Th. Emil Homerin – författare

Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more.

Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more.

'A'ishah al-Ba'uniyyah (d. 923/1517) of Damascus was one of the great women scholars in Islamic history. A mystic and prolific poet and writer, 'A'ishah composed more works in Arabic than any other woman before the twentieth century. Yet despite her extraordinary literary and religious achievements, 'A'ishah al-Ba'uniyyahremains largely unknown. For the first time her key work, The Principles of Sufism, is available in English translation.The Principles of Sufism is a mystical guide book to help others on their spiritual path. She recounts the fundamental stages and states of the spiritual novice's transformative journey, emphasizing the importance of embracing both human limitations and God's limitless love. Drawing on lessons and readings from centuries-old Sufi tradition, 'A'ishah advises the seeker to repent of selfishness and turn to a sincere life of love. In addition to his lucid translation, Th. Emil Homerin provides an insightful introduction, notes and a glossary to 'A'ishah al-Ba'uniyyah's remarkable account of the pursuit of mystical illumination.A bilingual Arabic-English edition.

Illustrated with 3 plates. Ibn al-Farid (d. 632/1235) has long been venerated as a Sufi saint and poet whose verse stands as a high point in Arabic poetry. Several of his poems became religious and literary classics, among them the al-Khamriyah or Wine Ode. Perhaps the first and certainly the most influential commentary on this poem was the Sharh Khamriyat Ibn al-Farid by Dawud al-Qaysari (d. ca. 748/1347). Al-Qaysari was a direct spiritual descendent of the great Sufi master Ibn al-`Arabi (d. 637/1240), whose disciples read and reflected on Ibn al-Farids verse as part of their mystical studies. Al-Qaysari prefaces his commentary with a thoughtful essay on love, its various types, and their effects within creation. He then turns to a verse by verse commentary of the Wine-Ode in order to reveal the subtle, mystical meanings of Ibn al-Farids celebrated poem. The Wine of Love & Life by Th. Emil Homerin makes available for the first time the full Arabic edition and English translation of al-Qaysaris master-work of Sufi theology.

Explores the work of beloved Sufi poet Umar Ibn al-Farid and its context. Provides many translations of Ibn al-Farid's poetry.Umar Ibn al-Fāriḍ (1181–1235), author of two classic works, the Wine Ode and the Poem of the Sufi Way, is considered the greatest Sufi poet to write in Arabic. In this study, these and other poems by Ibn al-Fāriḍ are considered within the context of Islamic mysticism, Arabic literature, and Sufi poetry. Th. Emil Homerin uncovers the literary and religious intent of these poems and their aesthetic and mystical content, showing them to be a type of meditative poetry. Indeed, Ibn al-Fāriḍ often alludes to the Sufi practice of "recollection," or meditation on God, to evoke a view of existence in which the seeker may be transformed by an epiphany of love revealing an intimate relationship to the divine beloved. Homerin provides elegant translations and close readings of Ibn al-Fāriḍ's poetry, highlighting the beauty of his verse, its moods, meanings, and significance within Islamic mysticism and Arabic poetry, where Ibn al-Fāriḍ is still known as the "Sultan of the Lovers."

Explores the work of beloved Sufi poet Umar Ibn al-Farid and its context. Provides many translations of Ibn al-Farid's poetry.Umar Ibn al-Fāriḍ (1181–1235), author of two classic works, the Wine Ode and the Poem of the Sufi Way, is considered the greatest Sufi poet to write in Arabic. In this study, these and other poems by Ibn al-Fāriḍ are considered within the context of Islamic mysticism, Arabic literature, and Sufi poetry. Th. Emil Homerin uncovers the literary and religious intent of these poems and their aesthetic and mystical content, showing them to be a type of meditative poetry. Indeed, Ibn al-Fāriḍ often alludes to the Sufi practice of "recollection," or meditation on God, to evoke a view of existence in which the seeker may be transformed by an epiphany of love revealing an intimate relationship to the divine beloved. Homerin provides elegant translations and close readings of Ibn al-Fāriḍ's poetry, highlighting the beauty of his verse, its moods, meanings, and significance within Islamic mysticism and Arabic poetry, where Ibn al-Fāriḍ is still known as the "Sultan of the Lovers."

Aisha al-Ba‘uniyya (c.1456–1517) was one of the greatest women mystics in Islamic history. A Sufi master and an Arab poet, her religious writings were extensive by any standard and extraordinary for her time. In medieval Islam a number of women were respected scholars and teachers, but they rarely composed works of their own. Aisha al-Ba‘uniyya, however, was prolific. She composed over twenty works, and likely wrote more Arabic prose and poetry than any other Muslim woman prior to the twentieth century.The first full-scale biography of al-Ba‘uniyya in the English language, this volume provides a rare glimpse into the life and writings of a medieval Muslim woman in her own words. Homerin presents her work in the wider context of late-medieval Islamic spirituality, examining the influence of figures such as Ibn al-‘Arabi, al-Busiri and Ibn al-Farid, and emphasising the role of the person of the Prophet Muhammad in her spirituality. Aisha al-Ba‘uniyya is a fascinating introduction to a figure described by a sixteenth-century biographer as ‘one of the marvels of her age’.