Stéphane Schmitt – författare
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3 produkter
3 produkter
Specialized dictionaries and encyclopedias, 1650-1800
a tribute to Frank Kafker
Häftad, Engelska, 2024
1 605 kr
Skickas inom 7-10 vardagar
During the seventeenth and eighteenth centuries, the number of specialized dictionaries and encyclopedias grew from a trickle to a flood, while the number of disciplines they were devoted to grew from a handful to dozens, representing many varieties of knowledge. Specialized dictionaries – as most were called, whether lexical or encyclopedic – were far more numerous than general encyclopedias. Yet despite their importance – as sources of knowledge, for example, and as definers of disciplines – they have not been much studied. Drawing on Frank Kafker’s methods for studying the period’s general encyclopedias, as pioneered in Notable Encyclopedias of the Seventeenth and Eighteenth Centuries (1981), this volume examines specialized dictionaries as commercial products, collections of content, and cultural artifacts. Specifically, it complements a wide-ranging, analytical introduction sketching out the characteristics of specialized dictionaries in general with a series of individually authored but standardized case studies. The latter deal with dictionaries on a variety of disciplines, from the Bible to mining, and in five European languages. The volume concludes with an essay on Frank Kafker’s influence on historiography.
Del 1 - Why the Sciences of the Ancient World Matter
Pieces and Parts in Scientific Texts
Häftad, Engelska, 2019
1 062 kr
Skickas inom 10-15 vardagar
This book starts from a first general observation: there are very diverse ways to frame and convey scientific knowledge in texts. It then analyzes texts on mathematics, astronomy, medicine and life sciences, produced in various parts of the globe and in different time periods, and examines the reasons behind the segmentation of texts and the consequences of such textual divisions. How can historians and philosophers of science approach this diversity, and what is at stake in dealing with it? The book addresses these questions, adopting a specific approach to do so. In order to shed light on the diversity of organizational patterns and rhetorical strategies in scientific texts, and to question the rationale behind the choices made to present such texts in one particular way, it focuses on the issue of text segmentation, offering answers to questions such as: What was the meaning of segmenting texts into paragraphs, chapters, sections and clusters? Was segmentation used to delimit self-contained units, or to mark breaks in the physical appearance of a text in order to aid reading and memorizing, or to cope with the constraints of the material supports? How, in these different settings and in different texts, were pieces and parts made visible?
Del 1 - Why the Sciences of the Ancient World Matter
Pieces and Parts in Scientific Texts
Inbunden, Engelska, 2018
1 062 kr
Skickas inom 10-15 vardagar
This book starts from a first general observation: there are very diverse ways to frame and convey scientific knowledge in texts. It then analyzes texts on mathematics, astronomy, medicine and life sciences, produced in various parts of the globe and in different time periods, and examines the reasons behind the segmentation of texts and the consequences of such textual divisions. How can historians and philosophers of science approach this diversity, and what is at stake in dealing with it? The book addresses these questions, adopting a specific approach to do so. In order to shed light on the diversity of organizational patterns and rhetorical strategies in scientific texts, and to question the rationale behind the choices made to present such texts in one particular way, it focuses on the issue of text segmentation, offering answers to questions such as: What was the meaning of segmenting texts into paragraphs, chapters, sections and clusters? Was segmentation used to delimit self-contained units, or to mark breaks in the physical appearance of a text in order to aid reading and memorizing, or to cope with the constraints of the material supports? How, in these different settings and in different texts, were pieces and parts made visible?