Peter M. Rutkoff – författare

From Simon & Schuster, New School is Peter M. Rutkoff and William B. Scott's exploration into the history of The New School for Social Research.Peter M. Rutkoff and William B. Scott's New School traces the development of the New School from its founding in 1918 all the way to the present.

This is an anthology of 14 papers that were presented at the Ninth Cooperstown Symposium on Baseball and American Culture, held in June 1997 and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. To mark the 50th anniversary of Jackie Robinson's breaking the color barrier in major league baseball the 1997 Symposium was dedicated to Robinson. These papers focus on Robinson, baseball, and race relations and are divided into three parts: "Before Robinson," "Robinson and Social Change" and "The Legacy of Robinson." The preface is by series editor Alvin L. Hall, and an introduction is provided by the editor of the volume, Peter M. Rutkoff.

This is an anthology of 23 papers that were presented at the Eleventh Cooperstown Symposium on Baseball and American Culture, held June 9-11, 1999, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. The papers focus on the antecedents of baseball and the early history of America's national pastime and are divided into five parts: "Baseball and the American Imagination," "Baseball and American Culture," "Baseball and American Society," "Baseball and American Business" and "Baseball and the Fan." The preface is by series editor Alvin L. Hall, and an introduction is provided by the editor of the volume, Peter M. Rutkoff.

New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrated the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture. In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be "modern."Rooted in the urban realism of Walt Whitman, Thomas Eakins, and Edith Wharton, New York artists combined the revolutionary ideas and styles of European modernism with vernacular images drawn from American commercial, folk, and popular culture in their attempts to respond to the cacophony of voices and blur of images drawn from the city's bars and cafes, tenements and townhouses, skyscrapers and docks. Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.

The Great Migration-the mass exodus of blacks from the rural South to the urban North and West in the twentieth century-shaped American culture and life in ways still evident today. Peter M. Rutkoff and William B. Scott trace the ideas that inspired African Americans to abandon the South for freedom and opportunity elsewhere. Black Southerners fled the Low Country of South Carolina, the mines and mills of Birmingham, Alabama, the farms of the Mississippi Delta, and the urban wards of Houston, Texas, for new opportunities in New York, Pittsburgh, Chicago, and Los Angeles. They took with them the South's rich tradition of religion, language, music, and art, recreating and preserving their Southern identity in the churches, newspapers, jazz clubs, and neighborhoods of America's largest cities. Rutkoff and Scott's sweeping study explores the development and adaptation of African American culture, from its West African roots to its profound and lasting impact on mainstream America. Broad in scope and original in its interpretation, Fly Away illuminates the origins, development, and transformation of national culture during an important chapter in twentieth-century American history.

The Great Migration-the mass exodus of blacks from the rural South to the urban North and West in the twentieth century-shaped American culture and life in ways still evident today. In Fly Away, Peter M. Rutkoff and William B. Scott trace the ideas that inspired African Americans to abandon the South for freedom and opportunity elsewhere. Black southerners fled the Low Country of South Carolina, the mines and mills of Birmingham, Alabama, the farms of the Mississippi Delta, and the urban wards of Houston, Texas, for new opportunities in New York, Pittsburgh, Chicago, and Los Angeles. They took with them the South's rich traditions of religion, language, music, and art, recreating and preserving their southern identity in the churches, newspapers, jazz clubs, and neighborhoods of America's largest cities. Rutkoff and Scott's sweeping study explores the development and adaptation of African American culture, from its West African roots to its profound and lasting impact on mainstream America.Broad in scope and original in its interpretation, Fly Away illuminates the origins, development, and transformation of national culture during an important chapter in twentieth-century American history.