Sudesh Mishra – författare

The first introduction to the field of Diaspora criticism that serves both as a timely guide and a rigorous critique.Diaspora criticism takes the concept ‘diaspora’ as its object of inquiry and provides a framework for discussing displaced communities in a way that takes contemporary social, cultural and economic pressures into account. It also offers an alternative to Postcolonial Studies. This book is the first to provide an accessible overview of the critical trends in Diaspora criticism and to critically evaluate the major Diaspora critics and their models, with the aim of adding to the debate on methodology.This authoritative account will be of interest to those working in Diaspora Studies and its related fields of History, Literature, Art, Sociology, Population and Migration Studies, Politics, and Ethnic and Postcolonial Studies.Features*The first full account of the critical trends in the most exciting area of contemporary research and analysis. *Locates Diaspora criticism in a specific historical context, pinpoints its emergence as a critical discourse and provides an overview of the debates that have shaped the genre.*Critically analyses the approaches of the main diaspora theorists including William Safran, Jonathan Boyarin, Paul Gilroy, James Clifford, Stuart Hall, Rey Chow, Avtar Brah and Vijay Mishra.

Global commodities, from tea and sugar to coal and oil, have had an enduring presence in literary texts. Commodity cultures have also shaped literary ones, from the early influence of the literary coffeehouse to the serial novels facilitated by print's own emergence as a mass commodity. This book offers an accessible overview of the many intersections between literature and commodities. Tracing the stories of goods as diverse as coffee, rum, opium, guano, oil and lithium, as they appear across a range of texts, periods, areas, and genres, the chapters bring together existing scholarship on literature and commodity culture with new perspectives from world-literary, postcolonial and Indigenous studies, Marxist and feminist criticism, the environmental and energy humanities, and book history. How, this volume asks, have commodities shaped literary forms and modes of reading? And how has literature engaged with the world-making trajectories and transformations of commodities?