Ursula Frohne is professor of art history at Westfälische Wilhelms-Universität Münster. Rachael DeLue is the Christopher Binyon Sarofim ’86 Professor in American Art in the Department of Art & Archaeology at Princeton University. She is editor of Picturing and the author, most recently, of Arthur Dove: Always Connect.

• 1) Michelle Smiley, “The Circulating Medium: Joseph Saxton, Minting, and the American Daguerreotype”2) Anna Arabindan-Kesson, “From Poetry into Paint: Robert S. Duncanson and The Song of Hiawatha”3) Maggie M. Cao, “The Readymade and the Counterfeit: The Material Conditions of Art and Money”4) Sebastian Egenhofer, “Optics and Humor: Light, Pictures, and Subjectivity in the Work of Dan Graham”5) Eva Ehninger, “Visualizing the City: Interrelations between Painting and Photography”6) Natilee Harren, “Proposals for Intermedia Art Education: Robert Watts’ Experimental Workshop at the University of California, Santa Cruz, 1968-1969”

Ursula Frohne is professor of art history at Westfälische Wilhelms-Universität Münster. Rachael DeLue is the Christopher Binyon Sarofim ’86 Professor in American Art in the Department of Art & Archaeology at Princeton University. She is editor of Picturing and the author, most recently, of Arthur Dove: Always Connect.

• 1) Michelle Smiley, “The Circulating Medium: Joseph Saxton, Minting, and the American Daguerreotype”2) Anna Arabindan-Kesson, “From Poetry into Paint: Robert S. Duncanson and The Song of Hiawatha”3) Maggie M. Cao, “The Readymade and the Counterfeit: The Material Conditions of Art and Money”4) Sebastian Egenhofer, “Optics and Humor: Light, Pictures, and Subjectivity in the Work of Dan Graham”5) Eva Ehninger, “Visualizing the City: Interrelations between Painting and Photography”6) Natilee Harren, “Proposals for Intermedia Art Education: Robert Watts’ Experimental Workshop at the University of California, Santa Cruz, 1968-1969”