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Colonialism is generally understood to encompass political domination, military expansion, and economic exploitation, but the British, in their nearly two centuries of rule over India, also achieved a thoroughgoing conquest of knowledge. In the backdrop of the Enlightenment impulse, which held that everything can be known, mapped, counted, categorized, and bounded, and the knowledge thus acquired reshaped into useable forms, the British in India created an epistemological state. The Colonial State and Forms of Knowledge: The British in India examines the fields and bodies of knowledge through which this state was created.
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‘No one till now has written on the coronavirus against a cultural backdrop as vast as this—crossing centuries, continents and disciplines. This small book will outrun all the repetitive details of the pandemic with which we are being regularly bombarded’ ASHIS NANDY‘Vinay Lal''s 3-D analysis of the what and the why of the COVID experience, is a must read for grasping the finer lines of history, culture and literature invisibly woven into the global response to the pandemic’ GANESH DEVY‘Lal writes with an ease that is a pleasure to read. This book shows how we can see ourselves in the crisis of COVID-19, in the mirrors of our common, shared but unfinished humanity’ SATENDRA NANDANThere has never been anything like the Covid-19 pandemic in history. The world as we knew it has changed and the fury of Covid-19 has unleashed new forces, leaving us with an uncertain future. Though its fatality rate, in comparison with some previous epidemics such as the Black Death and the ‘Spanish flu’ of 1918-20, is strikingly low, and though it follows in the path of epidemics such as HIV, SARS, and Ebola, the coronavirus pandemic has produced outcomes which are altogether unprecedented. There is no other instance where the world was, over three months, brought to a standstill and the global economy shuttered. Most countries imposed a ‘lockdown’ and shut down their borders. In Italy and Spain, old people were left to die; in India, millions of migrants took to the road. In some countries rulers have assumed emergency powers. America, the world’s superpower, has been brought to its knees. The economic impact of the outbreak has been shattering; the environmental implications may yet be monumental. Investigating all these trends and the social, cultural, political, and philosophical aspects and implications of the pandemic, this book evaluates the fate of humankind and the earth in its wake.
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Insurgency and the Artist explores not merely how Indian printmakers and artists responded to the freedom struggle but also how the art they fashioned invoked their own conception of the nation, their sense of the past, and the contours of the movement for India’s emancipation from the yoke of colonial oppression. Recent scholarly work has been almost entirely riveted on nationalist prints, and much of it has focused on the idea of Bharat Mata, but this book seeks to furnish a more rounded account of the artwork — including etchings, paintings, woodblocks prints, and cartoons — contemporary to the freedom struggle and also highlights the work of neglected artists such as Babuji Shilpi, S.L. Parasher, Zainul Abedin, and M.V. Dhurandhar, among others. The author considers how the Indian past was rendered as one of martial resistance to ‘foreign’ rule, the manner in which artists worked with mythic material, and, of course, the treatment of the larger-than-life figures of Gandhi, Bhagat Singh, Subhas Bose, and other patriots in nationalist art. This gloriously illustrated work simultaneously offers a narrative history of the freedom struggle and the rich interplay of text and images is designed to offer insights that neither conventional histories nor images can offer in isolation. Insurgency and the Artist is also an inquiry into how ideas travel across borders, the porousness of culture, and the relationship of art to politics.