Victoria Walsh – författare
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3 produkter
3 produkter
2 182 kr
Skickas inom 10-15 vardagar
Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum’s relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however ‘modern’ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.
681 kr
Skickas inom 10-15 vardagar
Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum’s relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however ‘modern’ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.
Story of Rena Stewart
Bletchley Park Girl, Translator of Hitler's Will, and BBC Pioneer
Inbunden, Engelska, 2025
241 kr
Skickas
Soldier, journalist and centenarian: a triple badge of honour, especially for a woman. Introducing Rena Stewart (1923–2023), a remarkable, 100-year-old Bletchley Park Girl who translated Hitler’s will and blazed a trail for women at the BBC. The Story of Rena Stewart narrates Rena’s fascinating tale, in her own words, and is a testament to a life that was seriously well lived.On graduating from St Andrews University in 1943, Scottish linguist Rena and her friend Agnes decided to ‘do something about the war’. They signed up for the Auxiliary Territorial Service and were posted to Bletchley Park, where Rena processed secret German messages. At the end of the war, Rena and her Bletchley chums were sent to Germany, to translate the statements of captured Nazi officers. There, she and another friend, Margery, were also given a top-secret task: to translate Hitler’s personal will.Career woman Rena had, however, always wanted to work in the media. On her return to England, she managed to secure a position as a lowly clerk at the BBC World Service. She worked her way up from there, including spending ten years listening in to Russian Cold War broadcasts. Finally, she became the first female Senior Duty Editor in the World Service newsroom. ‘My greatest achievement,’ she declared with pride, ‘has been getting people to recognise that a woman can be as good a journalist as a man’.Alongside Rena’s story, this book delves into the lives of her closest Bletchley friends and uncovers intriguing historical mysteries from her remarkable century of life.