Tim Flanagan – författare

Liminal Diasporas: Contemporary Movements of Humanity and the Environment offers readers a new lens through which to critically re-evaluate the necropolitics of migration. Using the term "liminal diasporas," the co-editors and range of authors define this notion as migratory bodies that are simultaneously subject to danger, violence, and precarious modalities of life. The chapters in this edited volume cover a range of topics including diasporic camp life for Palestinians, queer South Asian diasporas in the Caribbean, close readings of various texts, reformulations of "home" and "homeland," children’s play/games, and even representations of zombie diaspora.

Overall, these chapters, along with the incisive Preface and Afterword that bookend them, offer compelling readings of what it means today to be a liminal diaspora before the era of COVID 19 into today’s woeful violence in Gaza, Ukraine, and other parts of the world. Liminal Diasporas, as such, is a timely and urgent collection that compels us to rethink the human condition in relation to possibly the most material existential crises that our planet has ever witnessed. The chapters in this book were originally published as a special issue of Journal of Postcolonial Writing.

Liminal Diasporas: Contemporary Movements of Humanity and the Environment offers readers a new lens through which to critically re-evaluate the necropolitics of migration. Using the term "liminal diasporas," the co-editors and range of authors define this notion as migratory bodies that are simultaneously subject to danger, violence, and precarious modalities of life. The chapters in this edited volume cover a range of topics including diasporic camp life for Palestinians, queer South Asian diasporas in the Caribbean, close readings of various texts, reformulations of "home" and "homeland," children’s play/games, and even representations of zombie diaspora.

Overall, these chapters, along with the incisive Preface and Afterword that bookend them, offer compelling readings of what it means today to be a liminal diaspora before the era of COVID 19 into today’s woeful violence in Gaza, Ukraine, and other parts of the world. Liminal Diasporas, as such, is a timely and urgent collection that compels us to rethink the human condition in relation to possibly the most material existential crises that our planet has ever witnessed. The chapters in this book were originally published as a special issue of Journal of Postcolonial Writing.

​This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin’s 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed).The second, enveloping the first, is a literalist claim about predication itself – namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical ‘naturalism’ in which thought is replete with predicates. Oriented by Barbara Cassin’s development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen’s Hexapla).