories in modern France—from their theatricality and commercialization to their political and pedagogical applications. The Pride of Place shows that, contrary to our received ideas about French nationhood and centralism, the "local" buttressed the nation while seducing Parisian and local officials. The state cautiously supported the cult of local memories even as it sought to co-opt them and grappled with their cultural and political implications. The current enthusiasm for local memories, Gerson thus finds, is neither new nor a threat to Republican unity. More broadly yet, this book illuminates the predicament of countries that, like France, are now caught between supranational forces and a revival of local sentiments.

A haunting chronicle of what endures when the world we know is swept away   On a day like any other, on a rafting trip down Utah’s Green River, Stéphane Gerson’s eight-year-old son, Owen, drowned in a spot known as Disaster Falls. That same night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.” Disaster Falls chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution. At the heart of the book is Stéphane’s portrait of a marriage critically tested. Husband and wife grieve in radically different ways that threaten to isolate each of them in their post-Owen worlds. (He feels so far,” Stéphane says, when Alison shows him a selfie Owen had taken. “He feels so close,” she says.) With beautiful specificity, Stephane shows how they resist that isolation and reconfigure their marriage from within.   As Stephane navigates his grief, the memoir expands to explore how society reacts to the death of a child. He depicts the “good death” of his father, which enlarges Stephane’s perspective on mortality. He excavates the history of the Green River—rife with hazards not mentioned in the rafting company’s brochures. He explores how stories can both memorialize and obscure a person’s life—and how they can rescue us.   Disaster Falls is a powerful account of a life cleaved in two—raw, truthful, and unexpectedly consoling.From the Hardcover edition.