Stephanie Lynn Budin - Böcker

This accessible introduction surveys the land and peoples who gave us the Labyrinth, the Acropolis, the Iliad and Odyssey, Herodotus and Thucydides, Sappho and Sophocles, Aphrodite and Aristotle, and so much more. Using the full range of resources of art history, archaeology, and philology, this book details the familiar--mythic heroes and heroines, famous philosophers and poets, as well as classical art and architecture--and introduces the less-well-known aspects of ancient Greece, notably the civilizations of the Bronze and Dark Ages and even the earliest form of written Greek--Linear B. In addition, Stephanie Lynn Budin offers a full history of how the study of classical Greece has evolved from ancient times through the Middle Ages and the Renaissance to the present day. She covers ongoing questions and new directions in Greek studies, including Minoan religion, the role of women in early Greek cultures, the historical accuracy of Homer and Herodotus, and the role of Greece amongst its non-Greek neighbors. The Ancient Greeks includes a rich collection of illustrations, drawings, maps, and photographs, including detailed renderings of Knossos, the evolution of Greek sculpture and pottery, and even a section on ancient weaponry. The result is a superb companion for both newcomers and long-time Hellenophiles, revealing not only what we know about ancient Greece but how we know it and how these cultures continue to influence us.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers.This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis’ role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis’ mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen.Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

Examining freewomen in Mesopotamian society, ancient Greek hetaira, Renaissance Italy courtesans, historical and modern Japanese geisha, and the Hindu devadāsī of India, Stephanie Lynn Budin makes a wide-ranging study of independent women who have historically been dismissed as prostitutes.The purpose of this book is to rectify a well-entrenched misunderstanding about a category of women existing throughout world history—women who were not (and are not) under patriarchal authority, here called "Freewomen." Having neither father nor husband, and not being bound to any religious authority monitoring their sexuality, these women are understood to be prostitutes, and the terminology designating them appears as such in dictionaries and common parlance. This book examines five case studies of such women: the Mesopotamian ḫarīmtu, the Greek hetaira, the Italian cortigiana "onesta", the Japanese geisha, and the Indian devadāsī. Thus the book goes from the dawn of written history to the present day, from ancient Europe and the Near East through modern Asia, comparatively examining how each of these cultures had its own version of the Freewoman and what this meant in terms of sexuality, gender, and culture. This work also considers the historiographic infelicities that gave rise and continuance to this misreading of the historic and ethnographic record.This engaging and provocative study will be of great interest to students and scholars working in Gender and Sexuality Studies, Women’s History, Classical Studies, Ancient Near Eastern and Biblical Studies, Asian Studies, World Cultures, and Historiography.

This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to motherhood, childbirth, sex, and building a career. Forensic evidence is also treated for the actual bodies of ancient women.Women in Antiquity is edited by two experts in the field, and is an invaluable resource to students of the ancient world, gender studies, and women's roles throughout history.

Examining freewomen in Mesopotamian society, ancient Greek hetaira, Renaissance Italy courtesans, historical and modern Japanese geisha, and the Hindu devadāsī of India, Stephanie Lynn Budin makes a wide-ranging study of independent women who have historically been dismissed as prostitutes.The purpose of this book is to rectify a well-entrenched misunderstanding about a category of women existing throughout world history—women who were not (and are not) under patriarchal authority, here called "Freewomen." Having neither father nor husband, and not being bound to any religious authority monitoring their sexuality, these women are understood to be prostitutes, and the terminology designating them appears as such in dictionaries and common parlance. This book examines five case studies of such women: the Mesopotamian ḫarīmtu, the Greek hetaira, the Italian cortigiana "onesta", the Japanese geisha, and the Indian devadāsī. Thus the book goes from the dawn of written history to the present day, from ancient Europe and the Near East through modern Asia, comparatively examining how each of these cultures had its own version of the Freewoman and what this meant in terms of sexuality, gender, and culture. This work also considers the historiographic infelicities that gave rise and continuance to this misreading of the historic and ethnographic record.This engaging and provocative study will be of great interest to students and scholars working in Gender and Sexuality Studies, Women’s History, Classical Studies, Ancient Near Eastern and Biblical Studies, Asian Studies, World Cultures, and Historiography.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers.This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis’ role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis’ mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen.Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

Stephanie Budin demonstrates that sacred prostitution, the sale of a person's body for sex in which some or all of the money earned was devoted to a deity or a temple, did not exist in the ancient world. Reconsidering the evidence from the ancient Near East, the Greco-Roman texts, and the early Christian authors, Budin shows that the majority of sources that have traditionally been understood as pertaining to sacred prostitution actually have nothing to do with this institution. The few texts that are usually invoked on this subject are, moreover, terribly misunderstood. Contrary to many current hypotheses, the creation of the myth of sacred prostitution has nothing to do with notions of accusation or the construction of a decadent, Oriental 'Other'. Instead, the myth has come into being as a result of more than 2,000 years of misinterpretations, false assumptions, and faulty methodology.

This book is a study of the woman-and-child motif - known as the kourotrophos - as it appeared in the Bronze Age eastern Mediterranean. Stephanie Lynn Budin argues that, contrary to many current beliefs, the image was not a universal symbol of maternity or a depiction of a mother goddess. In most of the ancient world, kourotrophic iconography was relatively rare in comparison to other images of women and served a number of different symbolic functions, ranging from honoring the king of Egypt to adding strength to magical spells to depicting scenes of daily life. This work provides an in-depth examination of ancient kourotrophoi and engages with a variety of debates that they have spawned, including their role in the rise of patriarchy and what they say about ancient constructions of gender.

Stephanie Budin demonstrates that sacred prostitution, the sale of a person's body for sex in which some or all of the money earned was devoted to a deity or a temple, did not exist in the ancient world. Reconsidering the evidence from the ancient Near East, the Greco-Roman texts, and the early Christian authors, Budin shows that the majority of sources that have traditionally been understood as pertaining to sacred prostitution actually have nothing to do with this institution. The few texts that are usually invoked on this subject are, moreover, terribly misunderstood. Contrary to many current hypotheses, the creation of the myth of sacred prostitution has nothing to do with notions of accusation or the construction of a decadent, Oriental 'Other'. Instead, the myth has come into being as a result of more than 2,000 years of misinterpretations, false assumptions, and faulty methodology.

This Element presents what we know about the construction of sexuality and the sex lives of the residents of ancient Mesopotamia, Anatolia, and the Levant. After briefly introducing the regions and cultures under consideration and the sources of data, the work turns to female and male experiences of sexuality, matters of fertility and infertility, sexual orientation, and finally sex crimes. Primary sources are heavily foregrounded so that readers may understand what the sources of information are on these topics and may see how scholars have come to the understandings that they have.

This Element presents what we know about the construction of sexuality and the sex lives of the residents of ancient Mesopotamia, Anatolia, and the Levant. After briefly introducing the regions and cultures under consideration and the sources of data, the work turns to female and male experiences of sexuality, matters of fertility and infertility, sexual orientation, and finally sex crimes. Primary sources are heavily foregrounded so that readers may understand what the sources of information are on these topics and may see how scholars have come to the understandings that they have.

This multidisciplinary volume examines the ongoing effects of James G. Frazer’s The Golden Bough in modern Humanities and its wide-ranging influence across studies of ancient religions, literature, historiography, and reception studies.The book begins by exploring the life and times of Frazer himself and the writing of The Golden Bough in its cultural milieu. It then goes on to cover a wide range of topics, including: ancient Near Eastern religion and culture; Minoan religion and in particular the origins of notions of Minoan matriarchy; Frazer’s influence on the study of Graeco-Roman religion and magic; Frazer’s influence on modern Pagan religions; and the effects of Frazer’s works in modern culture and scholarship generally. Chapters examine how modern academia and beyond continues to be influenced by the otherwise discredited theories in The Golden Bough, ideas such as Sacred Marriage and the incessant Fertility of Everything. The book demonstrates how scholarship within the Humanities as well as practitioners of alternative religions and the common public remain under the thrall of Frazer over one hundred years since the publication of the abridged edition of The Golden Bough, and what we must do to shake off that influence. A Century of James Frazer’s The Golden Bough is of interest to scholars and students from a wide range of disciplines, including Ancient History, History of Religion, Comparative Religion, Classical Studies, Archaeology, Historiography, Anthropology, Folklore, and Reception Studies.Chapter 18 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.

This book is a study of the woman-and-child motif - known as the kourotrophos - as it appeared in the Bronze Age eastern Mediterranean. Stephanie Lynn Budin argues that, contrary to many current beliefs, the image was not a universal symbol of maternity or a depiction of a mother goddess. In most of the ancient world, kourotrophic iconography was relatively rare in comparison to other images of women and served a number of different symbolic functions, ranging from honoring the king of Egypt to adding strength to magical spells to depicting scenes of daily life. This work provides an in-depth examination of ancient kourotrophoi and engages with a variety of debates that they have spawned, including their role in the rise of patriarchy and what they say about ancient constructions of gender.