Critical and Primary Sources – serie

Food History: Critical and Primary Sources is an indispensable four-volume reference collection which focuses on the widest possible span of food in human history, to provide a comprehensive survey of problems and methods in the field of food history. Bringing together over 80 high-quality essays drawn from journal articles, book chapters, excerpts and historical documents and supported by introductory essays and a wealth of contextual material, this important new reference work combines contemporary scholarship with selected primary sources allowing scholars to use this as a starting point for their own historical research. The volumes are divided chronologically, moving from human evolution and the origins of complex societies to the agrarian and pastoral societies of the classical and post-classical eras, to the age of global contact and early industrialization, to the transition to industrial diets in the contemporary era. Each volume is introduced by an essay from the editor and is divided into broad thematic categories and offers a range of methodological approaches, multidisciplinary appeal and broad geographical coverage, highlighting how the field has developed over time and investigating how and why food is different at different points in world history. This will be an essential addition to libraries and a major scholarly resource for researchers involved in the study of food in world history.

This is the first multi-volume collection of writings on sociocultural anthropology, the field of anthropology which is concerned with how people in different places live in and understand the world around them. It covers the field's core and changing objectives and methodologies, how context shapes how people make a living and reproduce, how people organize relationships with other people as well as with animals and the environment, how people communicate with other people, and ongoing change in how people make sense of where they live, with whom they interact, and their sense of meaning. Taken together, the collection of 88 articles maps the development of sociocultural anthropology from its beginnings in the mid-19th century through to recent debates on the rise of new methods, increased attention to reflexivity and intersubjectivity, and the ongoing 'critique of anthropology' and the efforts to decolonize it.The four volumes are arranged thematically and each is separately introduced. In Volume 1, contributions lay out some of the early and enduring motivations of sociocultural anthropologists: who are the world's peoples? From the effort to describe non-Western cultures, entries move to critiques of early sociocultural anthropology, for example, from feminist anthropologists and indigenous anthropologists, as well as applied anthropologists who saw a need for sociocultural anthropologists to be involved in community development. Volume 2 focuses on studies of livelihoods and reproduction and health. Volume 3 looks at forms of social relations and organization as defined by kinship as well as non-kin relations. Volume 4 includes entries that look more directly at language and other forms of communication, religion and spiritual beliefs, and expressive culture and performance. The final articles offer insights about how tumultuous changes, such as refugee movements and environmental change are affecting people around the world, and how they are making sense of these changes.The four volumes are energized by the inclusion, and often juxtaposition, of classic texts by Sir Edmund Leach, Franz Boas, Bronislaw Malinowski, Ruth Benedict, Margaret Mead, Lucy Mair, Claude Lévi Strauss, Marshall Sahlins, and Maurice Godelier, mixed in with writings by contemporary authors such as Lila Abu-Lughod, Seth Holmes, Nancy Scheper-Hughes, Tom Boellstorff, Susan Greenhalgh, George Marcus, and Arjun Appadurai.

Japanese Art: Critical and Primary Sources is a four-volume reference work offering a critical overview of the history and culture of Japanese art. Drawing upon a wide range of English-language texts, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day.Over 75 essays from Asia, North America and Europe are assembled in this set and they address four major themes - material cultures (Buddhist objects, ceramics, textiles, interiors), visual cultures (painting, calligraphy, photography), printed matter (wood-block prints, books) and the context for Japan's art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented thematically, and chronologically within categories.Together the four volumes of Japanese Art present a major scholarly resource for the field.

Bringing together 100 essential critical articles across 4 volumes, Literature and the Environment: Critical and Primary Sources is a comprehensive collection of the most important academic writings on ecocriticism and literature’s engagement with environmental crisis.With texts by key scholars, creative writers and activists, the articles in these four volumes follow the development and history of environmental criticism, as well as interdisciplinary conversations with contemporary philosophy and media studies.Literature and the Environment includes work by such writers as: Stacy Alaimo, Jonathan Bate, Winona LaDuke, Laura Pulido, Kyle Powis Whyte, Jacques Derrida, Ursula K. Heise, Bruno Latour, Rob Nixon, Ken Saro-Wiwa, William Shakespeare, Leslie Marmon Silko, Henry David Thoreau, Rita Wong. E.O. Wilson, Cary Wolfe and William Wordsworth.

Lesbian Gay, Bisexual, and Transgender History: Critical Readings is an authoritative four-volume survey of the seminal essays on the subject from the last half century. It traces both the intellectual arc and larger theoretical implications of the field, including Queer Theory, which emerged from this scholarship in the early 1990s.Edited by Michael Bronski, a world-renowned, leading scholar in the field, the four volumes cover theory, the pre-modern period, the modern era and contemporary times. As well as substantial contextualizing editor introductions for each book, there are 64 individual essays included across the set, with relationships, identity, community, politics and LGBT around the world all key topics at the heart of this vital collection.This is an essential resource for all scholars interested in lesbian, gay, bisexual and transgender history and LGBT studies more generally.

This four-volume reference set provides a comprehensive exploration of key themes in the history of technology.Drawing on material from the mid-1970s to the present day that examines diverse cultures and time periods, Suzanne M. Moon and Peter S. Soppelsa enable interested readers to explore key thematic divisions that structure research in the field and read influential works that bring the major concerns, methods, and insights of the history of technology to life. With 50 seminal articles included across the set as a whole, the volumes are broken down into four crucial thematic areas: Building, Creating, Designing, Maintaining; Technology, Power, and Sociopolitical Order; Technology, Nature and Environment; and Circulations and Connections. Four set-wide themes are then used to tie the collection together: technology and the body; technology’s relationship with science, globalization, information, and media; and cultures of technology – with critical editor introductions providing invaluable context for each volume.The History of Technology: Critical Readings is a vital resource for the study of the history of technology.

Theories of Performance: Critical and Primary Sources offers a comprehensive collection of key writings on a subject which has come to permeate fields as diverse as theatre, comparative literature, philosophy, law, history, English, and science and technology studies, in what has been termed the transdisciplinary ‘performative turn’. The collected essays draw upon writing from these diverse disciplines - and more - together illustrating how performance has become an ever more vibrant and plastic discursive practice. It includes a wide range of historical and more contemporary perspectives from the northern and southern hemispheres, with writing drawn from South and Southeast Asia, East Asia, Europe, Russia and the post-Soviet context, the Americas, Africa and the Caribbean. Expansive in their representation, the four volumes address current questions of protest culture, race and gender politics, biopolitics, indigenous studies and perspectives, postcolonialism and decoloniality, and language/translation, among others.Each volume is introduced by the editor and arranged thematically, so that the development of ideas can be traced within a theme. The set includes 90 essays covering the following major areas: discipline, method, documentation, and body politic.Together the four volumes of Theories of Performance present a major scholarly resource for the field.

Bringing together 70 major critical articles across four volumes, Modern and Contemporary World Drama: Critical and Primary Sources collects scholarly articles, reviews and critical interventions that are indispensable to anyone wishing to gain an understanding of world drama from the past 150 years.Contesting a Eurocentric reading or history of modern drama, the articles underscore the importance of migration and transnational movements of dramatic forms, and place emphasis on the transmission and circulation of dramatic theories around the world. Modern drama is revealed as a worldwide phenomenon in which a diverse array of artists and writers participated and in which modernism is seen to have affected all parts of the world in ways that are much more complex and multi-directional than what has been assumed in Eurocentric models.The four volumes are arranged both thematically and chronologically to give readers a sense of how world modern and contemporary drama began and how it has been studied in the past 150 years. Volume 1: BeginningsThis volume includes essays that describe various beginnings of modern drama. Instead of identifying a singular origin of modern drama with a linear chronology, the volume suggests multidirectional and multidimensional beginnings. The geographical area covered in the volume is extensive, and each essay describes different ways to conceptualize time, chronology, and what would be considered innovative in dramatic writing. Volume 2: Theories This volume includes essays that address theoretical questions of modern and contemporary world drama. In many ways, modern drama around the world began as a theoretical endeavor that questioned the fundamentals of the dramatic form. Like the first volume, the second illustrates an array of studies that challenge a singular interpretation of modern and contemporary drama. Many of the essays provide practical applications of dramatic theories, and all of them situate the core analysis in historically and politically specific contexts, and the volume questions what theory means to lived experiences in the era of globalization.Volume 3: MovementsThis volume includes themes of migration, exchange, national borders, exile, and diaspora, and the theatrical stage is often used as a laboratory to examine key issues of globalization and displacement. The volume also examines other definitions of "movements," including political and aesthetic movements that have determined the development of modern and contemporary drama. Like the first two volumes, the third volume prioritizes studies that emphasize the complexities of the global and cosmopolitan experience and refuses to arrive at a narrative with a singular or universal perspective.Volume 4: Twenty-First CenturyThis volume continues many topics raised in the first three volumes and considers how the new millennium has affected the development of modern and contemporary world drama. The essays in the volume examine various developments that are commonly described with the prefix "post," as in posthumanism, post-truth, postcolonial, postrace, and post-nation. A number of the essays concern uncertainties around the future of humanity in the age of technological advancements and late capitalism.

Senses and Sensation: Critical and Primary Sources offers a comprehensive collection of key writings essential to anyone wishing to gain a critical understanding of sensory studies. The four volumes include 101 essays from leading scholars in the humanities, social sciences, arts and design, biology, psychology and the neurosciences.Drawing upon historical and contemporary texts from a wide range of sources, this set is inspired by the sensory turn in the humanities, social sciences and fine arts which has challenged the monopoly that psychology formerly held over the study of senses and sensation. It also builds upon the revolution in psychology and the neurosciences which has led to an increased emphasis on the interaction and integration of the senses, in place of the one-sense-at-a-time approach.Ordered by discipline, the volumes cover geography and anthropology, history and sociology, biology, psychology and neuroscience, and art and design. Each volume is separately introduced and the essays structured into coherent sections on specific themes.

Digital Language Learning and Teaching: Critical and Primary Sources brings together over 100 essential texts on digitally-assisted or enabled language learning from the inception of these technologies to their burgeoning 21st century maturity. The four volumes will focus on :1) Theories and Frameworks2) Focus on the Learner3) Teaching with Computer Assisted Language Learning4) New Developments in Computer Assisted Language LearningEach volume features an editorial introduction by a world-renowned authority on the subject and articles within them are grouped thematically. Professor Mark Warschauer (University of California-Irvine, USA) contributes an extensive Foreword for the project.

Bringing together over 70 influential critical articles, Virginia Woolf: Critical and Primary Sources is a collection of significant academic writing on the work of the great modernist writer, Virginia Woolf.Beginning with the academic rediscovery of Woolf in the mid-1970s, this collection charts the development of Woolf scholarship up to 2015. It comprises examinations of Woolf’s fiction and non-fictional writing, important manuscript and archival discoveries and biographical analyses, as well as critical work on Woolf’s feminism, aesthetics and cultural writing.Each volume includes a substantial contextualising introduction surveying Woolf studies in the decade covered. Virginia Woolf: Critical and Primary Sources is an essential academic resource for scholars and common readers alike.

Arts and Cultural Management: Critical and Primary Sources offers a comprehensive collection of key writings on this relatively new and rapidly growing field. The collected essays draw upon both scholarly and professional literature worldwide and range across the arts in the commercial, not-for-profit and public sectors.Each volume is arranged thematically and separately introduced by the editors. The set includes 84 essays covering the following major tracks: organization, structure and governance; production and distribution of the arts; participation and engagement; resource development and marketing; and policy, advocacy and field development.Together the four volumes of Arts and Cultural Management present a major scholarly resource for the field.

The Global History of Work: Critical Readings provides an extensive reference collection which is essential for all students and scholars needing to gain a critical understanding of work and the history of work.Collating scholarly historical texts on the subject from the last 50 years and beyond from a wide range of sources, this four-volume set offers a key knowledge resource for the field. The set brings together around 60 essays and papers - from the field-shaping pieces published in the 1970s through to the landmark texts of the recent past and present - and thematically arranges in a way that highlights the crucial topics of discussion and debate in this area of study. The set obviously has a global scope and provides valuable insights into how the field was formed, how it has developed and how it will be studied in the years to come.Volume 1 explores core concepts to do with work and work history and examines definitions, perceptions and the ‘making of workers’.Volume 2 focuses on work sites, with an emphasis on locations, migrations and households.Volume 3 considers labour markets and includes material on unemployment, gender and ethnicity, sociability/social networks and recent trends.Volume 4 covers collective action and the importance of the politics of labour, unions and forms of resistance.Each volume includes a substantial contextualizing introduction surveying the development of the field. The Global History of Work: Critical Readings is a major scholarly reference work for all researchers interested in the history of work.

With over 80 scholarly articles, reviews, and critical interventions from the last 50 years, Bertolt Brecht: Critical and Primary Sources set covers the key periods of Brecht’s life, from his time in Augsburg (1898–1918) through the Weimer Republic (1918–1933), exile (1933–1948) and the German Democratic Republic (1949–1956). It also explores his theories, fundamentally his belief in the theatre’s ability to represent and change the world, core practices and relationships. Alongside primary sources that include writings by Brecht published in English for the first time, such as his short but important reflection in ‘originality’ in theatre production, key featured scholars include Fredric Jameson and his essay ‘Episch, or, the Third Person’, and pieces on Brecht’s collaborative working methods by Claus and Wera Küchenmeister, and the director Egon Monk.Volume 1 covers Brecht's life and work, including essays on his famous Mother Courage and Her Children, production reviews, poetry, novels and short stories, with some thoughts on his journals. Volume 2 covers theory, containing essays and primary writings on Brechtian terminology, and some of the more enigmatic terms like ‘Epic theatre’, ‘Verfremdung’, ‘Gestus’ and ‘Fabel’, features a survey of important theoretical works, a section on Brecht on non-theatre media, his relationship to other major thinkers, ideas and sources and the reception of his ideas. Volume 3 covers practice, including Brecht’s practice as documenter and director, beginning with his disastrous start in the Weimar Republic through to his later role as director as the Berliner Ensemble, his relationships with other practitioners and his own collaborators, reviews of important productions and global receptions.Each volume includes a contextualizing introduction surveying the topics covered and the development of scholarship on Brecht.

100 historical and contemporary texts give a detailed insight into the last 150 years of animation studies in this seminal, four-volume reference work on the field. Beginning with the many definitions, or lack thereof, of animation, the set delves into the nature of animation production, explores how we can establish greater space within animation discourse for the consideration of broadcast and interactive animation, and gives a greater contextual understanding of the field of animation studies. Key themes are ‘Authorship’, ‘Genre’, ‘Identity Politics’, and ‘Spectatorship’, and the set is ordered in such a way that avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes

With topics ranging from the limitations of the novel to adapting stage to screen, over 80 articles from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. The three-volume set begins with an historical overview of the field of adaptations studies, beginning with works from the early twentieth century through to seminal pieces of the 1990s. The volumes then divulge how the scholarly legacies laid out in those formative years has impacted the discipline today, and how it can be studied alongside literature and film studies.

This three-volume reference collection represents three distinct phases in the development of South Korean national cinema. It foregrounds how epochal characteristics inform the way in which the national cinema represents the penetrating thematic concern of auteur-ship, genre, spectatorship, gender, and nation, as well as the way in which these themes find expression in distinct visual styles and forms.The pack reveals the emphasis in current research on the central themes of gender and nation and on the stylistic and representational strategies that articulate those paired themes in South Korean national cinema. This is an essential addition to libraries and a major scholarly resource for researchers involved in the study of South Korean film.

African Politics: Critical and Primary Sources is an indispensable reference collection focusing on the most important contributions in the field of African politics. Bringing together high-quality essays drawn from over half a century of journal articles, book chapters, and historical documents, supported by introductory essays, this reference work provides the essential foundation for scholars and students to engage with the field of African politics and a core reference for the launching of their own research.The four-volume collection covers a wide set of perspectives, problematics, and approaches within the field of African politics. The collection covers essential (English language and translated) works generated by scholars and practitioners from Africa, Europe, and North America. Reflecting an eclectic understanding of the sources that have contributed to the development of African politics as a field of study, the essays are drawn from a wide range of disciplines, including Anthropology, Economics, Sociology, and Religious Studies. Likewise, the essays reflect the broad ideological, philosophical, and theoretical streams that have informed scholarship on African politics.