The adult-oriented science-fiction cartoon series Rick and Morty, shown on Cartoon Network as part of its late-night Adult Swim feature, is famous for its nihilistic anti-hero Rick Sanchez. Rick is a character who rejects God, religion, and meaning, but who embraces science and technology.This leads to a popular show that often presents a world view favorable to science and dismissive of spirituality. It is existentialism mashed up with absurdism with a healthy (or unhealthy) dose of dick jokes thrown in. Rick and Morty and Philosophy focuses on the philosophical underpinnings of the show.The authors explain and develop ideas that are mentioned or illustrated in various episodes, so that fans can get really solid evidence for what they know already: this show is awesome and deep. Rick has access to technology that allows him to jump between dimensions or realities. He brings his grandson, Morty, along with him on these adventures, often putting Morty in mortal danger. However, Rick’s attitude is that there are an infinite number of Mortys in the multiverse, so if his Morty dies, he can always replace his Morty with another Morty from a different dimension. One question that arises is, are these Mortys really identical to each other? And if one of them dies, can he really be replaced without loss?Another character in the show is Jerry, the husband of Rick’s daughter. Jerry is a complete and total loser with no self-respect, desperate to get any kind of respect from others. Why is it so important that he has self-respect? How does his lack of self-respect affect those around him? In one adventure, Jerry finds himself in a position where he can save one of the greatest civil rights leaders in the universe whose heart is failing. Jerry can save his life by donating his penis, which is the perfect organ to match the alien’s failing heart. Does Jerry have a moral obligation to do so? Recently, ethicists such as Peter Singer and Julian Savulescu have argued that people have a moral obligation to donate a kidney to people who need one. Why wouldn’t the same apply to Jerry’s penis? Is such a donation above and beyond a moral obligation, and consequently optional, or is it a basic moral obligation and therefore required, as noted ethicists like Singer and Savulescu suggest?This volume also includes chapters that examine the experience of watching Rick and Morty. One writer argues that many of the Rick and Morty episodes induce within viewers a state of “Socratic aporia,” or confusion. Viewers are forced to reflect on their own moral beliefs about the world when characters do something that seems good but results in horrendous consequences.

The adult-oriented science-fiction cartoon series Rick and Morty, shown on Cartoon Network as part of its late-night Adult Swim feature, is famous for its nihilistic anti-hero Rick Sanchez. Rick is a character who rejects God, religion, and meaning, but who embraces science and technology.This leads to a popular show that often presents a world view favorable to science and dismissive of spirituality. It is existentialism mashed up with absurdism with a healthy (or unhealthy) dose of dick jokes thrown in. Rick and Morty and Philosophy focuses on the philosophical underpinnings of the show.The authors explain and develop ideas that are mentioned or illustrated in various episodes, so that fans can get really solid evidence for what they know already: this show is awesome and deep. Rick has access to technology that allows him to jump between dimensions or realities. He brings his grandson, Morty, along with him on these adventures, often putting Morty in mortal danger. However, Rick’s attitude is that there are an infinite number of Mortys in the multiverse, so if his Morty dies, he can always replace his Morty with another Morty from a different dimension. One question that arises is, are these Mortys really identical to each other? And if one of them dies, can he really be replaced without loss?Another character in the show is Jerry, the husband of Rick’s daughter. Jerry is a complete and total loser with no self-respect, desperate to get any kind of respect from others. Why is it so important that he has self-respect? How does his lack of self-respect affect those around him? In one adventure, Jerry finds himself in a position where he can save one of the greatest civil rights leaders in the universe whose heart is failing. Jerry can save his life by donating his penis, which is the perfect organ to match the alien’s failing heart. Does Jerry have a moral obligation to do so? Recently, ethicists such as Peter Singer and Julian Savulescu have argued that people have a moral obligation to donate a kidney to people who need one. Why wouldn’t the same apply to Jerry’s penis? Is such a donation above and beyond a moral obligation, and consequently optional, or is it a basic moral obligation and therefore required, as noted ethicists like Singer and Savulescu suggest?This volume also includes chapters that examine the experience of watching Rick and Morty. One writer argues that many of the Rick and Morty episodes induce within viewers a state of “Socratic aporia,” or confusion. Viewers are forced to reflect on their own moral beliefs about the world when characters do something that seems good but results in horrendous consequences.

Neil Gaiman is the imaginative wizard behind the best-selling novels American Gods (soon to be an HBO series) and The Anansi Boys, the graphic series The Sandman, and popular children's books like Coraline and The Graveyard Book. Neil Gaiman and Philosophy looks at Gaiman's work through a philosophical lens. How does fantasy interact with reality and what can each tell us about the other? Do we each have other selves who embody different personal qualities? If the unknown influences the known, is the unknown just as real as the known? What makes people truly valuable? In Neil Gaiman and Philosophy, eighteen philosophers explore Gaiman's best-loved and unforgettable worlds: The Graveyard Book, a macabre parallel to The Jungle Book, in which the boy Bod is raised by the supernatural inhabitants of a graveyard. Coraline, in which a girl neglected by her parents finds another world with an Other Mother who pays her a lot of attention, but then turns out to be evil and won't let her go. Neverwhere, in which a London man discovers a magical parallel city, London Below.The Sandman, best-selling comic books in which the Lord of Dreams attempts to rebuild his kingdom after years of imprisonment. Good Omens (with Terry Pratchett) treats biblical prophecy, the Antichrist, and the End Times as a hilarious comic tale, filled with sly but good-humored twists and turns. MirrorMask, where a young circus girl finds that the pictures she has drawn have given her access to a fantastic world of light and shadow, populated with characters who have designs on her.

Rick, Lori, Shane, Carl, Dale, Andrea, and Michonne--human survivors of a zombie apocalypse--don't know much about philosophy, but philosophical ideas continue to shamble on through their world, and there's no excape from them. The Walking Dead is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies. Guns, chainsaws, and machetes are not enough for survival: humans also need agreement on rules of conduct. Can equality or fairness have any polace in the post-apocalyptic world? Do theft or even assault and murder become okay under desperate circumstances? Who should be recognized as having political authority? What about eating human flesh? Should survivors have children? As zombies have low IQs, terrible manners, and the overpowering urge to eat people, do they have any rights at all? Am I still me if I become a zombie? Do zombies know anything? are they rational? Would it be ethical to train a zombie and keep it as a pet? What the heck are P-zombies?And why would we all jump at the chance

Neil Gaiman is the imaginative wizard behind the best-selling novels American Gods (soon to be an HBO series) and The Anansi Boys, the graphic series The Sandman, and popular children’s books like Coraline and The Graveyard Book. Neil Gaiman and Philosophy looks at Gaiman’s work through a philosophical lens. How does fantasy interact with reality and what can each tell us about the other? Do we each have other selves who embody different personal qualities? If the unknown influences the known, is the unknown just as real as the known? What makes people truly valuable? In Neil Gaiman and Philosophy, eighteen philosophers explore Gaiman’s best-loved and unforgettable worlds: The Graveyard Book, a macabre parallel to The Jungle Book, in which the boy Bod is raised by the supernatural inhabitants of a graveyard.Coraline, in which a girl neglected by her parents finds another world with an Other Mother who pays her a lot of attention, but then turns out to be evil and won’t let her go. Neverwhere, in which a London man discovers a magical parallel city, London Below. The Sandman, best-selling comic books in which the Lord of Dreams attempts to rebuild his kingdom after years of imprisonment.Good Omens (with Terry Pratchett) treats biblical prophecy, the Antichrist, and the End Times as a hilarious comic tale, filled with sly but good-humored twists and turns.MirrorMask, where a young circus girl finds that the pictures she has drawn have given her access to a fantastic world of light and shadow, populated with characters who have designs on her.

Rick, Lori, Shane, Carl, Dale, Andrea, and Michonne--human survivors of a zombie apocalypse--don''t know much about philosophy, but philosophical ideas continue to shamble on through their world, and there''s no excape from them.The Walking Dead is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies.Guns, chainsaws, and machetes are not enough for survival: humans also need agreement on rules of conduct. Can equality or fairness have any polace in the post-apocalyptic world? Do theft or even assault and murder become okay under desperate circumstances? Who should be recognized as having political authority? What about eating human flesh? Should survivors have children?As zombies have low IQs, terrible manners, and the overpowering urge to eat people, do they have any rights at all? Am I still me if I become a zombie? Do zombies know anything? are they rational? Would it be ethical to train a zombie and keep it as a pet? What the heck are P-zombies? And why would we all jump at the chance

In The Walking Dead, human beings are pushed to their limits by a zombie apocalypse and have to decide what really matters. Good and evil, freedom and slavery, when one life has to be sacrificed for another, even the nature of religion--all the ultimate questions of human existence are posed afresh as the old society crumbles away and a new form of society emerges, with new beliefs and new rules. The Ultimate Walking Dead and Philosophy brings together twenty philosophers with different perspectives on the imagined world of this addictive TV show. How can we keep our humanity when faced with such extreme life-or-death choices? Did Dr. Jenner do the right thing in committing suicide, when all hope seemed to be lost? Does the Governor, as the new Machiavelli, prove that willingness to repeatedly commit murder is the best technique for getting and keeping political power? Why do most characters place such importance on keeping particular individuals alive, especially children? What can we learn about reality from Rick's haunting hallucinations?

The adult-oriented science-fiction cartoon series Rick and Morty, shown on Cartoon Network as part of its late-night Adult Swim feature, is famous for its nihilistic anti-hero Rick Sanchez. Rick is a character who rejects God, religion, and meaning, but who embraces science and technology.This leads to a popular show that often presents a world view favorable to science and dismissive of spirituality. It is existentialism mashed up with absurdism with a healthy (or unhealthy) dose of dick jokes thrown in. Rick and Morty and Philosophy focuses on the philosophical underpinnings of the show.The authors explain and develop ideas that are mentioned or illustrated in various episodes, so that fans can get really solid evidence for what they know already: this show is awesome and deep. Rick has access to technology that allows him to jump between dimensions or realities. He brings his grandson, Morty, along with him on these adventures, often putting Morty in mortal danger. However, Rick’s attitude is that there are an infinite number of Mortys in the multiverse, so if his Morty dies, he can always replace his Morty with another Morty from a different dimension. One question that arises is, are these Mortys really identical to each other? And if one of them dies, can he really be replaced without loss?Another character in the show is Jerry, the husband of Rick’s daughter. Jerry is a complete and total loser with no self-respect, desperate to get any kind of respect from others. Why is it so important that he has self-respect? How does his lack of self-respect affect those around him? In one adventure, Jerry finds himself in a position where he can save one of the greatest civil rights leaders in the universe whose heart is failing. Jerry can save his life by donating his penis, which is the perfect organ to match the alien’s failing heart. Does Jerry have a moral obligation to do so? Recently, ethicists such as Peter Singer and Julian Savulescu have argued that people have a moral obligation to donate a kidney to people who need one. Why wouldn’t the same apply to Jerry’s penis? Is such a donation above and beyond a moral obligation, and consequently optional, or is it a basic moral obligation and therefore required, as noted ethicists like Singer and Savulescu suggest?This volume also includes chapters that examine the experience of watching Rick and Morty. One writer argues that many of the Rick and Morty episodes induce within viewers a state of “Socratic aporia,” or confusion. Viewers are forced to reflect on their own moral beliefs about the world when characters do something that seems good but results in horrendous consequences.

The adult-oriented science-fiction cartoon series Rick and Morty, shown on Cartoon Network as part of its late-night Adult Swim feature, is famous for its nihilistic anti-hero Rick Sanchez. Rick is a character who rejects God, religion, and meaning, but who embraces science and technology.This leads to a popular show that often presents a world view favorable to science and dismissive of spirituality. It is existentialism mashed up with absurdism with a healthy (or unhealthy) dose of dick jokes thrown in. Rick and Morty and Philosophy focuses on the philosophical underpinnings of the show.The authors explain and develop ideas that are mentioned or illustrated in various episodes, so that fans can get really solid evidence for what they know already: this show is awesome and deep. Rick has access to technology that allows him to jump between dimensions or realities. He brings his grandson, Morty, along with him on these adventures, often putting Morty in mortal danger. However, Rick’s attitude is that there are an infinite number of Mortys in the multiverse, so if his Morty dies, he can always replace his Morty with another Morty from a different dimension. One question that arises is, are these Mortys really identical to each other? And if one of them dies, can he really be replaced without loss?Another character in the show is Jerry, the husband of Rick’s daughter. Jerry is a complete and total loser with no self-respect, desperate to get any kind of respect from others. Why is it so important that he has self-respect? How does his lack of self-respect affect those around him? In one adventure, Jerry finds himself in a position where he can save one of the greatest civil rights leaders in the universe whose heart is failing. Jerry can save his life by donating his penis, which is the perfect organ to match the alien’s failing heart. Does Jerry have a moral obligation to do so? Recently, ethicists such as Peter Singer and Julian Savulescu have argued that people have a moral obligation to donate a kidney to people who need one. Why wouldn’t the same apply to Jerry’s penis? Is such a donation above and beyond a moral obligation, and consequently optional, or is it a basic moral obligation and therefore required, as noted ethicists like Singer and Savulescu suggest?This volume also includes chapters that examine the experience of watching Rick and Morty. One writer argues that many of the Rick and Morty episodes induce within viewers a state of “Socratic aporia,” or confusion. Viewers are forced to reflect on their own moral beliefs about the world when characters do something that seems good but results in horrendous consequences.

Neil Gaiman is the imaginative wizard behind the best-selling novels American Gods (soon to be an HBO series) and The Anansi Boys, the graphic series The Sandman, and popular children's books like Coraline and The Graveyard Book. Neil Gaiman and Philosophy looks at Gaiman's work through a philosophical lens. How does fantasy interact with reality and what can each tell us about the other? Do we each have other selves who embody different personal qualities? If the unknown influences the known, is the unknown just as real as the known? What makes people truly valuable? In Neil Gaiman and Philosophy, eighteen philosophers explore Gaiman's best-loved and unforgettable worlds: The Graveyard Book, a macabre parallel to The Jungle Book, in which the boy Bod is raised by the supernatural inhabitants of a graveyard. Coraline, in which a girl neglected by her parents finds another world with an Other Mother who pays her a lot of attention, but then turns out to be evil and won't let her go. Neverwhere, in which a London man discovers a magical parallel city, London Below.The Sandman, best-selling comic books in which the Lord of Dreams attempts to rebuild his kingdom after years of imprisonment. Good Omens (with Terry Pratchett) treats biblical prophecy, the Antichrist, and the End Times as a hilarious comic tale, filled with sly but good-humored twists and turns. MirrorMask, where a young circus girl finds that the pictures she has drawn have given her access to a fantastic world of light and shadow, populated with characters who have designs on her.

Rick, Lori, Shane, Carl, Dale, Andrea, and Michonne--human survivors of a zombie apocalypse--don't know much about philosophy, but philosophical ideas continue to shamble on through their world, and there's no excape from them. The Walking Dead is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies. Guns, chainsaws, and machetes are not enough for survival: humans also need agreement on rules of conduct. Can equality or fairness have any polace in the post-apocalyptic world? Do theft or even assault and murder become okay under desperate circumstances? Who should be recognized as having political authority? What about eating human flesh? Should survivors have children? As zombies have low IQs, terrible manners, and the overpowering urge to eat people, do they have any rights at all? Am I still me if I become a zombie? Do zombies know anything? are they rational? Would it be ethical to train a zombie and keep it as a pet? What the heck are P-zombies?And why would we all jump at the chance

Neil Gaiman is the imaginative wizard behind the best-selling novels American Gods (soon to be an HBO series) and The Anansi Boys, the graphic series The Sandman, and popular children’s books like Coraline and The Graveyard Book. Neil Gaiman and Philosophy looks at Gaiman’s work through a philosophical lens. How does fantasy interact with reality and what can each tell us about the other? Do we each have other selves who embody different personal qualities? If the unknown influences the known, is the unknown just as real as the known? What makes people truly valuable? In Neil Gaiman and Philosophy, eighteen philosophers explore Gaiman’s best-loved and unforgettable worlds: The Graveyard Book, a macabre parallel to The Jungle Book, in which the boy Bod is raised by the supernatural inhabitants of a graveyard.Coraline, in which a girl neglected by her parents finds another world with an Other Mother who pays her a lot of attention, but then turns out to be evil and won’t let her go. Neverwhere, in which a London man discovers a magical parallel city, London Below. The Sandman, best-selling comic books in which the Lord of Dreams attempts to rebuild his kingdom after years of imprisonment.Good Omens (with Terry Pratchett) treats biblical prophecy, the Antichrist, and the End Times as a hilarious comic tale, filled with sly but good-humored twists and turns.MirrorMask, where a young circus girl finds that the pictures she has drawn have given her access to a fantastic world of light and shadow, populated with characters who have designs on her.

Rick, Lori, Shane, Carl, Dale, Andrea, and Michonne--human survivors of a zombie apocalypse--don''t know much about philosophy, but philosophical ideas continue to shamble on through their world, and there''s no excape from them.The Walking Dead is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies.Guns, chainsaws, and machetes are not enough for survival: humans also need agreement on rules of conduct. Can equality or fairness have any polace in the post-apocalyptic world? Do theft or even assault and murder become okay under desperate circumstances? Who should be recognized as having political authority? What about eating human flesh? Should survivors have children?As zombies have low IQs, terrible manners, and the overpowering urge to eat people, do they have any rights at all? Am I still me if I become a zombie? Do zombies know anything? are they rational? Would it be ethical to train a zombie and keep it as a pet? What the heck are P-zombies? And why would we all jump at the chance

In The Walking Dead, human beings are pushed to their limits by a zombie apocalypse and have to decide what really matters. Good and evil, freedom and slavery, when one life has to be sacrificed for another, even the nature of religion--all the ultimate questions of human existence are posed afresh as the old society crumbles away and a new form of society emerges, with new beliefs and new rules. The Ultimate Walking Dead and Philosophy brings together twenty philosophers with different perspectives on the imagined world of this addictive TV show. How can we keep our humanity when faced with such extreme life-or-death choices? Did Dr. Jenner do the right thing in committing suicide, when all hope seemed to be lost? Does the Governor, as the new Machiavelli, prove that willingness to repeatedly commit murder is the best technique for getting and keeping political power? Why do most characters place such importance on keeping particular individuals alive, especially children? What can we learn about reality from Rick's haunting hallucinations?