Zoë Wicomb – författare

The first collection of nonfiction critical writings by one of the leading literary figures of post-apartheid South AfricaThe most significant nonfiction writings of Zoë Wicomb, one of South Africa’s leading authors and intellectuals, are collected here for the first time in a single volume. This compilation features essays on the works of such prominent South African writers as Bessie Head, Nadine Gordimer, Njabulo Ndebele, and J. M. Coetzee, as well as on a wide range of cultural and political topics, including gender politics, sexuality, race, identity, nationalism, and visual art. Also presented here are a reflection on Nelson Mandela and a revealing interview with Wicomb. In these essays, written between 1990 and 2013, Wicomb offers insights into her nation’s history, politics, and people. In a world in which nationalist rhetoric is on the rise and right-wing populist movements are the declared enemies of diversity and pluralism, her essays speak powerfully to a host of current international issues.

Marion Campbell runs a travel agency but hates travelling. In post-apartheid Cape Town, she must negotiate the complexities of a knotty relationship with Brenda, her first black employee. Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission finds information that brings into question not only her family's past but her identity and place in contemporary South African society.

Abandoned by her partner in Scotland, where she has been living for 25 years, Mercia returns to her homeland of South Africa to find her family overwhelmed by alcoholism and secrets. Poised between her life in Scotland and her life in South Africa, she recollects the past with a keen sense of irony as she searches for some idea of home. With this pitch-perfect story, the writer of rare brilliance' (The Scotsman) Zoe Wicomb stands to claim her rightful place as one of the pre-eminent contemporary voices in international fiction.'

An anthology dedicated to contemporary Black South African feminist writing influential to today's scholars and radical thinkersSurfacing: On Being Black and Feminist in South Africa is the first collection dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders into an essential resource. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. The collection demonstrates a dazzling range of feminist voices from established scholars and authors to emerging thinkers, activists and creative practitioners.The writers within these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing asks: what do the African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centers of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take?Surfacing is indispensable to anyone interested in feminism from Africa, which its contributors show in vivid and challenging conversation with the rest of the world. It will appeal to a diverse audience of students, activists, critical thinkers, academics and artists.

Juggling with our perception of time and reality, Still Life tells the story of an author struggling to write a biography of Scottish poet and abolitionist Thomas Pringle. In her efforts to resurrect Pringle, the writer summons the spectre of Mary Prince, the West Indian slave whose History Pringle published, along with Hinza, his adopted black South African son. As these voices vie for control over the text and the lines between life writing and fiction-making begin to blur, yet another voice enters the chorus: Sir Nicholas Greene, the self-regarding poet from Virginia Woolf's novel Orlando. Their adventures through time and space, from Victorian South Africa and London to the author's desk in Glasgow in the present day, offer a poignant yet often playful exploration of colonial history and racial oppression

A South African academic returns to her homeland where she tries to connect her past and the present in this novel by the “extraordinary” (Toni Morrison) award-winning author of You Can’t Get Lost in Cape TownIn October, acclaimed fiction writer Zoë Wicomb tells the story of Mercia Murray, a South African woman of color in the midst of a difficult homecoming. Abandoned by her partner in Scotland, where she has been living for twenty-six years, Mercia returns to South Africa to find her family overwhelmed by alcoholism and buried secrets. Poised between her new life in Scotland and her South African roots, Mercia recollects the past and assesses the present with a keen sense of irony. October is a stark and utterly compelling novel about the contemporary experience of a woman caught between cultures, adrift in middle age with her memories and an uncertain future.Winner of the Windham-Campbell Literature Prize, Zoë Wicomb is an essential voice of the South African diaspora, hailed by fellow writers—such as Toni Morrison and J. M. Coetzee—and by reviewers as “a writer of rare brilliance” (The Scotsman).

Short stories from the award-winning South African author, which J.M. Coetzee says "combine the coolly interrogative gaze of the outsider with an insider's intimate warmth.", won critical acclaim across the globe as well as high praise from fellow authors including Toni Morrison, J.M. Coetzee, Bharati Mukherjee, and Gayatri Chakravorty Spivak. Then, after two novels, Wicomb returned to the genre that first brought her international acclaim.Set mostly in the South African city of Cape Town and the Scottish city of Glasgow, this collection of short stories straddles two worlds, translating each character's experience and life from one culture to another. With an array of expertly drawn characters, twelve tales explore a range of human relationships: marriage, friendship, family, and the fraught yet often intimate relations between those who serve and those who are served.Full of ironic twists, ambiguities, and moments of startling insight,The One That Got Awayshowcases this awardwinning author at the height of her ability.

“In her ambitious third novel, Wicomb explores South Africa’s history through a woman’s attempt to answer questions surrounding her past” (The New Yorker)Set in a beautifully rendered 1990s Cape Town, Windham Campbell Prize winner Zoë Wicomb’s celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. As Alison McCulloch noted in The New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute,” Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history (Kirkus Reviews, starred review).