Terry Belanger – författare
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8 produkter
8 produkter
Inbunden, Engelska, 1994
1 477 kr
Skickas inom 7-10 vardagar
The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.
Häftad, Engelska, 2002
673 kr
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Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Stephen Crane, Henry James, Rudyard Kipling, Robert Louis Stevenson and Mark Twain were among those who offered their early fiction to 'Syndicates', firms which subsequently sold the work to newspapers across America for simultaneous, first-time publication. This newly decentralised process profoundly affected not only the economics of publishing, but also the relationship between authors, texts and readers. In the first full-length study of this publishing phenomenon, Charles Johanningsmeier evaluates the unique site of interaction syndicates held between readers and texts.
Häftad, Engelska, 2002
843 kr
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The cheap Bibles of nineteenth-century Britain were read in millions of homes, and were also potent symbols of national virtue. In an age of social ferment, cheap Bibles - most published by the British and Foreign Bible Society - represented both the promise of mass literacy and the benefits of industrialisation. This book, based on correspondence and other archival records, tells the story of the BFBS from two perspectives: its place in the history of publishing and printing and in contemporary society. The BFBS, founded in 1804, grew out of the evangelical revival and became a popular crusade. 'Ladies Bible Associations' sprang up to supply the poor with cheap Bibles and contribute to the production of Bibles in foreign languages for the salvation of souls abroad. To meet the growing demand the Society experimented with new technologies including stereotyping, machine printing and bookbinding, and a unique distribution system.
Häftad, Engelska, 2003
843 kr
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This is a study of some of the central questions in literary publishing in mid-nineteenth-century North America and Britain, addressed through examination of the unusually rich archives of a unique publishing firm. Boston-based Ticknor and Fields, one of the pre-eminent literary publishers of its time, enjoyed close links with Britain, and also developed new production, distribution, and marketing skills as the settlement of North America pushed ever further west. Michael Winship has studied the firm's business records and publications in detail: he reveals what Ticknor and Fields published, its costs of production, the ways it marketed and distributed its books, and the profits it made. Winship goes on to explore the implications of the firm's work for the book trade in general, and to show how an investigation of Ticknor and Fields enriches our understanding of the literary and cultural history of Britain and North America.
Häftad, Engelska, 1996
534 kr
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Following the discovery of manuscript materials, including hundreds of unpublished additions and changes, for Samuel Johnson's Dictionary of the English Language, Allen Reddick describes the conception, composition, writing, and subsequent revision of the first great English dictionary, and the only dictionary created by a great writer. In this second edition of his acclaimed study, Reddick incorporates new commentary and scholarship, and situates The Making of Johnson's Dictionary in current critical and scholarly debate.
Häftad, Engelska, 2002
658 kr
Skickas inom 7-10 vardagar
The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.
Häftad, Engelska, 2002
561 kr
Skickas inom 7-10 vardagar
When printing first began, a new book automatically fell into the public domain upon publication. Only a special law or privilegium enacted by a competent authority could protect it from being reprinted without the consent of the author or publisher. Such privileges for books are attested before 1480, but in Germany and Italy their efficacy was limited to a relatively small area by the political fragmentation of the country. During the 1480s and 1490s France became one of Europe's main centres of book production and, as competition intensified, privileges were sought there from 1498. Although privileges were to last as long as the Ancien Régime, the period to 1526 is the least-known stage of their development and the most important. Most privilege-holders printed the full text of their grant, and many others a summary.
Häftad, Engelska, 2002
739 kr
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This book examines the radical transformation of British literary culture during the period 1880-1914 as seen through the early publishing careers of three highly influential writers, Joseph Conrad, Arnold Bennett and Arthur Conan Doyle. Peter D. McDonald examines the cultural politics of the period by considering the social structure of the literary world in which these writers were read and understood. Through a wealth of historical detail, he links the publishing history of key texts with the wider commercial, ideological, and literary themes in the period as a whole. By tracing the complex network of relationships among writers, publishers, printers, distributors, reviewers, and readers, McDonald demonstrates that the discursive qualities of these texts cannot be fully appreciated without understanding the material conditions of their production. In so doing, he makes social history a central part of literary studies, and shows the importance of the history of publishing in questions of critical interpretation.