Visar resultat för..."Nick Hern Books"

'A part we have played is like a person we once met, grew to know, became intimately enmeshed with and finally moved away from. Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.'In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare's heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more – and more powerful – roles for mature women?For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played?In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles.The book is an exploration of the Shakespearean canon through the eyes of a self-identified 'feminist actor' – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: 'I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.''A glorious reminder that genuine diversity on stage offers astonishing creative benefits… Harriet Walter is mesmerising in one play after another, bringing her classical training to bear as a conflicted Brutus, then a Henry IV who wears his crown heavily, and finally a Prospero who knows that the steel bars of prison are resistant to all magic… this is genuinely art to enchant' The Guardian on the Donmar Warehouse's Shakespeare Trilogy

In 1969 Loren McIntyre, a National Geographic photographer, found himself lost among the people of the remote Javari Valley in Brazil. It was an encounter that was to change his life, bringing the limits of human consciousness into startling focus.  Inspired by the book Amazon Beaming by Petru Popescu, The Encounter traces McIntyre’s journey into the depths of the Amazon rainforest, incorporating innovative technology into a solo performance to build a shifting world of sound. The Encounter opened at the Edinburgh International Festival in August 2015 performed by Simon McBurney, and received its London premiere at the Barbican in February 2016 before embarking on a world tour.

Harriet Walter's wonderfully practical - and personal - introduction to acting.'Acting is what I do with who I am', writes Harriet Walter. And in this book she takes us step by step through the processes involved in performance. Each step of the way is illuminated with brilliantly precise examples from her own career.So we are introduced to the Workshop, the Rehearsal, and the Roots and Pathways into a role. Then follows the main meat of the book: six Keys to the Development and Exploration of character. The closing section deals with Performance on stage and screen. Every insight, every suggestion is firmly rooted in the author's own experience.Harriet Walter's book is full of unparalleled insights into the everyday working life of an actor, and into quite how much hard work is needed before they can convincingly put themselves in other people's shoes.'My advice to a young actor: read this book' Richard Eyre

'I spend the night in an officer’s barracks, where no woman has ever set foot.' In the darkest recesses of Ukraine, a war is raging.A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action.Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.It was premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in November 2017, in a production directed by Vicky Featherstone. It was developed by the Royal Court International Department, and translated by Sasha Dugdale.Natal’ya Vorozhbit is the leading Ukrainian playwright of her generation and has worked with the Royal Court since 2004. Her work includes The Khomenko Family Chronicles, Maidan Diaries (Royal Court) and The Grain Store (RSC).

‘I know you’re there… Miranda? Miranda!’On a summer’s day in 1900, three Australian schoolgirls on a picnic expedition to the remote Hanging Rock abscond from their group. They are last seen heading towards the beckoning Rock…In Tom Wright’s chilling adaptation of Joan Lindsay’s classic novel, five performers struggle to solve the mystery of the missing girls and their teacher. Euphoria and terror reverberate throughout the community, as the potential for history to repeat itself becomes nightmarishly real.This adaptation of Picnic at Hanging Rock was first co-produced by Malthouse Theatre and Black Swan State Theatre Company, Perth, and first performed at Malthouse Theatre, Melbourne, in 2016. The play received its European premiere at the Royal Lyceum Theatre Edinburgh, in 2017.

Jez Butterworth's hugely acclaimed, prize-winning play - a comic, contemporary vision of life in England's green and pleasant land.On St George's Day, the morning of the local country fair, Johnny 'Rooster' Byron, local waster and Lord of Misrule, is a wanted man. The council officials want to serve him an eviction notice, his son wants to be taken to the fair, a vengeful father wants to give him a serious kicking, and a motley crew of mates wants his ample supply of drugs and alcohol.Jerusalem premiered at the Royal Court Theatre, London, in July 2009 in a production directed by Ian Rickson and starring Mark Rylance. It transferred to the Apollo Theatre in the West End in January 2010, and played on Broadway in 2011.Jez Butterworth's play won the Evening Standard Best Play Award and the Critics Circle and Whatsonstage.com awards for Best New Play.

A true modern classic from one of the twentieth century's most significant writers, Long Day's Journey into Night is an intensely autobiographical, magnificently tragic portrait of the author's own family - a play so acutely personal that he insisted it was not published until after his death.One single day in the Tyrones' Connecticut home. James Tyrone Snr is a miser, a talented actor who even squanders his talent in an undemanding role; eldest son Jamie is an affable, whoremongering alcoholic and confirmed ne'er-do well; youngest son Edmund is poetic, sensitive, suffering from a respiratory condition and deep-seated disillusionment; and their mother Mary, living in a haze of self-delusion and morphine addiction.Existing together under this roof, and the profound weight of the past, they subtly tear one another apart, shred by shred.'Set in 1912, the year of O'Neill's own attempted suicide, it is an attempt to understand himself and those to whom he was irrevocably tied by fate and by love. It is the finest and most powerful play to have come out of America' Christopher BigsbyEugene O'Neill's play Long Day's Journey into Night was written in 1939-41, and first published in 1956 (after O'Neill's death in 1953). It was first performed at the Royal Dramatic Theatre, Stockholm, in February 1956, and had its first American production at Helen Hayes Theater, New York, in November that year. It won the Tony Award for Best Play, and O'Neill was posthumously awarded the 1957 Pulitzer Prize for Drama.This edition includes a full introduction, biographical sketch and chronology.

In The Viewpoints Book, first published in the United States, acclaimed theatre directors Anne Bogart and Tina Landau introduce the history, terminology and philosophy of Viewpoints, and offer a step-by-step recipe for using it as both a training tool and a rehearsal technique.Viewpoints is a technique of improvisation that grew out of the post-modern dance world, allowing actors to learn to function spontaneously and intuitively. It was first articulated by choreographer Mary Overlie, whose ideas have been expanded and developed by Anne Bogart and Tina Landau, adapting them for the use of actors.Over the last twenty years, Viewpoints has ignited the imaginations of actors, directors, designers, choreographers, dramaturgs and writers. It is taught all over the world and used by countless theatre-makers in the rehearsal process to develop flexibility, articulation and strength in movement, and to enrich ensemble playing.An invaluable resource for theatre-makers, as well as for anyone with an interest in collaboration and the creative process, whether in art, business or daily life.'Viewpoints is timeless – a system belonging to the natural principles of movement, time and space. It is a philosophy translated into a technique for training performers, building ensemble, and creating movement for the stage' Anne Bogart and Tina Landau

'I never know what to say when I have to go over all this. It starts to sound like some story I tell that's about some other person entirely.'From the outside, they're the picture of a nice, normal family. Inside, they're in crisis. At their heart is Diana Goodman, a suburban wife and mother living with bipolar disorder and haunted by her past. How far will she go to keep her family's world intact?With powerful lyrics and an electrifying score of more than thirty original songs, next to normal is an intimate exploration of family and loss. It opened in New York in 2008, and transferred to Broadway in 2009, winning three Tony Awards including Best Original Score, and the 2010 Pulitzer Prize for Drama.This new edition features the complete book and lyrics of the musical, and exclusive new material, including testimonials on creating the show by James Lapine, Michael Greif, Alice Ripley, David Stone and Michael Longhurst, an essay on its presentation of mental health, and the lyrics to a dozen deleted or alternative songs.It was first published alongside the acclaimed 2023 London premiere at the Donmar Warehouse, which was nominated for four Olivier Awards including Best New Musical, and transferred to the West End in 2024.

‘I sit on the loo and think about all the people I can have sex with now. I’m not obsessed with sex. I just can’t stop thinking about it.’The Fleabag bites back. A rip-roaring account of some sort of female living her sort of life.Phoebe Waller-Bridge's debut play is an outrageously funny monologue for a female performer. Fleabag premiered at the 2013 Edinburgh Festival Fringe, performed by Phoebe herself, before transferring to Soho Theatre, London, for the first of several successful runs, followed by UK and international tours, a sold-out run in New York and a West End run in 2019. Fleabag won a Fringe First Award in Edinburgh, the Most Promising New Playwright and Best Female Performance at the Off West End Theatre Awards, The Stage Award for Best Solo Performer and the Critics' Circle Award for Most Promising Playwright. It received a Special Commendation in the Susan Smith Blackburn Prize and was nominated for the Olivier Award for Outstanding Achievement in an Affiliate Theatre.In 2016, Fleabag was turned into a wildly successful and 'utterly riveting' (Guardian) BBC television series, with a second series following in 2019.This edition features the original play, plus an introduction by the author.

A Complete Voice Training Manual For ActorsA simple, step-by-step manual, written by an RSC voice coach, which offers everything that an actor needs to work on their voice. Suitable for actors at all levels, from students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable.Includes sections on:* Preparation* Body Work* Breathing and Support* Breathing Into Sound: Supporting the Voice* Releasing the Sound* Filling out the Sound: Resonance* Extending the Sound: Range* Shaping the Sound: Articulation* Trouble-Shooting.Each chapter begins with a brief introduction, then clearly and succinctly sets out a sequence of relevant exercises - accompanied by simple diagrams - ending with a summary of what we have learned.'Brilliantly guides the actor using exercises and tools that can revolutionise the voice. It's a boon!' Joseph Fiennes'Barbara's work is simple and practical, encouraging each actor to be free and fluid with their own voice... Very inspiring' Emily Watson'Barbara has a great understanding of the way that actors' anxieties can affect their voice. Her tone is calm, reassuring and good humoured' Niamh Cusack

An intensely practical handbook for actors on how to cope with text, subtext, character and situation. With a preface by Kenneth Branagh.Having helped the actor with basic vocal technique in her enormously successful book, Finding Your Voice, Barbara Houseman here shows the actor how to cope with the demands posed by the text [and the subtext] of the play itself.Full of practical exercises developed over many years of working with actors of all ages and experiences, Tackling Text [and subtext] is an indispensable handbook for any actor working with text - from acting students and young professionals, to experienced actors wanting to tackle specific problems and acting coaches wanting to discover new ways of enabling their students.'If you want to improve as an actor, read this book... it helps restore the hard work of the actor as fresh, playful and fun' Kenneth Branagh, from his Preface'An inspiring teacher... a hugely motivating force in my work' Daniel Radcliffe'Barbara's work starts with the voice, passes through the physical - and results in a character. Her teaching helps total performance' Jude Law

'We're all failing a generation of boys, and therefore we're failing a whole generation of girls.' Jessica Parks is smart, compassionate, and a true maverick at the peak of her career as a London Crown Court Judge. The system needs to change, and she's challenging it one case at a time.Behind the robe, Jessica is a loving wife, a supportive parent and a karaoke fiend. But when an incident involving her son threatens to blow the family apart, she finds herself having to fight for everything she holds dear.A scalding examination of modern masculinity and motherhood, Inter Alia premiered at the National Theatre, London, in 2025, with Rosamund Pike as Jessica. From Suzie Miller and Justin Martin, writer and director of the award-winning global phenomenon Prima Facie, the production received widespread critical acclaim.This edition was published alongside the 2026 West End transfer to Wyndham's Theatre in a co-production with the National Theatre and Playful Productions, featuring the revised, definitive text of the play and an introduction by the playwright.

'I wonder what I have to do for people to recognise me as a threat. Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a mark?'Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she moulds, and she stalks. These boys are putty in her hands, just the way she likes it.When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far?Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted.This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre, and directed by Sara Joyce.Praise for Eliza Clark's novel:'Hilariously sardonic… Will make most readers howl with laughter and/or shut their eyes in horror' Guardian'A carnival funhouse ride: terrifying, feverish, hilarious' Julia Armfield'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can' Mslexia'Hallucinogenic, electric and sharp' Jessica Andrews'Delightfully and deviously rooted in the now with its delectable internet and culture references and evocative and real-feeling portrait of women' Dazed'Smart, stylish, and very funny' Lara Williams'Explores the darkest corners of artistic practice, sexuality and violence with bold wit and fearlessness. A dazzling, horrifying debut' Irish Times

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.Originally premiered in Britain at the National Theatre, London, where it won the Evening Standard Best Play Award, Tony Kushner's Angels in America went on to win two Tony Awards and the Pulitzer Prize for Drama.This volume contains both Part One: Millennium Approaches and Part Two: Perestroika, plus 45 pages of bonus material including a new introduction by the playwright, a full production history, deleted scenes, and notes on staging. It was published alongside a new production in 2017 at the National Theatre, London, directed by Marianne Elliott and starring Andrew Garfield, Denise Gough, Nathan Lane, James McArdle and Russell Tovey.

'Every winner might be the one who loses the next day.'Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.It won Best New Play at both the Olivier Awards and the WhatsOnStage Awards in 2023.

This special edition of the international hit play Prima Facie features the definitive version of the award-winning script, together with colour photos and exclusive additional content, giving you a fascinating behind-the-scenes insight into the making of the production and the issues it explores.In the play, Tessa is a young, brilliant barrister who has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning. But when an unexpected event forces her to confront the patriarchal power of the law – where the burden of proof and morality diverge – she finds herself in a world where emotion and integrity are in conflict with the rules of the game.After acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, Prima Facie received its European premiere in a sold-out run at the Harold Pinter Theatre in London's West End in 2022 starring Jodie Comer in her West End debut. It was named Best New Play at both the 2023 Olivier and WhatsOnStage Awards. A filmed version, released in 2022, went on to become the highest-grossing event cinema release ever in the UK.This edition, published alongside Prima Facie's Broadway transfer in 2023, includes contributions from writer Suzie Miller, actor Jodie Comer, director Justin Martin, producer James Bierman and other key members of the creative team, letting you go deeper into the world of the play. There are also essays on the legal context and how the play has become a vehicle for change in attitudes towards the treatment of female victims of sexual assault.

New York City, 1930. Following a decade of explosive creativity, the Harlem Renaissance is starting to feel the bite of the Great Depression.In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time.Pearl Cleage's Blues for an Alabama Sky was first performed in Atlanta, Georgia, in 1995. It was revived at the National Theatre, London, in 2022, directed by Lynette Linton, with a cast including Samira Wiley and Giles Terera.Pearl Cleage is a celebrated American playwright, novelist, poet and political activist, and was one of the first Black women in America to achieve national recognition as a dramatist. Her plays, also including Flyin' West and Bourbon at the Border, provide a remarkable and penetrating look at the African-American experience over the last century.'As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with her capacity to dig for truth' Ruby Dee'One of the voices singing in the wilderness' Ossie Davis

'A vinaigrette of despair poured over a salad of joy.'Lola is sixteen years old, sharp-witted and has her whole life ahead of her – until she's diagnosed with a malignant brain tumour. Now her brilliant mind is rapidly turning into useless mush.So she's promised herself two things before she dies:1. She's going to get All The Sex and 2. She'll definitively discover the Meaning of Life.Stuart Slade's play Glee & Me is an unexpectedly optimistic portrayal of love and the extraordinary resilience of the human spirit. It won the Judges Award in the 2019 Bruntwood Prize for Playwriting, and was first performed at the Royal Exchange Theatre, Manchester, in September 2021.

Two great artists - Robert Louis Stevenson and Paul Gauguin - confront their own mortality in the strange and supernatural Polynesian islands they made their home.'Long pig: A white man to be eaten'Deep in the Polynesian islands of the Pacific Ocean, hungry spirits circle the homes of Scottish writer Robert Louis Stevenson and artist Paul Gaugin, who lived and died on the islands only a few years apart.Stevenson has spent thirty years in rigorous combat with the Grim Reaper, but is he finally ready to concede defeat? Gauguin has bought rum, arsenic and morphine for his suicide cocktail and is certain he's not long for this world, but he'll be damned if they give him a Catholic burial in consecrated ground.As their final hours approach, they face the eternal question: is it how we prepare for death that really governs the way we live?Nigel Planer's play Death of Long Pig was first staged at the Finborough Theatre, London, in 2009.

'I've been waiting for something like this to happen. I'm surprised it's taken so long. The signs have been building up for a while.'An ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open. Pupils and teachers are sucked up to a parallel universe, whilst a new set of people start raining down from above. 'Us' and 'Them' must come together to work out what is going on, and how they can get things back to how they were.Alison Carr's play Tuesday is funny and playful, with a little bit of sci-fi and a lot of big themes: friendship, family, identity, grief, responsibility – and what happens when an unexpected event literally turns the world upside-down.Written specifically for young people, the play formed part of the 2020, 2021 and 2023 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size, age and mix of genders.This bilingual edition includes the original English play with a Welsh-language translation, Un Bore Mawrth, by playwright Daf James.Un Bore Mawrth''Wi 'di bod yn aros i rywbeth fel hyn ddigwydd. 'Wi'n synnu'i fod e 'di cymryd mor hir. Ma'r arwyddion 'di bod 'ma ers sbel.'Dydd Mawrth digon cyffredin yw hi, ond yn sydyn mae'n troi'n ddiwrnod rhyfedd iawn pan mae'r awyr uwch ben yr ysgol yn rhwygo'n agored. Caiff disgyblion ac athrawon eu sugno i fyny i fydysawd cyfochrog wrth i garfan newydd o bobl arllwys i lawr oddi uchod. Rhaid i 'Ni' a 'Nhw' ddod ynghyd i ddeall beth sy'n digwydd ac i ddatrys sut i gael pethau'n ôl fel yr oedden nhw.Mae'r ddrama wreiddiol hon gan Alison Carr, Tuesday, yn ddoniol ac yn chwareus, gyda phinsiad o ffugwyddoniaeth a thomen o themâu mawr: cyfeillgarwch, teulu, hunaniaeth, galar, cyfrifoldeb – a beth sy'n digwydd pan fydd digwyddiad annisgwyl yn llythrennol yn troi’r byd wyneb i waered.Wedi'i hysgrifennu ar gyfer pobl ifanc, roedd y ddrama'n rhan o Ŵyl National Theatre Connections yn 2020 a 2021, a chafodd ei llwyfannu am y tro cyntaf gan theatrau ieuenctid ar draws y DU.Mae'n cynnig cyfleoedd i gastiau mawr, hyblyg o unrhyw faint, oedran a rhywedd.Mae Tuesday yn waith gosod ar fanyleb TGAU Drama CBAC. Yn y gyfrol ddwyieithog hon, fe welwch y ddrama wreiddiol Saesneg ynghyd â chyfieithiad Cymraeg y dramodydd Daf James, Un Bore Mawrth.

Six short plays in two complementary programmes, exploring estrangement and loneliness, moving towards redemption and hope.Inside looks at the lives of three women forgotten by the world, but not by themselves.Guidesky and I by Deborah BruceWhen the Daffodils by Joel TanUrsa Major by Joe WhiteOutside presents three stories of finding connection in the darkness and coming together after so long apart.Two Billion Beats by Sonali BhattacharyyaThe Kiss by Zoe CooperProdigal by Kalungi SsebandekeThe six plays were first performed at, and livestreamed from, the Orange Tree Theatre, Richmond, in March 2021.

The Crump family is adrift and in trouble. Recently widowed Godfrey is under the spell of Sweet Father Divine, while his teenage daughters, Ernestine and Ermina, immerse themselves in the illusions of Hollywood to escape racial prejudice. But things change quickly when free-spirited Aunt Lily shows up…This arresting, thought-provoking play about racial and social issues of the late 1950s was first performed Off-Broadway in 1995, and has since been revived numerous times.

A dinner party during the Second World War unites celebrated writers Agatha Christie, Lillian Hellman, Dorothy Parker, Gertrude Stein and Alice B. Toklas – with a mysterious guest.With copious booze flowing, acid-tongued barbs flying, and the threat of global conflict looming, the guests – and the world around them – are close to boiling point. Everyone has a confession. Someone has a secret.Set in the French Alps in 1940, Steven Carl McCasland’s Little Wars is an enthralling, entertaining and ultimately moving portrait of seven exceptional women – and a thrilling fiction based on truth.It was workshopped Off-Off-Broadway, first performed in 2015, and received an acclaimed digital premiere in 2020, featuring Linda Bassett, Sarah Solemani, Juliet Stevenson and Sophie Thompson. It provides glorious opportunities for an all-female cast to play some of the greatest literary figures of the twentieth century.

This clear, accessible guide to creating and putting on a solo show is packed with inspiring, practical advice for writers, actors, directors, and anyone who wants to know how solo shows are actually made.Written by two theatremakers with a wealth of experience in the field, it leads you through the whole process – from finding a subject you're passionate about, to developing your ideas and getting the script written, through to rewrites, rehearsals and getting your show on stage. It tackles key questions such as: What makes a 'good' solo show? How do I engage the audience? How should directors and writer-performers work together? And what's the best way of approaching a producer?There's also invaluable advice on looking after yourself, coping with anxieties, dealing with reviews, and taking your show to the Edinburgh Fringe. With practical exercises throughout to help you put everything into action, this book is an indispensable toolkit for making your solo show a reality.Lisa Carroll is a playwright, screenwriter and comedian, whose plays have been staged at Soho Theatre, the Arcola Theatre, and the Abbey Theatre, Dublin. Milly Thomas is an actor and writer whose plays have been staged at Theatre503, the Edinburgh Fringe, Soho Theatre, the West End's Trafalgar Studios and New York Theatre Workshop. Together, Lisa and Milly have taught regular solo-show workshops, including for training and creative organisation The Mono Box.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

'I have caused what might soon be a global situation because you've stopped thinking people like me are worth hearing.'Is something incredible happening in Merthyr? Sixteen-year-old Carys claims to have received the stigmata: Christ's wounds from the Cross. Are her wounds a sign from God?Carys thinks so – she wants to tell the world and demands to be heard. Siân, her teacher, is not so sure, and believes silencing Carys will keep her safe. But can she make sense of what is happening to her student?Lisa Parry's play The Merthyr Stigmatist is a fierce and exhilarating exploration of faith and truth, a hymn to community, and a testament to the power of young people. The play was shortlisted for the inaugural Theatre Uncut Political Playwriting Award, and first presented online in 2021, as a co-production between Sherman Theatre, Cardiff, and Theatre Uncut.

'When the barman pointed to the cordoned-off area I was like, who are all these old people at our reunion?'It's been thirty years since former flames Alex and Jason last saw each other. With their carefree university days long behind them, the student reunion seems the perfect opportunity to reconnect, revive and relive their heyday. But as they flirt with reigniting their passion – even if just for one night – will the march of time get in the way?Deborah Bruce's Raya is a witty and tender play about whether or not we can ever turn back – or stop – the clocks. It opened at Hampstead Theatre Downstairs, London, in June 2021, directed by the theatre's Artistic Director, Roxana Silbert.Deborah Bruce's other plays include Godchild, The Distance and The House They Grew Up In.

Mothers who are blissed out. Mothers who are pissed off. Mothers who are great, or grateful, or grating. Mothers who have changed, mothers who can't, mothers who can't even change nappies. Women who aren't mothers. Welcome to the 'hood.The Motherhood Project draws together dramatic monologues and real-life reflections by some of the UK's leading writers, artists and thinkers, and explores all the guilt, joy and absurdity, the regrets, pressures and taboos surrounding motherhood.Contributors: Kalhan Barath, E.V. Crowe, Juno Dawson, Suhayla El Bushra, Jodi Gray, Hannah Khalil, Katherine Kotz, Morgan Lloyd Malcolm, Siggi Mwasote, Irenosen Okojie, Anya Reiss, Naomi Sheldon, Lemn Sissay, Athena Stevens and Joelle Taylor.The project was produced online in 2021 by Katherine Kotz in association with Drift Studio, and presented in association with Battersea Arts Centre, London.

'This is nice, innit? Yeah. Good little set-up to tell you the story of my name. The story of my true name.'When a woman receives an unexpected letter from the British Passport Office, she is forced to confront an old mystery: why does her South African passport not carry her first name? Armed with the wisdom of favourite '90s TV shows, she sets out on a journey that will take her back to the turmoil of Mobutu's Congo, growing up in post-Apartheid South Africa, moving to Ireland, and finding love in a hostile England.As her journey becomes inextricably linked with the tides of global history, how far will she go to unravel the truth? By turns wickedly funny and strikingly lyrical, Benedict Lombe's Lava is an explosive debut play that will turn the way you see the world on its axis.It premiered at the Bush Theatre, London, in July 2021, performed by Ronke Adékoluejo and directed by Anthony Simpson-Pike.Lava was awarded the prestigious Susan Smith Blackburn Prize in 2022. It also won Best Performance Piece at the 2022 Offies (Off West End Awards), and Benedict Lombe won the Book and Lyrics Recognition Award at the 2021 Black British Theatre Awards.