Ursula Frohne – författare
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6 produkter
6 produkter
Inbunden, Engelska, 2024
566 kr
Skickas inom 10-15 vardagar
As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response.This open access book demonstrates how the latest advances in creative arts, intelligent systems and climate science can be integrated and leveraged to transform the visualisation of extreme event scenarios. It reframes current practice from passive perception of pre-scripted illustrations to active immersion in evolving life-like interactive scenarios that are geo-located. Drawing on the multidisciplinary expertise of leaders in the creative arts, climate sciences, environmental engineering, and intelligent systems, this book examines the waysin which climate disaster preparedness can be reformulated through practices that address dynamic and unforeseen interactions between climate and human life worlds. Grouped into four sections (picturing, narrating, rehearsing, and communicating), this book maps this approach by exploring the emerging strengths and current limitations of each discipline in addressing the challenge of envisioning the unpredictable interaction of extreme events with human populations and environments.This book provides a timely intervention into the global discourse on how art, culture and technology can address climate disaster resilience. It appeals to readers from multiple fields, offering academic, industry and community audiences novel insights into a profound gap in the current knowledge, policy and action landscape.
Häftad, Engelska, 2025
454 kr
Skickas inom 10-15 vardagar
As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response.This open access book demonstrates how the latest advances in creative arts, intelligent systems and climate science can be integrated and leveraged to transform the visualisation of extreme event scenarios. It reframes current practice from passive perception of pre-scripted illustrations to active immersion in evolving life-like interactive scenarios that are geo-located. Drawing on the multidisciplinary expertise of leaders in the creative arts, climate sciences, environmental engineering, and intelligent systems, this book examines the waysin which climate disaster preparedness can be reformulated through practices that address dynamic and unforeseen interactions between climate and human life worlds. Grouped into four sections (picturing, narrating, rehearsing, and communicating), this book maps this approach by exploring the emerging strengths and current limitations of each discipline in addressing the challenge of envisioning the unpredictable interaction of extreme events with human populations and environments.This book provides a timely intervention into the global discourse on how art, culture and technology can address climate disaster resilience. It appeals to readers from multiple fields, offering academic, industry and community audiences novel insights into a profound gap in the current knowledge, policy and action landscape.
E-bok
PDF, Engelska, 20201 566 kr
Läs direkt efter köp
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
E-bok
Engelska, 20201 566 kr
Läs direkt efter köp
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Del 6 - Cultural Heritage Studies
Counter-Monuments
Memory Practices in Public Space
Häftad, Engelska, 2025
655 kr
Kommande
In the context of ongoing debates about memory practices in the public sphere, monuments and the collective processes around them are part of an increasingly dynamic engagement with efforts to decolonize public space, museum collections, and public institutions. In scholarly and artistic works, the contributors to this volume suggest new aesthetic conceptualizations that challenge the static features traditionally associated with the commemorative function of monuments. Emerging from research on the Skulptur Projekte Archives, they examine the relevance of the imaginary and the potential of the archive within such processes, exploring the diverse contemporary practices that give access to the blind spots of public memory.
E-bok
PDF, Tyska, 20181 816 kr
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Displays formieren das Betrachten und die ästhetische Erfahrung in neuer Weise: Sie bringen Bildfelder und Rahmungen in Konstellation und koordinieren verschiedene Benutzeroberflächen wie auch Interfaces. Als ästhetische Anordnungen werden sie im Raum wirksam, stellen sowohl einen taktilen Zugang zu Artefakten als auch eine Reflexions- und Vermittlungsebene her. Displays schließen an Praktiken des Ausstellens an, da sie zugleich die bilderzeugenden Apparaturen selbst zur Anschauung bringen. Dispositive konstituieren apparative Gefüge, wie diejenigen des Kinos, und auch die mit ihnen verbundenen Wahrnehmungsmodelle. Dabei geben sie seismographisch Aufschluss über sichtbare mediale Umbrüche sowie verdeckte Ordnungen von Macht und Gesellschaft. Im Wechselspiel von Projektion, Installation und Ausstellung lassen Displays und Dispositive transmediale und transkulturelle Verflechtungen sichtbar werden.Ausgangs- und Referenzpunkt der Beiträge bilden sowohl kinematographische Installationen der Gegenwartskunst und Filmdispositive in ihrer spezifischen Ästhetik, für die das Zusammenspiel von Display und Dispositiv konstitutiv ist. In Betracht kommen ebenso die Höhle als primordiales kinematographisches Dispositiv wie Hotelarchitekturen, Projektionsräume und Displays der Versammlung, mobile Endgeräte und die Stadt als Dispositiv.