William Waters – författare

To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder.Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.

This book gives the reader the opportunity to reassess this comparatively little-known personality and to see the range of his art.

Demystifying and charting a path from concept to completion, Destination Dissertation has helped thousands of doctoral students emerge on the other side of their dissertation as successful researchers. The third edition supplements the core 29 steps of the dissertation with new discussions of research technologies and now-popular dissertation sections like theoretical perspective, theoretical framework, and positionality statement. A new chapter looks beyond the dissertation to springboard researchers into future journal and book publishing opportunities.

Demystifying and charting a path from concept to completion, Destination Dissertation has helped thousands of doctoral students emerge on the other side of their dissertation as successful researchers. The third edition supplements the core 29 steps of the dissertation with new discussions of research technologies and now-popular dissertation sections like theoretical perspective, theoretical framework, and positionality statement. A new chapter looks beyond the dissertation to springboard researchers into future journal and book publishing opportunities.

This book investigates the hybrid, multiform nature of contemporary poetry with particular emphasis on recent Russian lyric and its translations into German and English. Poetry translation, thriving and obstinately open-ended, is not so much a defined process as a practice of ongoing transit across linguistic and national borders. The book’s innovative format invites contemporary poets into dialogue with literary translators, editors, publishers, and scholars; the conversations among their wide-ranging essays, poems, and exchanges both model and investigate the work of transcultural dialogue. As a kind of transition, poetry translation engages the composition and disintegration of forms, revises relations of producers to receivers, mixes and rethinks genres and media, translates itself as multilingual writing or language experiment. Multiple translations of a poem do not compete but interact, reshaping the putative gulf between source and target language. In the end this volume underscores the aesthetic productivity of poetry translation and the need to nurture it. A must-read for anyone interested in the dynamic interplay of poetry, language, and culture.