Deborah Cartmell is Senior Lecturer in the School of Arts and Humanities at De Montfort University, Leicester. Imelda Whelehan is Principal Lecturer in English and Womens Studies at De Montfort University.

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• Part I Part I AN OVERVIEW; Chapter 1 ADAPTATIONS, ImeldaWhelehtm; Part II Part II FROM TEXT TO SCREEN; Chapter 2 INTRODUCTION, DeborahCartmell; Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell; Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth; Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet; Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley; Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren; Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg; Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson; Chapter 10 SPEAKING OUT, DerekPaget; Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS; Chapter 11 INTRODUCTION, DeborahCartmell; Chapter 12 ORLANDO, SharonOuditt; Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder; Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark; Chapter 15 BATMAN, WillBrooker; Chapter 16 ‘THOU ART TRANSLATED’, PaulWells; Chapter 17 ‘A DOGGY FAIRY TALE’, ImeldaWhelehan; BIBLIOGRAPHY INDEX;

Deborah Cartmell is Senior Lecturer in the School of Arts and Humanities at De Montfort University, Leicester. Imelda Whelehan is Principal Lecturer in English and Womens Studies at De Montfort University.

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• Part I Part I AN OVERVIEW; Chapter 1 ADAPTATIONS, ImeldaWhelehtm; Part II Part II FROM TEXT TO SCREEN; Chapter 2 INTRODUCTION, DeborahCartmell; Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell; Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth; Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet; Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley; Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren; Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg; Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson; Chapter 10 SPEAKING OUT, DerekPaget; Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS; Chapter 11 INTRODUCTION, DeborahCartmell; Chapter 12 ORLANDO, SharonOuditt; Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder; Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark; Chapter 15 BATMAN, WillBrooker; Chapter 16 ‘THOU ART TRANSLATED’, PaulWells; Chapter 17 ‘A DOGGY FAIRY TALE’, ImeldaWhelehan; BIBLIOGRAPHY INDEX;

Deborah Cartmell is Senior Lecturer in the School of Arts and Humanities at De Montfort University, Leicester. Imelda Whelehan is Principal Lecturer in English and Womens Studies at De Montfort University.

Select Guide Rating

• Part I Part I AN OVERVIEW; Chapter 1 ADAPTATIONS, ImeldaWhelehtm; Part II Part II FROM TEXT TO SCREEN; Chapter 2 INTRODUCTION, DeborahCartmell; Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell; Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth; Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet; Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley; Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren; Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg; Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson; Chapter 10 SPEAKING OUT, DerekPaget; Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS; Chapter 11 INTRODUCTION, DeborahCartmell; Chapter 12 ORLANDO, SharonOuditt; Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder; Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark; Chapter 15 BATMAN, WillBrooker; Chapter 16 ‘THOU ART TRANSLATED’, PaulWells; Chapter 17 ‘A DOGGY FAIRY TALE’, ImeldaWhelehan; BIBLIOGRAPHY INDEX;