Imelda Whelehan – författare

Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns.Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.

Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns.Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.

This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.

This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.

This is a lively and stimulating look at representations, mutations and adaptations of 'the alien' in literature, film and television. Using notions of the alien and alienation in a broadly defined sense, the contributors cover early science fiction, from the gothic aliens of Dracula and H.G. Wells, to the classic fifties Cold War sci-fi movies, such as War of the Worlds, twentieth-century reworkings of various 'alien' metaphors, such as The Fly movies and the Alien series, and comic variations on the theme such as Mars Attacks. Moving beyond the conventional genre boundaries of the alien, particular essays look, too, at 'race' as an alien condition, and at the use of illness and disease as a metaphor for alienation in modern film and fiction.

This book negotiates the notion of a 'classic' in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. Taking the problematic term 'classic' as its focus, the contributors consider both canonical literary and film texts, questioning whether classic status in one domain transfers it to another.Classics in Film and Fiction looks at a wide range of texts and their adaptations. Authors discussed are Shakespeare, Charlotte Bronte, Henry James, Franz Kafka, Thomas Mann, Virginia Woolf, Nathaniel Hawthorne, Arthur Miller, Truman Capote and Lewis Carroll. Book to film adaptations analysed include Jane Eyre, The Crucible, The Tempest and Alice in Wonderland. The collection also evaluates the term 'classic' in a wider context, including a comparison of Joyce's Ulysses with Hitchcock's Rear Window. Throughout, the contributors challenge the dichotomy between high culture and pop culture.

This introduction provides a critical survey of the dominant trends in Anglo-American feminist thought since 1968. From the historical roots of second-wave feminism to current debates about feminist theory and politics, it sets out the different philosophies and political positions before relating them to feminism in the 1990s. Chapters analyse issues such as sexuality, representation, consciousness-raising and ideology from liberal, socialist, radical, blackand lesbian feminist perspectives. Current crises which threaten to divide the women's movement are discussed, such as 'men in feminism', postmodernism, and the notion of a backlash fuelled by detractors like Camille Paglia and Kate Roiphe.

From the historical roots of second-wave feminism to current debates about feminist theory and politics. This introduction to Anglo-American feminist thought provides a critical and panoramic survey of dominant trends in feminism since 1968. Feminism is too often considered a monolithic movement, consisting of an enormous range of women and ideologies, with both similar and different perspectives and approaches. The book is divided into two parts, the first of which takes a close look at the most influential strands of feminism: liberal feminism, Marxist/socialist feminism, radical feminism, lesbian feminism, and black feminism. In later chapters, Whelehan ties these complexities of, and conflicts within, feminism. The role and relationship of men to feminism, and feminism's often thorny relationship to postmodernism, are also the subject of chapter length treatment. Concluding with a provocative discussion of the much-heralded advent of post-feminism and the rise of the new feminist superstars such as Camille Paglia, Naomi Wolf, Susan Faludi, and Katie Roiphe, Modern Feminist thought is an ideal text for students and a book no feminist teacher or activist should be without.

Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.

Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.

Adaptation studies has historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of methodologies and debates within the field. Drawing on approaches from genre studies to transtexuality to cultural materialism, the book examines adaptations of both popular and canonical writers, including William Shakespeare, Jane Austen and J.K.Rowling.Original and provocative, this book will spark new thinking and research in the field of adaptation studies. Mapping the way in which this exciting field has emerged and shifted over the last two decades, the book is also essential reading for students of English Literature and Film.

Adaptation studies has historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of methodologies and debates within the field. Drawing on approaches from genre studies to transtexuality to cultural materialism, the book examines adaptations of both popular and canonical writers, including William Shakespeare, Jane Austen and J.K.Rowling.Original and provocative, this book will spark new thinking and research in the field of adaptation studies. Mapping the way in which this exciting field has emerged and shifted over the last two decades, the book is also essential reading for students of English Literature and Film.

The new edition of Key Concepts in Gender Studies is a lively and engaging introduction to this dynamic field. 

Thoroughly revised throughout, the second edition benefits from the addition of nine new concepts including Gender Social Movements, Intersectionality and Mainstreaming.

Each of the entries:

begins with a concise definition outlines the history of each term and the debates surrounding it includes illustrations of how the concept has been applied within the field offers examples which allow a critical re-evaluation of the concept is cross-referenced with the other key concepts ends with guidance on further reading.

A must-buy for undergraduate and postgraduate students in a range of social science and humanities disciplines.

The new edition of Key Concepts in Gender Studies is a lively and engaging introduction to this dynamic field. 

Thoroughly revised throughout, the second edition benefits from the addition of nine new concepts including Gender Social Movements, Intersectionality and Mainstreaming.

Each of the entries:

begins with a concise definition outlines the history of each term and the debates surrounding it includes illustrations of how the concept has been applied within the field offers examples which allow a critical re-evaluation of the concept is cross-referenced with the other key concepts ends with guidance on further reading.

A must-buy for undergraduate and postgraduate students in a range of social science and humanities disciplines.

With topics ranging from the limitations of the novel to adapting stage to screen, over 80 articles from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. The three-volume set begins with an historical overview of the field of adaptations studies, beginning with works from the early twentieth century through to seminal pieces of the 1990s. The volumes then divulge how the scholarly legacies laid out in those formative years has impacted the discipline today, and how it can be studied alongside literature and film studies.

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

In this book, leading and emerging scholars consider the mixed critical responses to Lena Dunham’s TV series Girls and reflect on its significance to contemporary debates about postfeminist popular cultures in a post-recession context.