Witold Rybczynski – författare

An inviting exploration of architecture across cultures and centuries by one of the field’s eminent authors  “Rybczynski’s expansive account traces the influence of social, technological, and economic shifts on architecture across centuries.”—New York Times Book Review  “The finest architectural writer in our language.”—Mark Alan Hewitt, New Criterion  In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty.  This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders. Firm in opinion, even-handed, and rooted in scholarship, this book will delight anyone interested in understanding the buildings they use, visit, and pass by each day.

What is style in architecture? "Style is like a feather in a woman's hat, nothing more," said Le Corbusier, expressing most modern architects' low regard for the subject. But Witold Rybczynski disagrees, and in this book, makes a compelling case for the importance of style to the mother of the arts. This is a book brimming with observations - that form does not follow function; that the best architecture is not timeless but precisely of its time; that details do not merely complement the architecture - details are the architecture. But the heart of the book illuminates the connection between architecture, interior decoration and fashion. Style is the language of architecture, Rybczynski writes, and fashion represents the wide - and swirling - cultural currents that shape and direct that language. The two, style and fashion, are intimately linked - indeed, architecture cannot escape fashion. To set these ideas in sharp relief, he shows us how style and fashion have been expressed in the work of major architects - including Frank Gehry, Mies van der Rohe, Charles McKim, Allan Greenberg, Robert Venturi, Enrique Norten and many others.He helps us see their works anew and ultimately to look afresh at our surroundings. Style is one of the enduring and endearing aspects of architecture, Rybczynski concludes. Furthermore, an architecture that recognizes the importance of style would not be as introspective and self-referential as are so many contemporary buildings. It would be part of the world - not architecture for architects, but for the rest of us.

Witty, personal, and engaging, this cri de coeur from an esteemed critic takes on the age-old question of what elevates a mere building into an art formWhat is it about architecture that distinguishes it from ordinary building? Frustrated with the many cookie-cutter buildings going up around his home in downtown Philadelphia, eminent architectural historian and critic Witold Rybczynski offers an immersive meditation on the question in this extended essay, an insightful and opinionated reflection on the essential qualities of architecture both historical and modern.The book’s structure pays homage to John Ruskin’s treatise The Seven Lamps of Architecture; here, Rybczynski identifies his own guideposts: past, an awareness of ancient and modern architectural heritage; order, what emerges out of a careful plan; ornament, the addition of decorative elements; meaning, how buildings speak; beauty, or aesthetics; drawing, as a means to the end; and place, in the sense of both how place influences a structure and how architects create a sense of place. Rybczynski addresses the complicated question of what architecture is through compelling compositions on renowned buildings and designs—Hadrian’s Arch, the Eiffel Tower, the Barcelona Pavilion—alongside examinations of lesser-known structures and charming anecdotes. The book is enlivened by fifty of the author’s black-and-white drawings, adding another personal touch to this captivating book.

The Miami estate of Vizcaya, like its palatial contemporaries Biltmore and San Simeon, represents an achievement of the Gilded Age, when country houses and their gardens were a conspicuous measure of personal wealth and power.In Vizcaya: An American Villa and Its Makers, a celebrated architecture critic and writer and an award-winning landscape architect explore the little-known story of Vizcaya, an extraordinary national treasure. Witold Rybczynski and Laurie Olin use a rich collection of illustrations, historic photographs, and narrative to document the creation of this stunning house and landscape. Vizcaya was completed in 1916 as the winter retreat of Chicago industrialist James Deering. The cosmopolitan bachelor, who chose Miami for its warm climate, enlisted the guidance of artist Paul Chalfin, with whom he traveled throughout Italy to survey houses and gardens. With the assistance of architect F. Burrall Hoffman, Jr., and garden designer Diego Suarez, the 180-acre site on Biscayne Bay was transformed into a grand estate, complete with lagoons, canals, citrus groves, a farm village, a yacht harbor, and a 40-room Baroque mansion.The lure of this architectural and landscape masterpiece, named for a Spanish Basque province, is undeniable. John Singer Sargent planned a short visit in 1917 but stayed for several months, producing an inspired series of watercolors, many of which are reproduced here for the first time. The book is further enriched by archival material and by the color images of noted photographer Steven Brooke, paying homage to Vizcaya as a lens through which readers learn about architecture, landscape and garden design, interior decoration, and art.

In this lively and entertaining work, Witold Rybczynski—hailed as “one of the best writers on design working today” by Publishers Weekly—tells the story of the most distinctive cars in history and the artists, engineers, dreamers and gearheads who created them. Delving into more than 170 years of ingenuity in design, technology and engineering, he takes us from Carl Benz’s three-wheel motorcar in 1855 to the present-day shift to electric cars. Along the way, he looks at the emergence of mass production with Henry Ford’s Model T; the Golden Age of American car design and the rise of car culture; postwar European subcompacts typified by the Mini Cooper; and the long tradition of the streamlined and elegant sports car.Rybczynski explores how cars have been reflections of national character (the charming Italian Fiat Cinquecento), icons of a subculture (the VW bus for American hippies) and even emblems of an era (the practical Chrysler minivan). He explains key developments in automotive technology, including the electric starter, rack-and-pinion steering, and disc brakes, bringing to light how the modern automobile is the result of more than a century of trial and error. And he weaves in charming accounts of the many cars he’s owned and driven, starting with his first—the iconic Volkswagen Beetle.The Driving Machine is a breezy and fascinating history of design, illustrated with the author’s delightful drawings.

In this lively and entertaining work, Witold Rybczynski tells the story of the most distinctive cars in history and the artists, engineers, dreamers and gearheads who created them. Delving into more than 170 years of ingenuity in design, technology and engineering, he takes us from Carl Benz’s three-wheel motorcar in 1855 to the present-day shift to electric cars. Along the way, he looks at the emergence of mass production with Henry Ford’s Model T; the Golden Age of American car design; postwar European subcompacts; and the long tradition of the elegant sports car.Rybczynski explores how cars have been reflections of national character (the charming Italian Fiat Cinquecento), icons of a subculture (the VW bus for American hippies) and even emblems of an era (the practical Chrysler minivan). He explains key developments in automotive technology, bringing to light how the modern automobile is the result of more than a century of trial and error. And he weaves in charming accounts of the many cars he’s owned and driven, starting with his first—a Volkswagen Beetle.The Driving Machine is a breezy and fascinating history of design, illustrated with the author’s delightful drawings.