J David Spurlock – författare

A study of the art of Hall of Fame cartoonist Wallace Wood. Includes Wood's Fireball XL-5, Mars Attacks and Daredevil designs, as well as production art for his unfinished collaboration with Fritz the Cat, Wizards, Lord of the Rings, and Cool World filmmaker Ralph Bakshi. There is a rare interview with Wood, along with insights from his closest colleagues; MAD Associate Publisher Joe Orlando; "Star Wars" and EC artist Al Williamson; Jim Steranko and a foreword by W-B animation director Bruce Timm.

A study of the art of cartoonist Wally Wood. It includes Wood's "Fireball XL-5" designs as well as production art for his unfinished collaboration with "Fritz the Cat", "Wizards", "Lord of the Rings", and "Cool World" film-maker Ralph Bakshi. There is an interview with Wood, along with insights from his closest colleagues; Mad Associate Publisher Joe Orlando; "Star Wars" and EC artist, Al Williamson; and more.

In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look Batman." Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Neal Adams/Denny O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko.

In his 60-year career, Carmine Infantino has practised nearly every job that there is in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect the dying comics industry in 1956, as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of "Adam Strange" was "Star Wars", to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look". Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics.Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Adams/O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics, through his experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip.

Echoes collects drawings from the myriad periods of Kaluta's notable career and reveals the artist's unique passion for historical accuracy and unbridled fantasy, traits that have inspired more than one generation of artists and aficionados. Michael William Kaluta has been referred to as the artist's artist. He has earned that reputation by immersing himself in the worlds he draws, offering up his visions with painstaking detail -- from Robert E. Howard's Hyborian Age through the noir era of The Shadow to the delightfully retro sci-fi worlds of Starstruck, and all places in between. Commontary by the artist, Paul Chadwick, Neil Gaiman and compilers Dean Motter and J. David Spurlock.

Echoes collects drawings from the myriad periods of Kaluta's notable career and reveals the artist's unique passion for historical accuracy and unbridled fantasy, traits that have inspired more than one generation of artists and aficionados. Michael William Kaluta has been referred to as the artist's artist. He has earned that reputation by immersing himself in the worlds he draws, offering up his visions with painstaking detail -- from Robert E. Howard's Hyborian Age through the noir era of The Shadow to the delightfully retro sci-fi worlds of Starstruck, and all places in between. Commontary by the artist, Paul Chadwick, Neil Gaiman and compilers Dean Motter and J. David Spurlock.

After a noteworthy career with "Superman", "Indiana Jones" and "Deadly Foes of Spiderman", the work of well-known, veteran, comic-book artist Kerry Gammill mysteriously disappeared from the pages of "Superman" and "X-Men". This volume reveals the reason for Gammill's exodus - to fulfil a life-long desire to work on monster films. He has been working as a conceptual artist on film and television projects which include "Stephen King's Storm of the Century" TV mini-series, "Virus" (1999), "Species II" (1998), "Can of Worms" (TV 1999), Dean Koontz's "Phantoms" (1998), "Stargate SG-1" TV series, and "The Outer Limits" TV series. In this volume Gammill takes us behind the scenes on the very important but little-known world of film conceptual art with a focus on designing creatures for action films. This is not just a "how to" book, but also Gammill's autobiographic career retrospective, filled with art and anecdotes about his years at Marvel, DC and Hollywood.

Author of the instructional volume "How to Draw Comics the Marvel Way", John Buscema is a highly-regarded comic-book illustrator. He has influenced several generations of artists and remains, even in semi-retirement, in demand. He was born on 11 December 1927 in Brooklyn, New York, where his earliest artistic influences were Hal Foster's "Prince Valiant", Alex Raymond's "Flash Gordon", and Burne Hogarth's "Tarzan" newspaper adventure strips. Buscema attended the High School of Music and Art in Manhattan where his interest shifted to fine art and Monet, Renoir and Van Gogh. While still in high school, he spent evenings studying life drawing and design at Pratt Institute. In addition to his formal training, he frequented museums, assaying the works of the Old Masters, including Michaelangelo, Rubens, Da Vinci, and Raphael. As a young professional, he was influenced by Al Dorne, Dean Cornwell, Norman Rockwell and Robert Fawcett, the famous illustrators of the 1940s and 1950s. During that period, as he struggled to earn a living, he turned to the newly-emerging comic-book industry as a source of revenue.Buscema began his career at Marvel (then known as Timely) Comics in 1948, working side by side with many notable artists, including Syd Shores, of "Captain America" fame, and Carl Burgos, creator of "The Human Torch". He stayed on staff for a year and a half, afterward, freelancing for a variety of publishers. This sketchbook presents a collection of the artist's personal drawings and studies. Done for his own enjoyment, practice or self-expression, the art offers an appreciation of his draftsmanship and creativity on a variety of subjects. The accompanying text by Buscema addresses both his career and his technique. There is also an essay by Steranko covering Buscema's entire career.

Heroic drawings and spirited animations have earned Frank Brunner a reputation as an illustration powerhouse. Influenced as much by the celebrated fantasy painter Frank Frazetta as by "Weird Science" legends Wally Wood and Al Williamson, Brunner carved his own niche, earning a reputation as an illustrator who could combine heroics, eroticism and whimsy in a single brush stroke. This is a showcase of classic and new art produced by this master of fantasy illustration.

Heroic drawings and spirited animations have earned Frank Brunner a reputation as an illustration powerhouse. Influenced as much by the celebrated fantasy painter Frank Frazetta as by "Weird Science" legends Wally Wood and Al Williamson, Brunner carved his own niche, earning a reputation as an illustrator who could combine heroics, eroticism and whimsy in a single brush stroke. This is a showcase of classic and new art produced by this master illustrator of Doctor Strange, Howard the Duck, Creepy magazine, Red Sonja, Man-Thing and Elric. Foreword by Elric author Michael Moorcock.

Alex Schomburg produced the most dazzling array of high-quality comic book covers in the Golden Age of American comics (1933-1955). This book collects, for the first time, a host of tantalizing Schomburg treasures in one volume. Superheroes, jungle girls, robots, wild animals, and space travelers abound in these romantic and nostalgic pop art icons of the bygone WWII era.

Thrilling, Wonder, Captain America, America's Best, Marvel, Exciting, Startling: Alex Schomburg produced the most dazzling array of high-quality comic-book covers in the Golden Age of American Comics. Spider-Man, Hulk, and X-Men co-creator Stan Lee said, "Alex Schomburg was to comic books what Norman Rockwell was to The Saturday Evening Post."Golden Age comic books with Schomburg covers are selling for record prices in America's leading auction houses. This book collects, for the first time, a host of tantalizing Schomburg treasures in one volume. Superheroes, jungle girls, robots, wild animals, and space travelers abound in these romantic and nostalgic Pop-Art icons of the bygone WWII era.Alex Schomburg has won every major award for both science fiction and comic book art, from the Hugo Lifetime Achievement Award to the Inkpot, the Doc Smith Lensman Award, and the Frank R. Paul Award. He was inducted posthumously into the Eisner Awards Hall of Fame.During WWII, Schomburg turned out a plethora of ornate, flamboyant, and outrageously pro-American comic book covers jammed with detail. Schomburg was Timely-Marvel's definitive 1940s cover artist. Ron Goulart, author of Comic Book Culture, called Schomburg the undisputed champ and Hieronymous Bosch of comics artists. After the war, Schomburg's comics subjects shifted toward adorable pin-up quality jungle girls and sci-fi (often signed "Xela") in the trademark airbrush style that made the artist famous as a book and magazine illustrator.About this book, Harlan Ellison said, "Finally and at last! The magnificent answer to the question, 'What do you buy for the Man Who Has Everything?' No matter what age he may be, this every-page-a-wonder assemblage of Schomburg paintings will thrill, charm and delight any guy on his anniversary, birthday, holiday or need for apology from you. It might please women, too, but for guys, for sure."

Basil Gogos changed the face of classic horror with his film monster portrait art. Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art-but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

A stunning collection of full-color reproductions from a legendary name in horror movie art.Basil Gogos changed the face of classic horror with his film monster portrait art. Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art—but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

This is the greatest work of the greatest pulp artist. The masterful paintings of J. Allen St. John, the illustrator of "Tarzan", John Carter of "Mars", and many other pulp icons, inspired generations of later artists, including Frank Frazetta, Roy G. Krenkel, and Jeffrey Jones. "The Paintings of J. Allen St. John" presents the artist's full-colour fantasy and science-fiction paintings for novels and pulp magazine stories by famous authors, such as Edgar Rice Burroughs. Essays by today's top science-fiction writers, including Jack Williamson, illustrator, Vincent Di Fate and historian, Robert R. Barrett, make this book - Vanguard's second devoted to the art of St. John - essential for any fantasy collection. It includes more than 170 paintings of "Tarzan", John Carter of "Mars", and more - many shot from original paintings. It also features essays by top science fiction authors.

This, Vanguard's second volume devoted to the work of J. Allen St. John concentrates on the artist's full-color fantasy, science-fiction and adventure paintings for novels and Pulp-magazines for famous authors, Edgar Rice Burroughs, Jack Williamson, Robert E. Howard and more. St. John is the original grand master illustrator of Tarzan, John Carter of Mars (now in major motion picture development by Pixar), and others. His illustrations inspired generations of later fantastic artists including Roy G. Krenkel, Jeffrey Jones and Frank Frazetta. St. John will always be recognized as the first, and most important illustrator of Burroughs' writings and this book is produced with the full endorsement and cooperation of Edgar Rice Burroughs Inc. Also featured are essays by renowned science-fiction author Jack Williamson; Danton Burroughs, Lin Carter, and illustrators Vincent Di Fate, and Frank Frazetta.St. John began his career by studying the old master in the museums of Paris around 1880. Returning to America, his notoriety among Fine Art enthusiasts developed with recognition from the Society of American Artists and Metropolitan magazine in 1889. The artist went on to become a professor of drawing and painting at both The American Academy of Art and the Chicago Art Institute, but his greatest notoriety came as he ventured into the colorful world of Pulp magazine and adventure book illustration. For the readers of fantasy, science fiction and adventure, St. John surpassed the work of his famous contemporaries Frank Schoonover, James Montgomery Flagg, and N. C. Wyeth, and led the way for future masters, including Roy G. Krenkel, the Brothers Hildebrandt, and Frank Frazetta.INTRODUCTION BT LIN CARTERAFTERWORD BY FRANK FRAZETTA

Mythos: Fantasy Art Realms of Frank Brunner, is a dazzling showcase of classic and new art from this master of fantasy illustration. Top properties Conan, Man-Thing, Dr. Strange, Red Sonja, Howard the Duck, Elric, and many others are featured in this exciting collection, along with insightful commentary. Author-compiler J. David Spurlock said, "This is the greatest presentation of Frank's lush paintings ever produced." Fans of animation, graphic novels, and fantasy art will be thrilled by the art Brunner designed for Marvel Comics, Heavy Metal magazine, Disney, Dreamworks, and other top movie studios--and dozens of never-before-seen works, including commissioned art produced for collectors around the world. Mythos is a fantasy come true for Brunner fans!

This glorious 12 in x 12 in full color 14-month calendar on glossy stock, is the first devoted to the legendary BATMAN, X-MEN and TARZAN artist. Adams comic-book work serves as a benchmark and inspiration for every illustrator who works in the field to this day. His success at Marvel and DC Comics led to cutting-edge advertising work, stage design, amusement park ride design, magazine illustration & paperback book covers. This 14-month calendar features both rare and classic works.

This glorious 12in x 12in, 14-month full-color calendar on glossy stock features art by Idyl creator, Jeffrey Jones; Tarzan illustrator, Roy G. Krenkel; John Carter of Mars painter, J. Allen St. John; Weird Science legend, Wally Wood; Sci-Fi illustrator, Alex Schomburg; Conan artist, John Buscema; The Shadow illustrator, Steranko; Hollywood monster painter, Basil Gogos; Red Sonja artist, Frank Brunner; Catwoman illustrator, Paul Gulacy; Spider-Man creator, Steve Ditko; Heavy Metal artist, Arthur Suydam; and Space Cowboy creator, J. David Spurlock

Mythos: Fantasy Art Realms of Frank Brunner, is a dazzling showcase of classic and new art from this master of fantasy illustration. Top properties Conan, Man-Thing, Dr. Strange, Red Sonja, Howard the Duck, Elric, and many others are featured in this exciting collection, along with insightful commentary. Author-compiler J. David Spurlock said, "This is the greatest presentation of Frank's lush paintings ever produced." Fans of animation, graphic novels, and fantasy art will be thrilled by the art Brunner designed for Marvel Comics, Heavy Metal magazine, Disney, Dreamworks, and other top movie studios--and dozens of never-before-seen works, including commissioned art produced for collectors around the world. Mythos is a fantasy come true for Brunner fans!

The first retrospective look at the work of a master with exclusive art and interviews! Best known for his work on Ghost Rider, The Black Panther, Moon Knight, and Vampirella, Mark Texeira is famed for his remarkable oil paintings, illustrations, and talent for storytelling. The Art of Mark Texeira explores the development of this renowned artist, from his tough inner-city youth, to his inspiring junior-high art teacher, to his days at Manhattan's Art and Design High, to his years of study with Max Ginsburg, Irwin Greenberg, and David Leffel, and beyond. More than 150 images showcase Texeira's work in movies, albums, books, comics, and more. Dynamic and powerful, Texeira's art leaps from the pages of this first retrospective, packed with never-before-seen art and interviews with the artist himself.

Vanguard presents every dragon lover's dream come true, Art of the Dragon: The Definitive Collection of Contemporary Dragon Paintings. This concise and comprehensive survey by Visions of Never author Patrick Wilshire and How to Draw Chiller Monsters, Werewolves, Vampires, and Zombies author J. David Spurlock presents and examines the ultimate collection of contemporary dragon paintings and provides insights about and from the foremost dragon-painting fantasy artists including Jeff Easley, Larry Elmore, Clyde Caldwell, Keith Parkinson, Todd Lockwood, Donato Giancola, John Howe, Bob Eggleton, Don Maitz, Stephen Hickman, Boris Vallejo, Julie Bell, Greg Hildebrandt, and record-breaking Hugo Award winner Michael Whelan who, also provides the cover to this long-awaited and breathtaking compendium.

Vanguard presents every dragon lover's dream come true, Art of the Dragon: The Definitive Collection of Contemporary Dragon Paintings. This concise and comprehensive survey by Visions of Never author Patrick Wilshire and How to Draw Chiller Monsters, Werewolves, Vampires, and Zombies author J. David Spurlock presents and examines the ultimate collection of contemporary dragon paintings and provides insights about and from the foremost dragon-painting fantasy artists including Jeff Easley, Larry Elmore, Clyde Caldwell, Keith Parkinson, Todd Lockwood, Donato Giancola, John Howe, Bob Eggleton, Don Maitz, Stephen Hickman, Boris Vallejo, Julie Bell, Greg Hildebrandt, and record-breaking Hugo Award winner Michael Whelan who, also provides the cover to this long-awaited and breathtaking compendium.

Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer. THE VILLAGE VOICE said 12-11-2013: "Brundage's menaced damsels were sleek eye candy, but this book reveals politics --advocating for gender and racial equality as well as labor rights at a time when activism led to blacklisting -- that prove that the 'Queen of the Pulps' was as brave as any of her titillating heroines."

Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer. THE VILLAGE VOICE said 12-11-2013: "Brundage's menaced damsels were sleek eye candy, but this book reveals politics --advocating for gender and racial equality as well as labor rights at a time when activism led to blacklisting -- that prove that the 'Queen of the Pulps' was as brave as any of her titillating heroines."

The world's greatest heroic fantasy artist, Frank Frazetta teams with J. David Spurlock, the bestselling author of How to Draw Chiller Monsters Werewolves, Vampires and Zombies for the all-new art collection entitled, The Frazetta Sketchbook. In the revolutionary artist's extensive, May 10, 2010 obituary, The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potentcy, but rendered his works with a panache seldom seen outside of Fine Art. Despite his sword-and-sorcery, science-fiction and fantasy subject matter, the quality of the work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth, J. Allen St.John, and Joseph Clement Coll but even to the most brilliant of fine artists including Rembrandt and Michelangelo and major Frazetta works sell for over $1,000,000. The November 24, 2003 Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians."Vanguard created the comics and fantasy artist sketchbook boom with editions on Al Williamson, Neal Adams, Wally Wood, Jeffrey Jones, John Buscema, John Romita and Alex Horley. Vanguard continues both their original sketchbook series and the Vanguard Frazetta Classics series with The Frazetta Sketchbook which was planned shortly before the icon of fantastic art's passing. The collection is brimming with rare and previously unpublished drawings and painting preliminaries of the subjects Frazetta is best remembered for including barbarians, wild beasts, Tarzan, buxom beauties, monsters and Conan.

The world's greatest heroic fantasy artist, Frank Frazetta teams with J. David Spurlock, the bestselling author of How to Draw Chiller Monsters Werewolves, Vampires and Zombies for the all-new art collection entitled, The Frazetta Sketchbook. In the revolutionary artist's extensive, May 10, 2010 obituary, The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potentcy, but rendered his works with a panache seldom seen outside of Fine Art. Despite his sword-and-sorcery, science-fiction and fantasy subject matter, the quality of the work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth, J. Allen St.John, and Joseph Clement Coll but even to the most brilliant of fine artists including Rembrandt and Michelangelo and major Frazetta works sell for over $1,000,000. The November 24, 2003 Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians."Vanguard created the comics and fantasy artist sketchbook boom with editions on Al Williamson, Neal Adams, Wally Wood, Jeffrey Jones, John Buscema, John Romita and Alex Horley. Vanguard continues both their original sketchbook series and the Vanguard Frazetta Classics series with The Frazetta Sketchbook which was planned shortly before the icon of fantastic art's passing. The collection is brimming with rare and previously unpublished drawings and painting preliminaries of the subjects Frazetta is best remembered for including barbarians, wild beasts, Tarzan, buxom beauties, monsters and Conan.

Vanguard's original Sketchbook series continues with a follow-up to the best-selling hit, Frazetta Sketchbook, Vol. I, with more classic and unseen material by the acclaimed, revolutionary Master of the Fantastic Art, including rare and classic Conan, Tarzan, EC Comics, Death Dealer material and more. Vanguard is an authorized publisher of Frank Frazetta books. Each edition (HC, PB) features a unique cover.

Vanguard's original Sketchbook series continues with a follow-up to the best-selling hit, Frazetta Sketchbook, Vol. I, with more classic and unseen material by the acclaimed, revolutionary Master of the Fantastic Art, including rare and classic Conan, Tarzan, EC Comics, Death Dealer material and more. Vanguard is an authorized publisher of Frank Frazetta books. Each edition (HC, PB) features a unique cover.