Vara S. Neverow is Professor of English and Women’s Studies at Southern Connecticut State University, USA. She is co-editor of Virginia Woolf: Twenty-First-Century Approaches (2014) and editor of the Virginia Woolf Miscellany since 2003.Jeanne Dubino is Professor of English and Global Studies at Appalachian State University, USA. She is the editor of Virginia Woolf and the Literary Marketplace (2010) and co-editor of multiple volumes, most recently Politics, Mobility, and Identity in Travel Writing (2015), Representing the Modern Animal in Culture (2014) and Virginia Woolf: Twenty-First-Century Approaches (2014).Gill Lowe is Visiting Fellow in English at the University of Suffolk, UK. She is the author of Versions of Julia: Five Biographical Constructions (2005) and editor of Hyde Park Gate News, the Stephen Family Newspaper (2005). She is co-editor of Virginia Woolf: Twenty-First-Century Approaches (2014).Kathryn Simpson is an independent scholar. Her previous books include Virginia Woolf: A Guide for the Perplexed (Bloomsbury, 2016) and Gifts, Markets and Economies of Desire in Virginia Woolf, (2008). She is co-editor of Virginia Woolf: Twenty-First-Century Approaches (2014).

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• Volume 1: 1975-1984General Editor's IntroductionChronology of Woolf's LifeChronological List of Woolf's PublicationsA Chronological History of Woolfian CommunityIntroduction, Vara S. Neverow1. “To Crush Him in Our Own Country”: The Political Thought of Virginia Woolf, Berenice Carroll2. The Whole Contention of Mr. Bennett and Mrs. Brown, Revisited, Beth Daugherty3. Lighting the Cave: The Relationship Between Vita Sackville-West and Virginia Woolf, Louise DeSalvo4. The Voyage Out, Avrom Fleishman5. Virginia Woolf and the Art of Madness, Susan M. Kenney and Edwin J. Kenney, Jr.6. Jacob's Room as Comedy: Woolf's Parodic Bildungsroman, Judy Little7. 'Combining “The Advantages of Fact and Fiction”: Virginia Woolf's Biographies of Vita Sackville West, Flush and Roger Fry', Thomas S. W. Lewis8. Gallant Red Brick and Plain China: Teaching A Room of One's Own, Martha McClintock Folsom9. Mrs. Dalloway: The Repetition as the Raising of the Dead, J. Hillis Miller10. Nature and History in The Years, James Naremore11. Tradition and Revision: The Classic City Novel and Virginia Woolf's Night and Day, Susan Squier12. Spatial Form and Color in The Waves, Jack F. Stewart13. The Celebration of Eros: Greek Concepts of Love and Beauty in To The Lighthouse, Jean Wyatt14. Between the Acts and the Coming of War, Alex ZwerdlingBibliographyVolume 2: 1985-1994Introduction, Jeanne Dubino1. “Cam the wicked”: Woolf's Portrait of the Artist as Her Father's Daughter, Elizabeth Abel2. The Island and the Aeroplane: The Case of Virginia Woolf, Gillian Beer3. The Subject in Jacob's Room, Edward L. Bishop4. Flush and the Literary Canon: The Value of Popular Appeal, Pamela L. Caughie5. Virginia Woolf and the Imperial Gaze: A Glance Askance, Michelle Cliff6. The Politics of Comic Modes in Virginia Woolf's Between the Acts, Melba Cuddy-Keane7. Ideology into Fiction: Virginia Woolf's “A Sketch of the Past”, Emily Dalgarno8. “What Fools We Were!” Virginia Woolf's “A Society”, Susan Dick9. Incest, Erasure, and The Years, David Eberly10. A Room of One's Own, Personal Criticism, and the Essay, Anne Fernald11. Disfigured Figures: Virginia Woolf's Disabled List, David Galef12. The Midday Topos in Mrs. Dalloway, Molly Hoff13. Refractions of Desire: The Early Fiction of Virginia and Leonard Woolf, Mark Hussey14. The Whole Achievement in Virginia Woolf's The Common Reader, Georgia Johnston15. “If I saw you would you kiss me?” Sapphism and the Subversiveness of Virginia Woolf's Orlando, Sherron E. Knopp16. 'And Darwin says they are nearer the cow': Evolutionary Discourse in Melymbrosia and The Voyage Out, Elizabeth G. Lambert17. Britannia Rules The Waves, Jane Marcus18. Through Formalism: Feminism and Virginia Woolf's Relation to Bloomsbury Aesthetics, Christopher Reed19. Introduction to The Interrupted Moment: A View of Virginia Woolf’s Novels, Lucio P. Ruotolo20. The Word Split Its Husk: Woolf's Double Vision of Modernist Language, Bonnie Kime ScottBibliographyVolume 3: 1995-2004Introduction, Kathryn Simpson1. Exposing the “Nerves of Language”: Virginia Woolf, Charles Mauron, and the Affinity Between Aesthetics and Illness, Kimberly Engdahl Coates2. Virginia Woolf in the Pay of Booksellers: Commerce, Privacy, Professionalism, Orlando, Patrick Collier3. Reading Uncommonly: Virginia Woolf and the Practice of Reading, Kate Flint4. Virginia Woolf and Post-Impressionism: French Art, English Theory, and Feminist Practice, Jane Goldman5. Virginia Woolf in the House of Love: Compulsory Heterosexuality in The Years, Clare Hanson6. The Ethics of Indecency: Censorship, Sexuality, and the Voice of the Academy in the Narration of Jacob's Room, Susan C. Harris7. From Hubble's Telescope to Virginia Woolf's “The Searchlight”, Holly Henry8. Revisiting Woolf's Representations of Androgyny: Gender, Race, Sexuality, and Nation, Karen Kaivola9. Modernism, Subjectivity, and Narrative Form: Abstraction in The Waves, Tamar Katz10. The Jew in the Bath: Imperiled Imagination in Woolf's The Years, Maren Linett11. Links into Fences: The Subtext of Class Division in Mrs. Dalloway, Natania Rosenfeld12. Locating a Native Englishness in Virginia Woolf's “The London Scene”, Sonita Sarker13. Virginia Woolf's Poetics of Space: “The Lady in the Looking-Glass: A Reflection”, Tracy Seeley14. Of Fanciers, Footnotes, and Fascism: Virginia Woolf's Flush, Anna Snaith15. Name that Face, Alice Staveley16. Virginia Woolf and the Flesh of the World, Louise Westling17. Woolf, Postcards, and the Elision of Race: Colonizing Women in The Voyage Out, Mark WollaegerBibliographyVolume 4: 2005-2015Introduction, Gill Lowe1. Virginia Woolf and Changing Conceptions of Nature, Christina Alt2. “Wretched Sparrows”: Protectionists, Suffragettes and the Irish, David Bradshaw3. The Conversation Behind the Conversation: Speaking the Unspeakable in Virginia Woolf, Julia Briggs4. The Ethics and Aesthetics of Healing: Woolf, Medicine and Professionalization, Evelyn T. Chan5. Virginia Woolf's Feminist Historiography in Orlando, Jane de Gay6. “‘Myself’- It Was Impossible”: Queering History in Between the Acts, Erica Delsandro7. Woolf's Exploration of “the Outer and the Inner”: a Spatial Analysis of The Years, Elizabeth F. Evans8. Writing Was Her Fighting: Three Guineas as a Pacifist Response to Total War, J. Ashley Foster9. The Death of Jacob Flanders: Greek Illusion and Modern War in Jacob's Room, Christine Froula10. Bushmen and Blackface: Bloomsbury and Race, Gretchen Holbrook Gerzina11. Modernist Life Writing and Nonhuman Lives: Ecologies of Experience in Virginia Woolf's Flush, David Herman12. “Memory Holes” or “Heterotopias”: The Bloomsbury Photographs, Maggie Humm13. Virginia Woolf and Poor Women, Alison Light14. “In the Circle of the Lens”: Woolf's “Telescope” Story, Scene-making and Memory, Laura Marcus15. Boredom and Individualism in Virginia Woolf's The Voyage Out, Allison Pease16. Woolf's Short Stories as a Paradoxical and Dynamic Space, Christine Reynier17. “I Meant Nothing by the Lighthouse”: Virginia Woolf's Poetics of Negation, Roberta Rubenstein18. “Nature, Who Has Played So Many Queer Tricks Upon Us”: Digging Granite and Chasing Rainbows with Virginia Woolf, Derek Ryan19. “Here Again is the Usual Door”: the Modernity of Virginia Woolf's “Street Haunting”, Randi Saloman20. A Hogarth Press Timeline, Helen Southworth21. Shell Shock and Hysterical Fugue, or Why Mrs Dalloway Likes Bach, Emma Sutton22. Meals and Mourning in Woolf's The Waves, Janine Utell23. The Hogarth Press, Digital Humanities, and Collaboration: Introducing the Modernist Archives Publishing Project (MAPP), Nicola Wilson, Elizabeth Willson Gordon, Alice Staveley, Helen Southworth and Claire BattershillBibliography