Museums and Digital Confidence explores the evolving nature of digital practices in museums. It interrogates the skills, literacies, and mindsets that can support the use of digital technologies within these institutions. It also reflects on why digital adoption has faltered (at times), why digital continues to matter, and how the digital museum may flourish into the future.

Underscored by national and international research, this edited volume brings together leading experts from museology, museum management and curation, organisational studies, and cultural policy to outline a new framing of museum digital confidence. It does so by offering a series of critically engaged perspectives derived from a range of practices that reveal how museums have managed to successfully re-orient themselves in order to not only face but also embrace the ongoing challenges presented by the highly interconnected, media-pervasive, and technologized world to which contemporary museums must continually adapt. This book presents a set of ‘framings’ to help museums clarify how they can work purposefully, productively and sustainably with digital at an organisational level, in terms of managing collections, and through curating public-facing exhibitions and programmes.

Museums and Digital Confidence shares insights that will be essential reading for students, researchers, and museum practitioners who are interested in better understanding – and acting upon – the digital transformation of museums.

Museums and Design Practices explores the increasingly critical role that design is playing in museums by focusing on how human-centred design approaches are being embraced and incorporated into their work practices.

This book advances “design-as-practice” as a way to acknowledge the technosocial dimension of the working culture of cultural organisations. It reveals how designing is a situated phenomenon that enables museums and galleries to respond in a digitally mature way to emerging contexts and challenges of digital transformation. The original thesis forwarded by the authors is reinforced by reflections shared by leading museum practitioners and designers on the complex and multifaceted nature of human-centred practices found in museums and the various ways they function within their organisational working cultures. The infusion of design into all levels of museum practice demonstrates the capacity to transform how museums approach visitor experience, inclusive collaboration, and knowledge sharing in order to build resilience in the face of change and respond to the ‘wicked problems’ confronting cultural organisations today.

Museums and Design Practices is for students and researchers as well as museum practitioners – especially those keen to understand emerging relationships that are forming between digital technology, design and the cultural work of museums. It will also be of interest to researchers and students working in the fields of design, digital culture, and museum studies.

Museums and Digital Confidence explores the evolving nature of digital practices in museums. It interrogates the skills, literacies, and mindsets that can support the use of digital technologies within these institutions. It also reflects on why digital adoption has faltered (at times), why digital continues to matter, and how the digital museum may flourish into the future.

Underscored by national and international research, this edited volume brings together leading experts from museology, museum management and curation, organisational studies, and cultural policy to outline a new framing of museum digital confidence. It does so by offering a series of critically engaged perspectives derived from a range of practices that reveal how museums have managed to successfully re-orient themselves in order to not only face but also embrace the ongoing challenges presented by the highly interconnected, media-pervasive, and technologized world to which contemporary museums must continually adapt. This book presents a set of ‘framings’ to help museums clarify how they can work purposefully, productively and sustainably with digital at an organisational level, in terms of managing collections, and through curating public-facing exhibitions and programmes.

Museums and Digital Confidence shares insights that will be essential reading for students, researchers, and museum practitioners who are interested in better understanding – and acting upon – the digital transformation of museums.

Museums and Design Practices explores the increasingly critical role that design is playing in museums by focusing on how human-centred design approaches are being embraced and incorporated into their work practices.

This book advances “design-as-practice” as a way to acknowledge the technosocial dimension of the working culture of cultural organisations. It reveals how designing is a situated phenomenon that enables museums and galleries to respond in a digitally mature way to emerging contexts and challenges of digital transformation. The original thesis forwarded by the authors is reinforced by reflections shared by leading museum practitioners and designers on the complex and multifaceted nature of human-centred practices found in museums and the various ways they function within their organisational working cultures. The infusion of design into all levels of museum practice demonstrates the capacity to transform how museums approach visitor experience, inclusive collaboration, and knowledge sharing in order to build resilience in the face of change and respond to the ‘wicked problems’ confronting cultural organisations today.

Museums and Design Practices is for students and researchers as well as museum practitioners – especially those keen to understand emerging relationships that are forming between digital technology, design and the cultural work of museums. It will also be of interest to researchers and students working in the fields of design, digital culture, and museum studies.

Museums and Digital Confidence explores the evolving nature of digital practices in museums. It interrogates the skills, literacies, and mindsets that can support the use of digital technologies within these institutions. It also reflects on why digital adoption has faltered (at times), why digital continues to matter, and how the digital museum may flourish into the future.

Underscored by national and international research, this edited volume brings together leading experts from museology, museum management and curation, organisational studies, and cultural policy to outline a new framing of museum digital confidence. It does so by offering a series of critically engaged perspectives derived from a range of practices that reveal how museums have managed to successfully re-orient themselves in order to not only face but also embrace the ongoing challenges presented by the highly interconnected, media-pervasive, and technologized world to which contemporary museums must continually adapt. This book presents a set of ‘framings’ to help museums clarify how they can work purposefully, productively and sustainably with digital at an organisational level, in terms of managing collections, and through curating public-facing exhibitions and programmes.

Museums and Digital Confidence shares insights that will be essential reading for students, researchers, and museum practitioners who are interested in better understanding – and acting upon – the digital transformation of museums.

Museums and Design Practices explores the increasingly critical role that design is playing in museums by focusing on how human-centred design approaches are being embraced and incorporated into their work practices.

This book advances “design-as-practice” as a way to acknowledge the technosocial dimension of the working culture of cultural organisations. It reveals how designing is a situated phenomenon that enables museums and galleries to respond in a digitally mature way to emerging contexts and challenges of digital transformation. The original thesis forwarded by the authors is reinforced by reflections shared by leading museum practitioners and designers on the complex and multifaceted nature of human-centred practices found in museums and the various ways they function within their organisational working cultures. The infusion of design into all levels of museum practice demonstrates the capacity to transform how museums approach visitor experience, inclusive collaboration, and knowledge sharing in order to build resilience in the face of change and respond to the ‘wicked problems’ confronting cultural organisations today.

Museums and Design Practices is for students and researchers as well as museum practitioners – especially those keen to understand emerging relationships that are forming between digital technology, design and the cultural work of museums. It will also be of interest to researchers and students working in the fields of design, digital culture, and museum studies.

Museums and Digital Confidence explores the evolving nature of digital practices in museums. It interrogates the skills, literacies, and mindsets that can support the use of digital technologies within these institutions. It also reflects on why digital adoption has faltered (at times), why digital continues to matter, and how the digital museum may flourish into the future.

Underscored by national and international research, this edited volume brings together leading experts from museology, museum management and curation, organisational studies, and cultural policy to outline a new framing of museum digital confidence. It does so by offering a series of critically engaged perspectives derived from a range of practices that reveal how museums have managed to successfully re-orient themselves in order to not only face but also embrace the ongoing challenges presented by the highly interconnected, media-pervasive, and technologized world to which contemporary museums must continually adapt. This book presents a set of ‘framings’ to help museums clarify how they can work purposefully, productively and sustainably with digital at an organisational level, in terms of managing collections, and through curating public-facing exhibitions and programmes.

Museums and Digital Confidence shares insights that will be essential reading for students, researchers, and museum practitioners who are interested in better understanding – and acting upon – the digital transformation of museums.

Museums and Design Practices explores the increasingly critical role that design is playing in museums by focusing on how human-centred design approaches are being embraced and incorporated into their work practices.

This book advances “design-as-practice” as a way to acknowledge the technosocial dimension of the working culture of cultural organisations. It reveals how designing is a situated phenomenon that enables museums and galleries to respond in a digitally mature way to emerging contexts and challenges of digital transformation. The original thesis forwarded by the authors is reinforced by reflections shared by leading museum practitioners and designers on the complex and multifaceted nature of human-centred practices found in museums and the various ways they function within their organisational working cultures. The infusion of design into all levels of museum practice demonstrates the capacity to transform how museums approach visitor experience, inclusive collaboration, and knowledge sharing in order to build resilience in the face of change and respond to the ‘wicked problems’ confronting cultural organisations today.

Museums and Design Practices is for students and researchers as well as museum practitioners – especially those keen to understand emerging relationships that are forming between digital technology, design and the cultural work of museums. It will also be of interest to researchers and students working in the fields of design, digital culture, and museum studies.