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Twelve-month calendar showcasing paintings by local New Mexico artists.The art history of New Mexico never stops growing and innovating. Sample some of the latest practitioners of the visual arts in this beautifully reproduced calendar. Here are twelve works by New Mexico–based artists rendering the state’s people, pueblos, canyons, and mountains with exuberant palettes and intriguing points of view.

New Mexico Magazine celebrates Route 66’s 100th anniversary sharing the nostalgia of New Mexico's Route 66, neon signs and all.

Twelve-month calendar showcasing winners of New Mexico Magazine's photography contests.The many layers of New Mexico’s art, history, culture, and landscape crystallize within the lenses of photographers. Each month you’ll be treated to award-winning images selected by the editors of New Mexico Magazine for its annual contest. From glorious landscapes to intimate moments, the Land of Enchantment comes to life.

Celebrate 100 years of the Mother Road with this commemorative book that takes you on an unforgettable journey along New Mexico’s Route 66. Discover a century of neon, roadside motels, classic restaurants, bold travelers, and the personal stories that continue to define the road.

The art history of New Mexico never stops growing and innovating. Sample some of the latest practitioners of the visual arts in this beautifully reproduced calendar. By brush and by pen, these New Mexico–based artists render the state's people, pueblos, canyons, and mountains with exuberant palettes and intriguing points of view.

For ten decades, New Mexico Magazine has published the Land of Enchantment's best recipes and stories about food, bringing the spicy, sweet, and earthy flavors of our homeland to kitchens around the world. In this landmark cookbook from America's oldest state magazine, fifty recipes showcase classics from the archives and groundbreaking creations of contemporary chefs. Powered by local and seasonal ingredients, fascinating histories, and diverse influences, The New Mexico Magazine Centennial Cookbook is an essential collection of tasty traditions from every corner of the state.

Commemorate 100 years of America’s “Mother Road” with this enthralling trip through the past, present, and future of Route 66.The most iconic road in American history is turning 100. Over the past century, Route 66 has far surpassed its original prosaic purpose as an automotive thoroughfare from Chicago to Los Angeles, becoming a pop culture icon embedded in literature, song, film, and (most significantly) our imagination. It remains so even decades after the Interstate system mostly bypassed it. Route 66: 100 Years offers the ultimate road trip from veteran Route 66 author and historian Jim Hinckley and the expert panel of Mother Road historians assembled for the richly illustrated journey. The book features:Essays about the history of Route 66 in each of the eight states through which it passes (Illinois, Missouri, Kansas, Oklahoma, Texas, New Mexico, Arizona, and California), written by Route 66 experts from those statesPeriod and contemporary photographs of legendary must-see attractionsImages of memorabilia from throughout ten decades and mapsSidebar features, including appearances in popular culture, side trips, sites past and present, strange occurrences, and profiles of the people who continue to make 66 a popular destination for travelers from around the worldThe National Register of Historic Places lists more than 250 stops along "America's Main Street." Let Route 66: 100 Years ignite your wanderlust to join the millions of Americans in exploring the locations and embarking on road trips anchored in history and nostalgia. Local experts from each state guide you with boots-on-the-ground knowledge, insights, tips, and more.Get your kicks on Route 66 like never before!

Rebecca West, Emily “Mickey” Hahn, Martha Gellhorn. Congo, the American South, Cuba, the lively salons of Shanghai, Yugoslavia on the brink of World War II, the shot-riddled streets of Spain, Hong Kong under Japanese occupation, Germany and Italy at war, post-Blitz London, McCarthy-era Mexico, and beyond. These women didn’t just bear witness to the great changes of the twentieth century, they didn’t just write the backstory to wars that roused their readers to support, they transformed the very world they were describing, and the way it was understood.Each writer traversed the globe, searching for stories they would then dispatch to The New Yorker, The Times (London), The New York Times, The New Republic, The Atlantic Monthly, Collier’s, and Vogue. They often traveled alone, sometimes teaming up with other women reporters, sometimes with their husbands along for the ride. They sneaked onto the front lines when they were forbidden, interviewed civilians to gather color and detail. They wrote novels to pay the bills and articles to explain the world to itself. Over the course of their intertwining lives, they became mothers and friends, took joy in each other’s successes.Julia Cooke's Starry and Restless is the story of three women whose curiosity, grit, and ambition expanded the possibilities for women and meaningful work.

In 2004, Spain's Banco Santander purchased Britain's Abbey National Bank in a deal valued at fifteen billion dollars--an acquisition that made Santander one of the ten largest financial institutions in the world. Here, Mauro Guillen and Adrian Tschoegl tackle the question of how this once-sleepy, family-run provincial bank in a developing economy transformed itself into a financial-services group with more than sixty-six million customers on three continents. Founded 150 years ago in the Spanish port city of the same name, Santander is the only large bank in the world where three successive generations of one family have led top management and the board of directors. But Santander is fully modern. Drawing on rich data and in-depth interviews with family members and managers, Guillen and Tschoegl reveal how strategic decisions by the family and complex political, social, technological, and economic forces drove Santander's unprecedented rise to global prominence.The authors place the bank in this competitive milieu, comparing it with its rivals in Europe and America, and showing how Santander, faced with growing competition in Spain and Europe, sought growth opportunities in Latin America and elsewhere. They also address the complexities of managerial succession and family leadership, and weigh the implications of Santander's stellar rise for the consolidation of European banking. Building a Global Bank tells the fascinating story behind this powerful corporation's remarkable transformation--and of the family behind it.

In this true Western classic Jack Schaefer tells the story of a mysterious stranger who finds himself in the Wyoming Territory joining local homesteaders in their fight to keep their land and avoid the intimidating tactics of cattle driver Luke Fletcher. While trying to leave his gunslinging days behind him, the mysterious stranger, Shane, is tested by Fletcher and his men. In Shane, Schaefer executes a perfect Western narrative while exploring the overarching themes of virtue, the human condition, and a man’s search for self.

Bruce Andrews and Charles Bernstein released the first issue of the poetics newsletter L=A=N=G=U=A=G=E in 1978, launching language-centered writing. The Language Letters reveals Language poetry in its nascent stage, with letters written by Andrews, Bernstein, Ron Silliman, and others in intense and intimate conversation regarding poetry and poetics; the contemporary poetry and arts scenes; publication venues, journals, and magazines; and issues of community, camaraderie, and friendship. The editors have included two critical introductions, two interviews with Bernstein and Andrews, and appendices that include a previously unpublished essay on Larry Eigner by Robert Grenier and short biographies of the major authors. Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing. Scholars, writers, and students of poetry will find this collection essential to understanding this important period of literary history.

Selected as a 2020 Michigan Notable Book by the Library of MichiganIn 1906 George Shiras III (1859-1942) published a series of remarkable nighttime photographs in National Geographic. Taken with crude equipment, the black-and-white photographs featured leaping whitetail deer, a beaver gnawing on a tree, and a snowy owl perched along the shore of a lake in Michigan's Upper Peninsula. The pictures, stunning in detail and composition, celebrated American wildlife at a time when many species were going extinct because of habitat loss and unrestrained hunting. As a congressman and lawyer, Shiras joined forces with his friend Theodore Roosevelt and scientists in Washington, DC, who shaped the conservation movement during the Progressive Era. His legal and legislative efforts culminated with the passage of the Migratory Bird Treaty Act.Camera Hunter recounts Shiras's life and craft as he traveled to wild country in North America, refined his trail-camera techniques, and advocated for the protection of wildlife. This biography serves as an important record of Shiras's accomplishments as a visual artist, wildlife conservationist, adventurer, and legislator.

A group biography of four beloved women who fought sexism, covered decades of American news, and whose voices defined NPR In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism where a woman might be lucky to get a foothold on the “women’s pages.” But when a pioneering nonprofit called National Public Radio came along in the 1970s, and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges. Susan, Linda, Nina, and Cokie is journalist Lisa Napoli’s captivating account of these four women, their deep and enduring friendships, and the trail they blazed to becoming icons. They had radically different stories. Cokie Roberts was born into a political dynasty, roamed the halls of Congress as a child, and felt a tug toward public service. Susan Stamberg, who had lived in India with her husband who worked for the State Department, was the first woman to anchor a nightly news program and pressed for accommodations to balance work and home life. Linda Wertheimer, the daughter of shopkeepers in New Mexico, fought her way to a scholarship and a spot on-air. And Nina Totenberg, the network's legal affairs correspondent, invented a new way to cover the Supreme Court. Based on extensive interviews and calling on the author’s deep connections in news and public radio, Susan, Linda, Nina, and Cokie is as beguiling and sharp as its formidable subjects.

Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction-by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday-he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.