Tahar Ben Jelloun – författare

An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful of survivors—living cadavers who had shrunk by over a foot in height—emerged from the six-by-three-foot cells in which they had been held underground for decades.Working closely with one of the survivors, Ben Jelloun eschewed the traditional novel format and wrote a book in the simplest of language, reaching always for the most basic of words, the most correct descriptions. The result is a shocking novel that explores both the limitlessness of inhumanity and the impossible endurance of the human will.

In this extraordinary non-fiction novel, based on a true story, Tahar Ben Jelloun traces the experiences of Salim who, in 1971, took part in a failed coup attempt to oust King Hassan II of Morocco. With sixty others Salim was incarcerated in a secret prison complex in the Moroccan desert: he was to remain there for nearly twenty years. In starkly eloquent, beautiful prose, Ben Jelloun relates the prisoners' experiences as they struggle to survive. The son of a witty, feckless courtier who disowns him, Salim tells stories to keep sane - from the suras of his beloved Koran to the plot of A Streetcar Named Desire. Even in the darkest, most terrible conditions, sympathy, insight, the human quest for meaning and understanding, never desert Salim. The resulting novel is a wrenching yet exquisite celebration of the human spirit and its determination to survive. 'A masterpiece' Judges of the IMPAC award 'a sad and splendid book' New York Times Book Review

The award-winning novelist and author of the international bestseller Racism Explained to My Daughter uses his own experience to illuminate the experience of the Other in his adopted land-and everywhere. A Moroccan who emigrated to France in 1971, Tahar Ben Jelloun draws upon his own encounters with racism along with his insights as a practicing psychologist and gifted novelist to elucidate the racial divisions that plague contemporary society. In a modern France where openly racist leaders such as National Front spokesman Jean-Marie Le Pen have made significant strides toward broad popular acceptance, Ben Jelloun's book is more topical now than ever. His profound and compelling appeal for tolerance-in both public discourse and the law-is a passionate yet reasoned argument that racism simply does not make sense in the multicultural world of today. French Hospitality confronts issues of international resonance: the relationship of a formerly colonized people to their onetime colonizers, the encounter between Islam and the modern Judeo-Christian West, and the status of the non-European minorities in Europe today.Underlying these issues is a heartfelt nostalgia for simple, traditional North African hospitality as practiced since time immemorial by a relatively poor and unsophisticated society. Ben Jelloun supplements this rather noble ideal of generosity and welcoming by borrowing the philosophical concept of hospitality-the opening of oneself to another-from the works of Emmanuel Levinas and Jacques Derrida in order to illustrate the moral conception of a nation's unconditional acceptance of foreigners. Isn't the belief in welcoming strangers a fundamental mark of civilization? In a political climate where increasingly repressive immigration laws are a national trend as well as an international phenomenon, he contends, it is not surprising that racism has gained a foothold. Most hurt by racist polemic and politics, he points out, are children of immigrants-born in France, their memories are those of the French people, and they deserve to be treated with the full respect afforded to any citizen.With his elegant and imaginative prose, Ben Jelloun shows us both racism's face and the immigrant's heartbreak; but he also evokes the wind of freedom and the ideal of hospitality, and with this gesture offers a kind of hope in extricating ourselves from racism's recidivist incoherencies.

Hajji Ahmed has seven daughters and a constant worry; he has no legal heir. Determined to stop his greedy brothers from claiming his wealth, he decides that his eighth child will be a boy, no matter what. Thus, his final child, Mohammed Ahmed, is raised a boy with all the privileges granted exclusively to men in traditional society. Yet, as he matures, Ahmed's desire to have children marks the beginning of his sexual evolution, and as a woman named Zahra, she finally begins to explore her identity on her own terms.In haunting, surrealist prose Ben Jelloun relates the extraordinary events of Ahmed/Zahra's life through a storyteller and the listeners who have gathered in a Marrakesh market square to hear his tale. A poetic vision of colonial legacy and gender politics in 1950s Morocco, The Sand Child is the masterwork of one of the greatest North African writers of the 20th century.

In an accessible question-and-answer format, Islam Explained clarifies the main tenets of Islam, the major landmarks in Islamic history, and the current politics of Islamic fundamentalism. The book also sheds light on the key words that have come to dominate the media—terrorist, crusade, jihad, fundamentalist, fatwa—offering lucid and balanced explanations, not only for youngsters but also for the general reader.Islam Explained is at once an essential introduction to one of the world’s great religions and a cry for tolerance and understanding in deeply troubled times.

The Last Friend, the new novel from internationally acclaimed author Tahar Ben Jelloun, winner of the 2004 International Dublin/IMPAC award, is a Rashamon-like tale of friendship and betrayal set in twentieth century Tangier. Written in Ben Jelloun's inimitable and powerfully direct style, the novel explores the twists and turns of an intense thirty-year friendship between two young men struggling to find their identities and sexual fulfillment in Morocco in the late 1950s, a complex and contradictory society both modern and archaic.From their carefree university days through their brutal imprisonment and ultimate release, the two rely on each other for physical and psychological survival, forging bonds not easily broken. Each narrator tells his version of the story, painting a vivid portrait of life lived within and in opposition to the moral strictures of North Africa.Set against a backdrop of repression and disillusionment, The Last Friend is a tale of loss of innocence and a nation's coming of age.

Longlisted for the EBRD Literature Prize Since she's been ill, Lalla Fatma has become a frail little thing with a faltering memory. Lalla Fatma thinks she's in Fez in 1944, where she grew up, not in Tangier in 2000, where this story begins. She calls out to family members who are long dead and loses herself in the streets of her childhood, yearning for her first love and the city she left behind. By her bedside, her son Tahar listens to long-hidden secrets and stories from her past: married while still playing with dolls and widowed for the first time at the age of sixteen. Guided by these fragments, Tahar vividly conjures his mother's life in post-war Morocco, unravelling the story of a woman for whom resignation was the only way out. Tender and compelling, About My Mother maps the beautiful, fragile and complex nature of human experience, while paying tribute to a remarkable woman and the bond between mother and son.

On Terrorism: Conversations With My Daughter is Tahar Ben Jelloun’s impassioned, succinct explanation of the seductions and dangers of terrorism in the modern world. It takes the form of a dialogue between the author and his teenage daughter. Using her ill-defined fears as the starting point, this challenging book begins with a discussion of what it means to be civilised and leads the reader through an evaluation and analysis of the place of Islam in the modern world and its relationship to Islamist terrorism. Exploring all forms of terrorism in both a historical and contemporary context, the book addresses complex and pressing questions in an everyday, accessible language. Because Ben Jelloun understands that terrorist acts come from the perpetrators’ deepsense of inadequacy, his arguments are all the more powerful. He places a high value on the importance of secular values, with which he believes Islam is compatible. This is a powerful, timely plea for tolerance and understanding.

Tanger verlassen - das ist die Obsession in den Köpfen einer ganzen Generation. Bei schönem Wetter sieht man hinüber zur spanischen Küste. Auch Azel träumt sich hinüber in die »Festung Europa«. Nach einem Jurastudium hat er keine Aussicht auf einen Job. Er glaubt, einen sicheren Fluchtweg gefunden zu haben, doch die Hölle aus Armut, Korruption und Demütigung, die er in Marokko hinter sich lässt, ist nur das Spiegelbild der anderen Hölle, die ihn erwartet: Einsamkeit, Prostitution und der Verlust seiner Würde in der Emigration. »Der bedeutendste Schriftsteller des Maghreb.« Literaturen

Ein Mann erzählt. Er heißt Salim und war Gefangener im Straflager Tazmamart im Süden Marokkos, verurteilt zu einem langsamen Sterben in Kälte, Schmutz und Angst. Im Gefängnis herrscht ewige Nacht. Um zu überleben lernt Salim, sich von den Bildern seiner Vergangenheit zu befreien, denn »sich erinnern heißt sterben«.

In diesem düsteren, humorvollen Thriller findet ein Drehbuchautor, der seine Zeit zwischen Tanger und Paris verbringt, eines Tages über sich heraus, dass er jemanden töten muss, um endlich gut schlafen zu können. Seine Mutter wird sein erstes Opfer sein. Er hält sich nicht wirklich für einen Kriminellen, er hilft ihr nur zu sterben. Als die Auswirkungen seiner Tat nachlassen, wird ihm klar, dass er an seinen mörderischen Methoden festhalten muss, um für weitere erholsame Nächte zu sorgen. In Marokko gibt es keinen Mangel an Beute: je mehr Bankiers und Politiker seiner Schlaflosigkeit zum Opfer fallen, desto tiefer ist die Ruhe in der Nacht. Als sich herausstellt, dass eines seiner Opfer ein ehemaliger Folterer ist, der während der grausamen Herrschaft von König Hassan II. aktiv war, wird ihm klar: Je bösartiger seine Opfer sind, desto länger und besser schläft er durch. Seine Heldentaten werden gewagter, immer prominentere Personen geraten ins Visier und er selbst ins Fadenkreuz."Schlaflos" ist ein Juwel, eine sinnliche Erzählung über das Leben und das Vergehen der Zeit.

«El secreto está aquí, en estas páginas, tejido con sílabas e imágenes. Me lo confió justo antes de morir. Leí la primera frase y no entendí nada. Leí el segundo párrafo y no entendí nada. Leí la primera página y fui iluminado. Las lágrimas del asombro rodaban solas por mis mejillas.»En una plaza de Marruecos, un narrador cuenta la historia de una niña. Es la octava hija de un padre que, desesperado por no tener aún un heredero, decidió llamarla Ahmed y hacer creer a todos que había sido un varón. La vida de este niño fabricado, de esta niña a la que no dejaron ser, es el desgarrador relato del martirio provocado por un padre y aceptado con sumisión.El niño de arena es una deslumbrante novela sobre la construcción identitaria del individuo y la relación con el cuerpo. Es también una maravillosa reflexión sobre el poder fabulador del lenguaje y el embrujo de las historias, un juego de espejos y narradores sin fin enraizado en la tradición oral árabe, lleno de guiños a Borges y a Las mil y una noches.

Mohamed Limmigri, un emigrante marroqui, esta a punto de jubilarse despues de pasar anos empleado en una fabrica de coches francesa. La idea de dejar el trabajo, sin embargo, le provoca un difuso malestar. Es el momento de hacer balance de toda una vida, y en ella descubre mas sombras que luces. Lamenta, sobre todo, que su familia se haya desestructurado y el no haber sabido educar a sus hijos para que no perdieran sus senas culturales y religiosas. La nostalgia del pasado le lleva a regresar a su aldea natal con el objetivo de construir una enorme casa en la que pueda reagrupar a los suyos. Pero el retorno sera muy distinto del que se imaginaba.

Después de los atentados de las Torres Gemelas de Nueva York, de la estación de Atocha de Madrid, del metro de Londres, de la revista "Charlie Hebdo" de París, de las crueles ejecuciones del Daish en Siria, de la amenaza islamista en Libia, Nigeria, el Sahel... ¿Debemos tener miedo al islam? ¿Es una religión violenta y antidemocrática por naturaleza? Tahar Ben Jelloun nos da la respuesta a través de una conversación con su hija, francesa y musulmana como tantos jóvenes en Europa. De forma sencilla, nos aclara los orígenes del Estado Islámico, de cómo y por qué captan jóvenes en las redes, del integrismo religioso y de la oposición al mismo de la gran mayoría de los musulmanes que lo ve como una desfiguración de la verdadera fe en Alá y de su mensaje de paz, de la belleza del Corán y de los valores del islam... Repasa la situación en Oriente Próximo, en Túnez, en Turquía..., de la mujer en las sociedades musulmanas. Nos habla de la yihad, del laicismo, la tolerancia, la democracia... Al mismo tiempo que nos hace reflexionar sobre el desinterés de los europeos sobre la situación económica y social de los jóvenes musulmanes, inmigrantes de primera y segunda generación, que pueblan nuestras ciudades. "El islam que da miedo" es un libro valiente e inteligente en el que Tahar Ben Jelloun lanza un puente de comprensión mutua entre el mundo musulmán y el occidental. Al mismo tiempo que combate tanto los mitos y recelos existentes sobre los musulmanes como la violencia del integrismo islámico como "empresa financiera y política que lucha contra el Islam de las Luces (...) el de la modernidad que da a la mujer sus derechos y que adopta el Estado nación en el sentido de una coexistencia con las otras naciones del mundo". Sus armas: la inteligencia y la palabra.

In this lyrical, hallucinatory novel set in Morocco, Tahar Ben Jelloun offers an imaginative and radical critique of contemporary Arab social customs and Islamic law. The Sand Child tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

The Sacred Night continues the remarkable story Tahar Ben Jelloun began in The Sand Child. Mohammed Ahmed, a Moroccan girl raised as a boy in order to circumvent Islamic inheritance laws regarding female children, remains deeply conflicted about her identity. In a narrative that shifts in and out of reality moving between a mysterious present and a painful past, Ben Jelloun relates the events of Ahmed's adult life. Now calling herself Zahra, she renounces her role as only son and heir after her father's death and journeys through a dreamlike Moroccan landscape. A searing allegorical portrait of North African society, The Sacred Night uses Arabic fairy tales and surrealist elements to craft a stunning and disturbing vision of protest and rebellion against the strictures of hidebound traditions governing gender roles and sexuality.

The violence of war is rendered immediate and vividly personal in this powerful book by one of North Africa's premier writers and intellectuals. The human devastation wrought upon Iraqis in the Gulf War and upon Palestinian refugees in Lebanon and the Occupied Territories is captured in a quietly unrelenting, essential act of remembering that balances lyricism with horror. Tahar Ben Jelloun, poet, novelist, and professor, was born and raised in Fez, Morocco, and has lived and worked in France since 1971. Winner of the Prix Goncourt in 1987, he is the author of numerous works of fiction, poetry, and critique.