William C. Agee – författare

A celebration of the work of the beloved American artist Wolf Kahn (b. 1927), this volume focuses on the vivid colors of his luscious landscapes made in the past ten years. A refugee from Nazi Germany, Kahn immigrated to the U.S. in 1940, and after settling in New York he studied with influential artist and teacher Hans Hofmann. His radiant hues, tangy color contrasts, and pervasive sense of light combine realism with the discipline of color-field painting and place him at the forefront of American representational artists. This book features a generous selection of paintings and pastels that showcase his bold, freewheeling style and feature a unique blend of realism and abstraction. During the past decade of his long and accomplished career, Kahn has traded in the often-lyrical palette of his earlier landscapes for an increasingly brash and assertive chromatic vision evidenced in electric hues ranging from acid yellow and hazard orange to saturated thalo blue. His most recent large-scale oils, depicting his favored subjects of barns and tree-lined fields and rivers, abound with visual energy. Art historian Sasha Nicholas puts Kahn in context with other artists and situates his recent work within his broader career. William C. Agee and Kahn discuss his process and most recent paintings

Few American artists have captured painters imaginations with the gripping force of Albert Pinkham Ryder (1847-1917). The brooding spirituality of his works, coupled with formal innovation decades ahead of its time, have long made Ryder a favorite of innovators like Jackson Pollock, Marsden Hartley, and Robert Rauschenberg. And yet, the artist s biography and practices remain elusive. A Wild Note of Longing whose title is taken from a Ryder poem--takes up the challenge, bringing a new generation of scholarship to the most comprehensive collection of Ryder masterworks assembled to date. Ryder is considered a seminal artist for both the late-nineteenth-century Gilded Age and for the emerging modernism of the early twentieth century. This publication presents research from the last ten years including William Agee s recent work on Ryder s influence and context within modernism. New evidence has also debunked some of the historical myths around Ryder, such as the degree of his elusiveness and social eccentricities and the lack of deliberateness with which he experimented with color and luminosity. New perspectives include a deep focus on Ryder from the perspective of his hometown of New Bedford, Massachusetts. This monumental project will represent multiple voices from leaders in the field on the continuing and ever evolving relevance of Albert Pinkham Ryder on modern art.

Max Weber studied under Matisse, associated with influential figures including Apollinaire, Picasso, and Delaunay, and is credited with bringing firsthand knowledge of the Parisian avant-garde to Alfred Stieglitz s modernist circle in New York, inspiring a generation of artists. While his works are in important collections, they have not yet received the close study of the artist s peers, such as Picasso, Braque, and Leger. William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber s best cubist works. Close readings of Weber s paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. Filling in a missing piece of one of the twentieth century s most influential movements, this critical reevaluation is long overdue.