Arts and Cultural Management

Ellen Rosewall is Professor and Chair of Arts Management at the University of Wisconsin-Green Bay, USA. She is author of the major textbook, Arts Management: Bringing Arts and Audiences Together in the 21st Century (2013).Rachel Shane is Chair of the Department of Arts Administration at the University of Kentucky, USA. From 2016, she is editor-in-chief of the Journal of Arts Management, Law and Society.

This collection is a most welcome addition to the resources that mark a growing sense of self-awareness for a maturing field. The broad collection is well organized which facilitates ease of use ... A valuable resource for informing both our pedagogy and our future research. [Rosewall and Shane] have also given us a prism with which to better perceive what has shaped our field and its current state. Both achievements deserve recognition and applause.

• VOLUME 1: Leadership and GovernancePreface1. ‘The Arts in America’, John F. KennedyIntroductionPart I: Perspectives in the Field2. ‘From Impresario to Arts Administrator’ Richard Peterson3. ‘Cultural Entrepreneurship in Nineteenth Century Boston: The creation of an organizational base for high culture in America’, Paul DiMaggio4. ‘Managers of the Arts’, Paul DiMaggio5. ‘The Case for Mission-Focused Arts Management Education’ Ellen Rosewall6. ‘Who is Writing about Cultural Policy and Arts Management?’ Eleonora Redaelli and Jonathon PaquettePart II: Leadership and Governance7. ‘Managing the Arts: Leadership and Decision-Making under Dual Rationalities’, D. Cray, L. Inglis, and S. Freeman8. ‘Financial Crises in the Arts Sector: Is Governance the Illness or the Cure?’, Johanne Turbide, Claude Laurin, Laurent Lapierre, Raymond Morissette9. ‘The Arts and Leadership: Now that we can do anything, What can we do?’, Nancy Adler10. ‘Moving Arts Leadership Forward: A Changing Landscape’, Emiko M. OnoPart III: Planning and Change11. ‘The Art of the Turnaround: Ten Rules’, Michael Kaiser12. ‘Going Analog: Translating Virtual Learnings into Real Organizational Change’, Nina Simon13. ‘Claiming Value, Illuminating Common Purpose’, Ben Cameron14. ‘Inventing the Future of the Arts: Seven Digital Trends that Present Challenges and Opportunities for the Cultural Sector’, Brian Newman15. ‘Entering Upon Novelty: Funding and Policy Issues for a New Era in the Arts’, Richard Evans16. ‘Inciting the Rank and File: The Impact of Actor’s Equity and Labor Strike’, Rachel Shane17. ‘Hybrid Organizations in the Arts: A Cautionary View’, Michael Rushton18. ‘Financing Creativity: Crowdfunding as a New Approach for Theatre Projects’, Benjamin Boeuf, Jessica Darveau, Renaud Legoux Part IV: Arts Entrepreneurship19. ‘Means and Ends: A Theory Framework for Understanding Entrepreneurship in the US Arts and Culture Sector’, Linda Essig20. ‘What is Arts Entrepreneurship? Tracking the Development of its Definition in Scholarly Journals’, Woong Jo Chang and Margaret Wyzomirski21. ‘Performing Arts Entrepreneurship: Toward a Research Agenda’, Stephen B. Preece22. ‘What's in a Name? Typifying Artist Entrepreneurship in Community Training’, Paul Bonin-Rodriguez23. ‘Arts, Crafts and STEM Innovation: A Network Approach to Understanding the Creative Knowledge Economy’, Robert Root-Bernstein, Rex LaMore, James Lawton, John Schweitzer, Michele Root-Bernstein, Eileen Roraback, Amber Peruski, Megan VanDykeVolume 2: Cultural Policy1. ‘America, the Arts and the Future: The First Nancy Hanks Lecture on The Arts and Public Policy’, Arthur Schlesinger JrIntroductionPart I: Policy Making2. ‘The Culture of Cultural Policy’, David Bell and Kate Oakley3. ‘Raison d'etat, Raison des Arts’, Margaret Wyszomirski4. ‘Cultural Policy: Definitions and Theoretical Approaches’, Kevin V. Mulcahy Part 2: Public Support and Funding5. ‘Government and the Arts: An Overview’, Milton C. Cummings Jr.6. ‘The Case for Large-Scale Public Support of the Arts’, Dick Netzer 7. ‘Artists as Taxpayers’, Alan L. Feld et al8. ‘Public Choice and Public Funding of the Arts,’ Christopher Lingle9. ‘How Can the Arts be Publicly Promoted?’, Bruno S. Frey10. 'The Other Side of the Subsidized Muse: Indirect Aid Revisited', J. Mark Schuster11. ‘The Government Serves Art’, Hans AbbingPart III: The Value of the Arts12. ‘Creative Assets and the Changing Economy’, Steven J. Tepper13. ‘Putting the "Art" Back into Arts Policy Making: How Arts Policy has been "Captured" by the Economists and the Marketers’ Jo Caust14. ‘Intrinsic Benefits: The Missing Link’, Kevin McCarthy, Elizabeth H. Ondaatje et al15. ‘What Values Should Count in the Arts? The Tension between Economic Effects and Cultural Value’, Bruno S. FreyPart IV: Cultural Property Issues16. ‘Chronology of Cultural Property Legislation’, Kate Fitz Gibbon17. ‘Two Ways of Thinking About Cultural Property’, John Henry Merryman18. ‘Deaccessioning: A Policy Perspective’, Chris Burgess and Rachel Shane19. ‘International Law and the Protection of Cultural Property in the Event of Armed Conflict’, Sigrid van der Auwera Volume 3: Resource Development1. ‘The Burbage Legacy’, Bernie SahlinsIntroductionPart I: Cultural Economics2. ‘On the Performing Arts: The Anatomy of Their Economic Problems’, William J. Baumol and William G. Bowen3. ‘Welfare Economics and Public Subsidies to the Arts’, Alan T. Peacock4. ‘The Economic Structure of the Performing Arts’, C.D. Throsby and G.A. Withers5. ‘The Production and Consumption of the Arts: A View of Cultural Economics’, David Throsby6. ‘The Outbreak of Cost Disease: Baumol and Bowen's Founding of Cultural Economics’, Gregory Besharov Part II: Philanthropy and the Arts7. ‘Twentieth Century Cultural Patronage’, Kathleen D. McCarthy8. ‘The Interrelationships Between Public and Private Funding of the Arts in the United States’, J. Mark Davidson Schuster9. ‘Philanthropy, the Arts and Public Policy’, Margaret Wyszomirski10. ‘Indirect Subsidies’, Tyler CowenPart III: Marketing and the Arts11. ‘Museum and Performing Arts Marketing: A Climate of Change’, Ruth Rentschler12. ‘The Business of Being Businesslike’, Bradley Morison and Julie Gordon Dalgleish13. ‘My Unabashed Enthusiasm for Subscription’, Danny Newman14. ‘When Arts Met Marketing: Arts Marketing Theory Embedded in Romanticism’, Hye-Kyung Lee15. ‘Arts Marketing Performance: An Artistic-Mission-Led Approach to Evaluation’, Miranda Boorsma and Francesco ChiaravallotiPart IV: Pricing16. ‘Box Office and Other Earned Revenue’, Rockefeller Brothers Foundation 17. ‘Pricing Theory and Its Application for the Performing Arts’, Oliver Chamberlain18. ‘Dynamic Pricing in Subsidized Performing Arts’, Leticia Labaroone and Tilman Slembeck19. ‘Museum Pricing: Challenges to Theory Development and Practice’, Ruth Rentschler, Ann-Marie Hede and Tabitha R. White20. ‘Is Charging Economic?’, R.G.W. Anderson21. ‘Valuing Congestion Costs in the British Museum’, David Maddison and Terry Foster22. ‘Pay as You Go: A New Proposal for Museum Pricing’, Bruno Frey and Lasse Steiner Volume 4: Participation and Engagement1. ‘Arts in the Small Community: A National Plan’, Robert GardIntroductionPart I: Arts Participation2. ‘Engaging Art: What Counts?’, Stephen J. Tepper and Yang Gao 3. ‘Measuring Cultural Participation’, UNESCO4. ‘Beyond Attendance: A Multi-Modal Understanding of Arts Participation’, Jennifer Novak-Leonard and Alan Brown 5. ‘Arts and Economic Prosperity: The Economic Impact of Arts Organizations and Their Audiences’, Randy Cohen et al Part II: Audience Development and Diversity6. ‘All the World’s a Stage: Venues and Settings and the Role They Play in Shaping Arts Participation’, Alan Brown7. ‘Smart Concerts: Orchestras in the Age of Edutainment’, Alan Brown8. ‘Involving Youth in Nonprofit Arts Organizations’, Barry Hessenius9. ‘Diversity and Inclusion: A Literature Snapshot’, Brea Heidelberg10. ‘How Do the Underprivileged Access Culture?’, Danielle Bouder-Pailler and Caroline UrbainPart III: Engagement11. ‘Getting in on the Act: How Arts Groups are Creating Opportunities for Active Participation’, Alan Brown and Jennifer Novak-Leonard12. ‘Making Meaningful Connections: Characteristics of Arts Organizations that Engage New and Diverse Participants’, Holly Sidford et al13. ‘The Arts/Community Divide’, Doug Borwick14. ‘American Orchestras: Making a Difference in Our Communities’, Polly Kahn15. ‘Arts Based Community Development: Mapping the Terrain’, William ClevelandPart IV: Creative Placemaking16. ‘Creative Placemaking: Arts and Culture as a Partner in Community Revitalization’, Tom Borrup17. ‘Fuzzy Vibrancy: Creative Placemaking as Ascendant US Cultural Policy’, Anne Gadwa Nicodemus18. ‘The Creative Economy: A New Definition’, Douglas DeNatale and Gregory Wassall19. ‘Creative Placemaking’, Ann Markusen and Anne Gadwa 20. ‘Thinking Culturally About Place’, Franco Bianchini and Lia Ghilardi