Ingmar Bergman – författare

When a film is not a document, it is a dream...At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood." Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, "The Magic Lantern". More grand mosaic than linear account, Bergman's vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood's golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, "The Magic Lantern" is a window to the mind of one of our era's great geniuses.

One of Cinema's great masters revisits his childhood - and the end of his parent's marriage - in a novella of awakeningOver the course of one summer, eight-year-old Pu Bergman realises that his parents are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, rivers and woods, the daily chaos of the family’s ramshackle summer home threatens to end the bright, brilliant haze of Pu’s childhood world.BRIEF ENCOUNTERS: classic novellas and captivating stories, to be read in a single sitting or savoured over days

The second novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsOver the course of one summer, eight-year-old Pu Bergman makes the terrible realisation that his father and mother are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, its rivers and woods, the daily chaos of the family’s ramshackle summer home threatens to bring to a close the bright, brilliant haze of Pu’s childhood world. Based upon film-maker Ingmar Bergman’s own family life, Sunday’s Children is the second part in Bergman’s loose trilogy of books that started with The Best Intentions, and closes with Private Confessions.

The first novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsIn 1909, Ingmar Bergman’s mother and father first meet. Anna is a nurse from a wealthy family; Henrik, a poor, trainee priest living with his lover. From the intensity of their courtship, to the difficult early years of their marriage, Bergman fictionalises his parent’s life before his birth, drawing the quiet, emotional sensitivity of his film-maker’s eye deep into the heart of his own family.The Best Intentions is the first in renowned film-maker Ingmar Bergman’s loose trilogy of novels that plots the fractious marriage of his parents, continued in Sunday’s Children and Private Confessions.

The final novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsTwelve years of marriage, three children, a husband, Henrik, with whom she no longer finds anything in common: Anna is at the end of her tether. Besides, she’s in love – with Henrik’s friend Tomas, a student-priest, who is everything her husband is not. Based upon film-maker, Ingmar Bergman’s own family life, Personal Confessions is the final part in Bergman’s loose trilogy of books that started with The Best Intentions and Sunday’s Children.

A poignant and sensuous stage adaptation of the 1961 Oscar-winning film written and directed by Ingmar Bergman.Karin is a young wife, an older sister and an only daughter. In her kaleidoscopic internal world the boundaries between different realities blur and shift.Karin's family go on their annual holiday together. On a bleak, beautiful island, her husband, father and brother struggle over the best way to help her. As events spiral out of control, Karin realises that she must take command of her own destiny.This is the only adaptation of Through a Glass Darkly, and was personally approved by Bergman. It was first performed at the Almeida Theatre, London, in 2010, with Ruth Wilson as Karin.

‘There is no shame in deriving pleasure from this little world.’Siblings Fanny and Alexander are growing up amidst the gilded romance and glamour of 1900s Sweden. But their world is turned upside down when their widowed mother remarries the iron-willed local bishop. As creative freedom and rigid orthodoxy clash, a war ensues between imagination and austerity in this magical study of childhood, family and love.Legendary film-maker Ingmar Bergman’s 1982 masterpiece Fanny & Alexander was adapted for the stage by Stephen Beresford. It premiered at The Old Vic, London, in 2018, in a production starring Penelope Wilton and directed by Old Vic Associate Director Max Webster.Stephen Beresford is the BAFTA award-winning screenwriter of Pride. His other plays include The Last of the Haussmans, which premiered at the National Theatre.

Ingmar Bergman skrev sina memoarer under slutet av 1980-talet. De gavs ut på en rad språk och blev omedelbart en stor framgång. Laterna magica ger en rundmålning av 1900-talets mest framgångsrika svenska konstnärskap. Vi får följa Ingmar Bergman från en olycklig barndom och uppväxt i ett högborgeligt hem på Östermalm i Stockholm via allt större upp­gifter inom teatern till filmen. Boken berättar inträngande om framgångarna men även om motgångarna och konflikterna. Laterna magica blev en stor litterär framgång för Bergman, som genom denna bok mycket framgångsrikt mutade in ett nytt område för sitt skapande. Laterna magica planerades som ljudbok tillsammans med Ingmar Berg­man och var ursprungligen tänkt att läsas av honom själv. Reine Brynolfsson är skådespelare och knuten till Dramaten. Han har en lång rad av stora roller bakom sig på film och i TV.