William B. Scott – författare

Michael J. Coumatos, former US Space Command Director in charge of war games and a former National Security Agency advisor, and William B. Scott, editor-in-chief of "Aviation Week & Space Technology" and a nine-year Air Force veteran, collaborate with William J. Birnes, host of the History Channel's "UFO Hunters", to imagine how the first six hours of World War III might play out. The authors take the reader deep inside the top secret facility that houses America's Strategic Command in Omaha, where US military commanders are playing a nuclear war game. They don't know that the war they are gaming has already begun - in space. Financed by Iran, a rogue Russian scientist destroys military surveillance and communications satellites with an intense particle beam. Soon the United States will be completely blind, allowing the Iranians to launch a nuclear-tipped Sahab 4 missile into the soft underbelly of Europe. It's a race against time. Chock full of the actual technologies and strategies the United States will have to use to protect their near-space assets, "Space Wars" describes a near-future nuclear threat that puts us all in the terrorists' nuclear sights.In a more quiet time, "Space Wars" would be an exciting work of fiction. But the United States is at war, and the most frightening thing about Space Wars is that it's all too real.

The Great Migration-the mass exodus of blacks from the rural South to the urban North and West in the twentieth century-shaped American culture and life in ways still evident today. Peter M. Rutkoff and William B. Scott trace the ideas that inspired African Americans to abandon the South for freedom and opportunity elsewhere. Black Southerners fled the Low Country of South Carolina, the mines and mills of Birmingham, Alabama, the farms of the Mississippi Delta, and the urban wards of Houston, Texas, for new opportunities in New York, Pittsburgh, Chicago, and Los Angeles. They took with them the South's rich tradition of religion, language, music, and art, recreating and preserving their Southern identity in the churches, newspapers, jazz clubs, and neighborhoods of America's largest cities. Rutkoff and Scott's sweeping study explores the development and adaptation of African American culture, from its West African roots to its profound and lasting impact on mainstream America. Broad in scope and original in its interpretation, Fly Away illuminates the origins, development, and transformation of national culture during an important chapter in twentieth-century American history.

The Great Migration-the mass exodus of blacks from the rural South to the urban North and West in the twentieth century-shaped American culture and life in ways still evident today. In Fly Away, Peter M. Rutkoff and William B. Scott trace the ideas that inspired African Americans to abandon the South for freedom and opportunity elsewhere. Black southerners fled the Low Country of South Carolina, the mines and mills of Birmingham, Alabama, the farms of the Mississippi Delta, and the urban wards of Houston, Texas, for new opportunities in New York, Pittsburgh, Chicago, and Los Angeles. They took with them the South's rich traditions of religion, language, music, and art, recreating and preserving their southern identity in the churches, newspapers, jazz clubs, and neighborhoods of America's largest cities. Rutkoff and Scott's sweeping study explores the development and adaptation of African American culture, from its West African roots to its profound and lasting impact on mainstream America.Broad in scope and original in its interpretation, Fly Away illuminates the origins, development, and transformation of national culture during an important chapter in twentieth-century American history.

New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrated the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture. In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be "modern."Rooted in the urban realism of Walt Whitman, Thomas Eakins, and Edith Wharton, New York artists combined the revolutionary ideas and styles of European modernism with vernacular images drawn from American commercial, folk, and popular culture in their attempts to respond to the cacophony of voices and blur of images drawn from the city's bars and cafes, tenements and townhouses, skyscrapers and docks. Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.