Susan K. Morrissey – författare

Reading Russian revolutionary culture through its stories, author Susan Morrissey examines how the quest for consciousness evolved into a master-plot of student radicalism. Based on interdisciplinary sources and extensive research in Russian archives, this study throws new light on the dynamics of political and cultural change in late Imperial Russia and poses provocative questions about the pre-revolutionary antecedents of the founding myths of the Soviet Union. This work will appeal to historians of Russia and the Soviet Union, as well as specialists in Slavic culture and literature.

Reading Russian revolutionary culture through its stories, author Susan Morrissey examines how the quest for consciousness evolved into a master-plot of student radicalism. Based on interdisciplinary sources and extensive research in Russian archives, this study throws new light on the dynamics of political and cultural change in late Imperial Russia and poses provocative questions about both the pre-revolutionary antecedents and the founding myths of the Soviet Union. This work will appeal to historians of Russia and the Soviet Union, as well as specialists in Slavic culture and literature.

In early twentieth-century Russia, suicide became a public act and a social phenomenon of exceptional scale, a disquieting emblem of Russia's encounter with modernity. This book draws on an extensive range of sources, from judicial records to the popular press, to examine the forms, meanings, and regulation of suicide from the seventeenth century to 1914, placing developments into a pan-European context. It argues against narratives of secularization that read the history of suicide as a trajectory from sin to insanity, crime to social problem, and instead focuses upon the cultural politics of self-destruction. Suicide - the act, the body, the socio-medical problem - became the site on which diverse authorities were established and contested, not just the priest or the doctor but also the sovereign, the public, and the individual. This panoramic history of modern Russia, told through the prism of suicide, rethinks the interaction between cultural forms, individual agency, and systems of governance.