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The definitive collection from the creator and publication that inspired the underground comix movement.Hall of Fame comics creator Wallace Wood's revolutionary, self-published Witzend (often spelled in all lower case) has always been hard to define—the birth of the pro-zine, underground, independent... Whatever you call it, Wood’s witzend was a mid-'60s milestone event that represented all of the loftiest Fine Art goals of the Underground Movement including art-for-art’s-sake, freedom from censorship, and creator rights. The vast majority of the underground comix movement creators were directly inspired by the EC Comics and Mad work of Wallace Wood and Harvey Kurtzman (as well as psychedelics). Until R. Crumb’s later and eminently notable Zap Comix, no underground had the impact of witzend which combined top-flight comics pros like Wood, Frazetta, Steranko and Ditko side-by-side with up-and-coming Undergrounders like Art Spiegelman (Maus) and Vaughn Bode (Cheech Wizard)For the first time ever, this single volume collects all of Wood's own contributions to his groundbreaking publication including Animan, Sally Forth, The Rejects, Bucky Ruckus, Pipsqueek Papers, The Wizard King, Snorky, Lunar Tunes, and more.

Discover, or return to, the world's greatest heroic fantasy artist, Frank Frazetta in this landmark art collection entitled, Fantastic Paintings of Frazetta. The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta’s work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars, breaking numerous records.This innovator’s work has not only inspired generations of artists, but also movies and directors including the Conan films, John Carter of Mars, the sensationally successful Lord of the Rings trilogy, Robert Rodriguez’ films including From Dusk Till Dawn, Ralph Bakshi films, the epic, award-winning Game of Thrones series, Tim Burton’s Sleepy Hollow, Disney’s animated Tarzan films, Francis Ford Coppola’s Apocalypse Now and George Lucas’ Star Wars series. The Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians."J. David Spurlock started crafting this book by reviving the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. But, he expanded and revised to include twice as many images and, presents them at a much larger coffee-table book size of 10.5 x 14.625”! The collection is brimming with both classic and previously unpublished works of the subjects Frazetta is best remembered for including barbarians, beasts, and buxom beauties. Game of Thrones creator George R. R. Martin said, “Though he bears only a passing resemblance to the Cimmerian as Robert E. Howard described him, Frazetta’s covers of the Conan paperback collections became the definitive picture of the character… still is.” Schwarzenegger said, “I have not been intimidated that often in my life. But when I looked at Frazetta’s paintings, I tell you, it was intimidating.” Game of Thrones, Conan and Aquaman film star Jason Momoa said, “I am a huge Frank Frazetta fan. Both of my parents are painters, so I'd known Frazetta's paintings, that's what I wanted to bring to life.” See the revolutionary art that helped inspire Schwarzenegger, Momoa, the Lord of the Rings films and Game of Thrones: FRAZETTA!

A comprehensive biography of Hal Foster, in which author Brian M. Kane examines the 70-year career of one of the greatest illustrators of the 20th century. "Superman" was modelled after Foster's drawings of Tarzan, Flash Gordon's Alex Raymond borrowed compositions from "Prince Valiant", and many artists, including the famous contemporary Western painter James Bama, count Foster among their greatest influences. Born in Halifax, Nova Scotia in 1892 of a seafaring family, Hal naturally took to the sea. At the age of eight he paddled a 12-foot plank across Halifax Harbor to the consternation of large Cunard liners. In his youth he was a catalogue artist, a trapper, a professional boxer, a gold prospector, and a hunter-guide in the uncharted forests of Canada. In 1921 with a wife and two children to support he peddled his one-speed bicycle 1000 miles across dirt and gravel roads from Winnipeg to Chicago to attend the Art Institute and later find permanent employment. The young illustrator's work appeared on the covers of "Popular Mechanics" and in hundreds of magazines for clients such as "Northwest Paper", "Jekle Margarine", "Southern Pacific Railroad" and "Illinois Pacific Railroad".In 1929 Foster illustrated the first newspaper adaptation of "Tarzan of the Apes" by Edgar Rice Burroughs. The comic strip was the first of its kind and it was Foster's sense of realism, composition, draftsmanship, and understanding of fluid anatomy that would forever mark him as "The Father of the Adventure Strip". The famous newspaper tycoon, William Randolph Hearst, wanted Foster and made the artist an unheard of offer. If Foster would leave Tarzan and come to work for Hearst's King Features Syndicate he could do anything he wanted and have complete ownership of the new series. The first episode of "Prince Valiant in the Days of King Arthur" appeared on 13 February 1937. Foster's work has inspired generations of artists including Jack Kirby, Lou Fine, Frank Frazetta, Al Williamson, Wayne Boring, Joe Kubert, Russ Manning, Wally Wood, Dave Stevens, Carmine Infantino, Charles Vess, William Stout, John Buscema, Mark Schultz and the great Disney artist, Carl Barks. This volume features quotes and sidebars from many of these artists.

Vanguard Wally Wood Classics series follows the hit Strange Worlds of Science Fiction with, Eerie Tales of Crime & Horror. From EC Comics to Witzend, Sally Forth, MAD, Daredevil, Mars Attacks, Cannon, T.H.U.N.D.E.R. Agents, and more, this Eisner Award Hall of Fame Talent is one of the most noted comicbook creators ever. This volume of Vanguard's Wally Wood Classics collects for the first time ever, the complete non-EC 1950's crime and horror comics of Wallace Wood. Sensatinalistic stories from vintage comics: Eerie, Atomic Spy Cases, Dark Mysteries, Crime Smashers, Witchcraft, Dr. Jekyll & Mr. Hyde, Mask of Fu Manchu.

Basil Gogos changed the face of classic horror with his film monster portrait art. Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art-but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

Filled with real-life anecdotes and insights, this is a history of the talented creators who brought us Superman, Captain America, Archie, Captain Marvel, Spider-Man, and dozens of other comic book favourites, as well as the stories of the other people who helped shape comic book history. Meet the crime comics editor who would himself be accused of a gruesome murder; the horror artist who was periodically released from a mental hospital in order to meet his publishing deadlines; the famous Senator Estes Kefauver, whose subcommittee investigated comic books as a cause of juvenile delinquency; and dozens of other fascinating personalities. The volume also tells stories of the birth of the American comic book industry - deals brokered in publishing offices, epic collaborations and terrible feuds among the creators, and the working conditions and industry practices that left the creators of these legendary characters destitute while the publishers made fortunes. Illustrated with hundreds of examples of these artists' dynamic works, it provides documentation of a time looked upon with nostalgia and not to be forgotten.

The artwork of Curt Swan (1920-1996) defined the look of "Superman" for over 30 years. His amazing skills of storytelling, draftsmanship and design brought a realism and sense of wonder to The Man of Steel's adventures, making them the best-selling comic books of their day. Filled with iconic artwork, this biography traces the artist's career from its beginning on features like "Gangbusters" to his widespread regard as the Dean of American comics and, later, his frustrations with an industry that viewed his dignified work as unfashionable. It features one-to-one interviews with Curt Swan's family members as well as with comics legends Joe Kubert, Carmine Infantino, Murphy Anderson and others.

Lunar Toons is a hilarious roller-coaster ride reminiscent of a late-60s-style cocktail party. Classic Wood characters Bucky Ruckus, robot Iron Myron, Pip, Nudine and Snorky are joined in their cosmic excursions to the moon by a surreal parade including Russians, JFK, Bogart, Bob Hope, Elton John, Jack Webb, Patty Hurst, Playboy bunnies, Wally Wood himself, and the Rolling Stones!

This is the greatest work of the greatest pulp artist. The masterful paintings of J. Allen St. John, the illustrator of "Tarzan", John Carter of "Mars", and many other pulp icons, inspired generations of later artists, including Frank Frazetta, Roy G. Krenkel, and Jeffrey Jones. "The Paintings of J. Allen St. John" presents the artist's full-colour fantasy and science-fiction paintings for novels and pulp magazine stories by famous authors, such as Edgar Rice Burroughs. Essays by today's top science-fiction writers, including Jack Williamson, illustrator, Vincent Di Fate and historian, Robert R. Barrett, make this book - Vanguard's second devoted to the art of St. John - essential for any fantasy collection. It includes more than 170 paintings of "Tarzan", John Carter of "Mars", and more - many shot from original paintings. It also features essays by top science fiction authors.

The longest comic-book run of Frank Frazetta's career! First appearing as a backup feature in Durango Kid in 1949, Dan Brand - known as the "White Indian" - is a colonial-era city boy whose life is marred by tragedy. When the death of his fiancee sends Brand through the wilderness on a trek to avenge her murderer, he begins a journey that will transform him into a hardened pioneer survivalist. The powerful sequential work of Frank Frazetta is in the spotlight in this collection, with all interior pages scanned from original comic-book issues and digitally cleaned. As the first White Indian story declares, "When our country was young... and the truly great Americans were the intrepid pioneers of the backwoods, where the woods were thick and sown with sudden death... the greatest of the backwoodsmen was Dan Brand!" Join us as a wily pioneer and his sidekick Tipi brave the wilds of the American "New World" and a young cartoonist takes an industry by storm with his powerful talents in the 1940s and 1950s.

Vanguard follows their hit Frazetta:The Definitive Reference with Jeffrey Jones: The Definitive Reference. Legendary artist Frank Frazetta once called Hugo Award and World Fantasy Award winner Jones "the great living painter." Jones and Frazetta were the top two heroic fantasy book cover artists of the 1960's and '70's. As well as sci-fi and fantasy, Jones famously contributed to 1972-75 issues of National Lampoon with the innovative comics feature "Idyl," and was a member of The Studio in New York City with contemporaries, Barry Windsor-Smith, Bernie Wrightson, and Michael Wm, Kaluta. The Studio became the subject of a landmark book from Dragon's Dream in 1979. By the '80s Jones relocated to the Woodstock area to pursue Fine Art. This is not an art monograph or biography but is a profusely illustrated reference book, gathering together the most detailed information on every known, first-publication image by Jones from magazines, books, comics, postcards, and every other artifact one can imagine -- the absolute completists' guide to Jeffrey Jones!

Vanguard follows their hit Frazetta:The Definitive Reference with Jeffrey Jones: The Definitive Reference. Legendary artist Frank Frazetta once called Hugo Award and World Fantasy Award winner Jones "the great living painter." Jones and Frazetta were the top two heroic fantasy book cover artists of the 1960's and '70's. As well as sci-fi and fantasy, Jones famously contributed to 1972-75 issues of National Lampoon with the innovative comics feature "Idyl," and was a member of The Studio in New York City with contemporaries, Barry Windsor-Smith, Bernie Wrightson, and Michael Wm, Kaluta. The Studio became the subject of a landmark book from Dragon's Dream in 1979. By the '80s Jones relocated to the Woodstock area to pursue Fine Art. This is not an art monograph or biography but is a profusely illustrated reference book, gathering together the most detailed information on every known, first-publication image by Jones from magazines, books, comics, postcards, and every other artifact one can imagine -- the absolute completists' guide to Jeffrey Jones!

Before Marvel's Wolverine, before DC Comics' Animal Man, Hall of Fame comics creator Wallace (Wally) Wood created Animan! After years of evolution, shortly after leaving Marvel's Daredevil (where he added significantly to that character's creative development), to launch his creation, T.H.U.N.D.E.R. Agents; Wood unveiled his Animan masterpiece in early issues of his ground-breaking self-published magazine, Witzend. Vanguard continues their Wood Classics series, following Wally Wood Strange World, Wally Wood Eerie Crime & Horror and Wally Wood Torrid Romance, with nearly 200 pages of Wood jungle comics spanning from the Golden Age through the 1960s including Animan, Jim King, Sabu, and much more. This book is authorized by the Wallace Wood Estate, owners of the registered trademark, WALLY WOOD.

A comprehensive collection of the legendary artist's erotic work.Vampirella, Weird Science, Dejah Thoris... No one renders exotic women better than Frazetta, the World s greatest Fantasy artist. Until now, only the most ardent collectors possessed the elusive grail items from the short period of Frazetta s early-1960s Men s magazine and risqué paperback illustrations. Often selling for hundreds of dollars each, these rare publications bridged Frazetta s exodus from traditional comics work, to his now-legendary Conan, John Carter of Mars and Death Dealer oil paintings. Now, in an affordable volume, Vanguard expands their authorized line of Frazetta books with this, the most complete collection ever, of rare, vintage, Sensuous Frazetta. This book includes a Foreword by popular Cry For Dawn creator, Joseph Michael Linsner. Contents: FOREWORD Joseph Michael LinsnerChapter One Between the Sheets (Paperback Interiors)Chapter Two Romance & Cigarettes (Sequential Art)Chapter Three Pretty Funny Women (Sex in a Humorous Vein)Chapter Four Saucy Stories (Men s Magazine Art)Chapter Five From Casting Couch to... (Hollywood Vignettes)Chapter Six Stars in her Eyes (The Zodiac Calendar).

Greatest collection ever of Wally Wood war comics. Nearly 200 pages spanning the Hall of Fame creator’s career, from titles like Capt Savage, U.S. Paratroopers, All American Men of War, War & Attack, D-Day, Warfront, Fight The Enemy, Blazing Combat—most has never been collected. Plus two full-length Ditko & Wood Cannon stories, commentary by J. David Spurlock, foreword by GI Joe and The ‘Nam writer Larry Hama and an essay on Wood’s EC was comics by Thommy Burns.

Greatest collection ever of Wally Wood war comics. Nearly 200 pages spanning the Hall of Fame creator’s career, from titles like Capt Savage, U.S. Paratroopers, All American Men of War, War & Attack, D-Day, Warfront, Fight The Enemy, Blazing Combat—most has never been collected. Plus two full-length Ditko & Wood Cannon stories, commentary by J. David Spurlock, foreword by GI Joe and The ‘Nam writer Larry Hama and an essay on Wood’s EC was comics by Tommy Burns.

Dracula —both the legendary blood-thirsty vampire and his historic inspiration, Vlad The Impaler— has terrified and fascinated the world via a myriad of films and books ever since Bram Stoker's original 1897 novel.Tales of the vampiric Prince of Darkness have been adapted to every format including a number of graphic novels. But just as Stoker's 1897 novel ever holds its historic place, so too does the original Dracula graphic novel. The premier, 1966 graphic adaptation of Stoker's classic was edited and packaged as a paperback by legendary Creepy magazine founding editor, Russ "Unca' Creepy" Jones.Creepy launched as a full-sized, uncensored black and white horror comics magazine in 1964. It ran, most-famously adorned with covers by Frank Frazetta, for near 300 issues over two decades, spawning a tsunami of imitators and competing horror magazine lines including from Marvel. From 2008-2019 Dark Horse released a complete library of Creepy Archives hardcovers which often made the New York Times bestseller list.After leaving Creepy magazine, for the landmark Dracula graphic novel, Jones enlisted Supergirl co-creator/writer Otto Binder and Star Trek, Twin Earths and Creepy artist Alden McWilliams to adapt Stoker's novel. Legendary Dracula actor, Christopher Lee even provides an Introduction!For Halloween 2021, Vanguard has enlarged, revised, and expanded, this historic but long-out-of print classic in a luxurious hardcover edition with a new historic essay by How To Draw Chiller Monsters author, J. David Spurlock, examples of historically related art by Neal Adams, Gene Colan and a new cover by the most celebrated Creepy artist of all, Frank Frazetta.The package makes a surprisingly tastefully terrifying addition to every library and horror fan's bookshelf.

Vanguard continues their trademark Definitive Reference series with Frazetta: World's Best Comics Cover Artist, a companion book to 2022's hit, Frazetta Book Cover Art."Art is subjective" the old adage goes and, it is largely true. But could any artist actually lay claim to be the best? This book not only says it is possible but proclaims one artist to be the best comic-book cover artist. Hall of Fame illustrator Frank Frazetta is a legend whose influence grows daily and whose original art garners headlines setting records, selling at major auction houses well into the millions. Though known for Golden Age comic-book line-art for EC Comics, Famous Funnies and more, Frazetta's real comic-book revolution came in the '60s and '70s when he made history using the fine art medium of oil paint for his comics magazine covers. This book covers Frazetta's ground-breaking, Earth-shaking work like no other chronicling the artist's creative evolution chronologically. Award-winning illustration and cartooning historian J. David Spurlock knew and worked with the artist. Spurlock last catalogued, documented, and expounded upon all of Frazetta's book cover paintings. This new volume focuses on the artist's comics magazine cover art, which originally appeared on such periodicals as Creepy magazine, Ghost Rider, Mad magazine, Vampirella, National Lampoon, and EC Comics' Weird Science-Fantasy and Tales From The Crypt.

Vanguard follows their award-winning hit Fantastic Paintings of Frazetta book by J. David Spurlock with definitive reference on Frazetta Book Cover Art.Frazetta is the revolutionary fantasy artist of Conan, King Kong, Death Dealer, Edgar Rice Burroughs, Lord of The Rings and more, whose original art sells for millions. This new Frazetta book follows the award-winning hit, Fantastic Paintings of Frazetta, and is similar to Vanguard's earlier Frazetta Definitive Reference book. But, it is superior in at least one regard. Instead of cataloging Frazetta items with mostly smaller illustrations, this new book is devoted solely to the artist's single, most beloved venue, Book Cover Art. By focusing on this specific area, the book boasts room enough to feature every single one of Frazetta's famous and highly collectable illustrated book covers, beautifully and authentically reproduced at a larger size on a page to itself. All are presented in chronological order which, gives readers a unique ability to follow Frazetta's evolution as an artist. Accompanying text includes commentary, original publication titles, publishers, dates, and rare quotes from the artist himself. For this Definitive Reference to feature the Complete Collection of Frazetta's decades of book cover illustrations, in a single beautifully produced volume, is a dream come true for Frazetta fans, art and book collectors and historians alike.

This glorious 12 in x 12 in full color 14-month calendar on glossy stock, is the first devoted to the legendary BATMAN, X-MEN and TARZAN artist. Adams comic-book work serves as a benchmark and inspiration for every illustrator who works in the field to this day. His success at Marvel and DC Comics led to cutting-edge advertising work, stage design, amusement park ride design, magazine illustration & paperback book covers. This 14-month calendar features both rare and classic works.

After decades of work in television and film, Dungeon of Harrow director Pat Boyette turned his back on the big screen and small, to reveal his unique sense of the macabre through surreal comic book stories. His work appeared frequently in Creepy, Ghost Manor, Unexpected, and The Witching Hour. Foreword by Alex Toth

This glorious 12in x 12in, 14-month full-color calendar on glossy stock features art by Idyl creator, Jeffrey Jones; Tarzan illustrator, Roy G. Krenkel; John Carter of Mars painter, J. Allen St. John; Weird Science legend, Wally Wood; Sci-Fi illustrator, Alex Schomburg; Conan artist, John Buscema; The Shadow illustrator, Steranko; Hollywood monster painter, Basil Gogos; Red Sonja artist, Frank Brunner; Catwoman illustrator, Paul Gulacy; Spider-Man creator, Steve Ditko; Heavy Metal artist, Arthur Suydam; and Space Cowboy creator, J. David Spurlock

Award-winning illustrated biography of Hal Foster, in which author Brian M. Kane examines the 70-year career of one of the greatest illustrators of the 20th century. Superman was modelled after Foster's drawings of Tarzan, Flash Gordon's Alex Raymond borrowed compositions from Foster's Prince Valiant, and many artists, including the famous contemporary Western painter James Bama, who contributed the foreword, count Foster among their greatest influences.

Compilation of the legendary, San Francisco bay-area underground art magazine from award-winning, avant guard illustrator and art instructor, Barron Storey. This issue features notable contributors Dave McKean, George Prart, a selection of the highly coveted Barron Storey instructional notes, a foreword by best selling author Neil Gaiman, Holocaust poetry by Gabor Barabas, Slidehouse Portfolio by Storey and, the comics story Psychic Pedestrian by Bill Koeb.

A study of the art of Hall of Fame cartoonist Wallace Wood. Includes Wood's Fireball XL-5, Mars Attacks and Daredevil designs, as well as production art for his unfinished collaboration with Fritz the Cat, Wizards, Lord of the Rings, and Cool World filmmaker Ralph Bakshi. There is a rare interview with Wood, along with insights from his closest colleagues; MAD Associate Publisher Joe Orlando; "Star Wars" and EC artist Al Williamson; Jim Steranko and a foreword by W-B animation director Bruce Timm.

A study of the art of cartoonist Wally Wood. It includes Wood's "Fireball XL-5" designs as well as production art for his unfinished collaboration with "Fritz the Cat", "Wizards", "Lord of the Rings", and "Cool World" film-maker Ralph Bakshi. There is an interview with Wood, along with insights from his closest colleagues; Mad Associate Publisher Joe Orlando; "Star Wars" and EC artist, Al Williamson; and more.

In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look Batman." Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Neal Adams/Denny O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko.

In his 60-year career, Carmine Infantino has practised nearly every job that there is in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect the dying comics industry in 1956, as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of "Adam Strange" was "Star Wars", to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look". Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics.Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Adams/O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics, through his experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip.

Echoes collects drawings from the myriad periods of Kaluta's notable career and reveals the artist's unique passion for historical accuracy and unbridled fantasy, traits that have inspired more than one generation of artists and aficionados. Michael William Kaluta has been referred to as the artist's artist. He has earned that reputation by immersing himself in the worlds he draws, offering up his visions with painstaking detail -- from Robert E. Howard's Hyborian Age through the noir era of The Shadow to the delightfully retro sci-fi worlds of Starstruck, and all places in between. Commontary by the artist, Paul Chadwick, Neil Gaiman and compilers Dean Motter and J. David Spurlock.