Steven Hyden – författare

From an acclaimed music critic and author, an in-depth analysis of the rise and fall of rock n' roll through the lens of one of the best albums of the 21st century-The Strokes' Is This It.In 2001, The Strokes broke into the indie alt-rock scene with their debut album Is This It, a work that was supposed to "save" rock music from the evils of nü-metal and teen pop.It did not.Despite the album's countless accolades and acclaim from critics and fans alike, it failed to break into the mainstream like Nevermind did a decade before, and the band never reached as wide an audience as they'd hoped. But then why is it that no other rock band from the 21st century has captured the mystique of The Strokes? And how did a band defined by their repeated failure gain such a transcendent and enduring allure?In Is This It: The Never Ending Rise And Fall Of The Strokes (And Rock 'n' Roll), music critic and author Steven Hyden provides keen insight into The Strokes' tumultuous longevity by turning a socio-cultural and critical lens on their entire career, as well as the careers of their contemporaries: The Killers (more successful but less cool), Kings Of Leon (the southern Strokes), The White Stripes (their friendly rival), The National (the tortoise to The Strokes's hare), and more. Hyden uses The Strokes' classic album Is This It as a vehicle for examining rock's radically changing role in pop culture over the last twenty-five years, and explores how while rock music may rise and fall, it-much like The Strokes-will never die.

A thought-provoking exploration of Bruce Springsteen's iconic album, Born in the U.S.A.-a record that both chronicled and foreshadowed the changing tides of modern AmericaOn June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen's Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. In There Was Nothing You Could Do, veteran rock critic Steven Hyden shows exactly how this record became such a pivotal part of the American tapestry. Alternating between insightful criticism, meticulous journalism, and personal anecdotes, Hyden delves into the songs that made-and didn't make-the final cut, including the tracks that wound up on its sister album, 1982's Nebraska. He also investigates the myriad reasons why Springsteen ran from and then embraced the success of his most popular (and most misunderstood) LP, as he carefully toed the line between balancing his commercial ambitions and being co-opted by the machine.But the book doesn't stop there. Beyond Springsteen's own career, Hyden explores the role the album played in a greater historical context, documenting not just where the country was in the tumultuous aftermath of Vietnam and Watergate, but offering a dream of what it might become-and a perceptive forecast of what it turned into decades later. As Springsteen himself reluctantly conceded, many of the working-class middle American progressives Springsteen wrote about in 1984 had turned into resentful and scorned Trump voters by the 2010s. And though it wasn't the future he dreamed of, the cautionary warnings tucked within Springsteen's heartfelt lyrics prove that the chaotic turmoil of our current moment has been a long time coming.How did we lose Springsteen's heartland? And what can listening to this prescient album teach us about the decline of our country? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.

A thought-provoking exploration of Bruce Springsteen's iconic album, Born in the U.S.A.-a record that both chronicled and foreshadowed the changing tides of modern AmericaOn June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. Bruce Springsteen's Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. Because this record ended up being much more than just an album-it is a document of what this country was in its moment, a dream of what it might become, and a prescient forecast of what it actually turned into decades later.In There Was Nothing You Could Do, veteran rock critic Steven Hyden explores the essential questions that explain this classic album - what it means, why it was made, and how it changed the world. By mixing up his signature blend of personal memoir, criticism, and journalism, Hyden digs deep into the songs that made Born In The U.S.A. as well as the scores of tunes that didn't, including the tracks that make up the album's sister release, 1982's Nebraska. He investigates how the records before Born In The U.S.A. set the table for the album's tremendous success, following Springsteen as he tries to balance his commercial ambitions with his fear of losing artistic control and being co-opted by the machine. Hyden also takes a closer look how Springsteen's work after Born In The U.S.A. reacted to that album, discussing how "The Boss" initially ran away from his most popular (and most misunderstood) LP until he learned to once again accept his role as a kind of living national monument.But the book doesn't stop there. Hyden also looks beyond Springsteen's career, placing Born In The U.S.A. in a larger context in terms of how it affected rock music as well as America. Though he aspired to be as big as Elvis and as profound as Dylan, he was equally aware of his heroes' shortcomings and eager to avoid their mistakes-all while navigating the tumultuous aftermath of Vietnam and Watergate, a time when America was coming apart at the seams. Born In The U.S.A. simultaneously chronicles that coming apart and pushes for a more united future, a duality that made him a hero to a younger generation of bands - from Arcade Fire to The Killers to The War On Drugs - who openly emulated the sound of Born In The U.S.A. in the hopes of somehow, in their own way, achieving a measure of that album's impact in the 21st century. By the aughts, when Springsteen fan (and future podcast partner) Barack Obama entered the White House, it appeared that the hopeful promise of Born In The U.S.A. might be realized. But the election of Donald Trump seemed to confirm an opposite truth that was closer to the darkness of songs like "My Hometown" and "Born In The U.S.A." than Springsteen's revival-like shows. As Springsteen himself reluctantly conceded, the working-class middle American progressives he wrote about in 1984 had turned into the resentful and scored Trump voters of the 2010s.How did we lose Springsteen's heartland? And what can listening to these songs teach us about the American decline that Born In The U.S.A. forecasted? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.

A leading music journalist's riveting chronicle of how beloved band Pearl Jam shaped the times, and how their legacy and longevity have transcended generations.Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band - how they got to where they are, what drove them to greatness, and why it matters now.Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses - the quintessential Gen-X tale.Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia-the B-sides, the beloved deep cuts, the concert bootlegs-and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."

National Bestseller * Named one of Rolling Stone''s Best Music Books of 2018 * One of Newsweek''s 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selectionThe author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock''s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.Twilight of the Gods is also Hyden''s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A.In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future.For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was Kid A.Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.

In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record.Instead, they set out to create the future.For more than a year, they battled writer's block, inter-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era, and embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture.What they created was Kid A.At the time, Radiohead's fourth album divided critics. Some called it an instant classic; others, including the U.K. music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the 21st century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture, in time for its 20th anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.