Caitlin Vandertop – författare

Global commodities, from tea and sugar to coal and oil, have had an enduring presence in literary texts. Commodity cultures have also shaped literary ones, from the early influence of the literary coffeehouse to the serial novels facilitated by print's own emergence as a mass commodity. This book offers an accessible overview of the many intersections between literature and commodities. Tracing the stories of goods as diverse as coffee, rum, opium, guano, oil and lithium, as they appear across a range of texts, periods, areas, and genres, the chapters bring together existing scholarship on literature and commodity culture with new perspectives from world-literary, postcolonial and Indigenous studies, Marxist and feminist criticism, the environmental and energy humanities, and book history. How, this volume asks, have commodities shaped literary forms and modes of reading? And how has literature engaged with the world-making trajectories and transformations of commodities?

While literary modernism is often associated with Euro-American metropolises such as London, Paris or New York, this book considers the place of the colonial city in modernist fiction. From the streets of Dublin to the shop-houses of Singapore, and from the botanical gardens of Bombay to the suburbs of Suva, the monumental landscapes of British colonial cities aimed to reinforce empire's universalising claims, yet these spaces also contradicted and resisted the impositions of an idealised English culture. Inspired by the uneven landscapes of the urban British empire, a group of twentieth-century writers transformed the visual incongruities and anachronisms on display in the city streets into sources of critique and formal innovation. Showing how these writers responded to empire's metrocolonial complexities and built legacies, Modernism in the Metrocolony traces an alternative, peripheral history of the modernist city.