Classics and Contemporary Thought – serie

Reading Sappho considers Sappho's poetry as a powerful, influential voice in the Western cultural tradition. Essays are divided into four sections: "Language and Literary Context," "Homer and Oral Tradition", "Ritual and Social Context", and "Women's Erotics". Contributors focus on literary history, mythic traditions, cultural studies, performance studies, recent work in feminist theory, and more. A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Re-Reading Sappho, represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.

Re-Reading Sappho reflects the recent fascination with Sappho's "afterlife." The essays examine the changing interpretations of scholars and writers who have read the fragmentary remains of Sappho's poetry. As the contributors explore the ways that each generation creates its own Sappho, the Sapphic tradition itself becomes an index to changing sensibilities and cultural norms about sexuality, gender roles, and notions of fema le authorship. A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Reading Sappho, represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.

The Roman empire remains unique. Although Rome claimed to rule the world, it did not. Rather, its uniqueness stems from the culture it created and the loyalty it inspired across an area that stretched from the Tyne to the Euphrates. Moreover, the empire created this culture with a bureaucracy smaller than that of a typical late-twentieth-century research university. In approaching this problem, Clifford Ando does not ask the ever-fashionable question, Why did the Roman empire fall? Rather, he asks, Why did the empire last so long? "Imperial Ideology and Provincial Loyalty in the Roman Empire" argues that the longevity of the empire rested not on Roman military power but on a gradually realized consensus that Roman rule was justified. This consensus was itself the product of a complex conversation between the central government and its far-flung peripheries. Ando investigates the mechanisms that sustained this conversation, explores its contribution to the legitimation of Roman power, and reveals as its product the provincial absorption of the forms and content of Roman political and legal discourse.Throughout, his sophisticated and subtle reading is informed by current thinking on social formation by theorists such as Max Weber, Jurgen Habermas, and Pierre Bourdieu.

Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own consumption as it explores the terms and possibilities of the poet's license. Reading the poetry in relation to the drama of position played out between poet, poem, and reader, the author produces a fresh interpretation of almost all of Catullus's oeuvre. Running through the book is an analysis of the ideological stakes behind the construction of the author Catullus in twentieth-century scholarship and of the agenda governing the interpreter's position in relation to Catullus.

This innovative study explores selected odes and epistles by the late-first-century poet Horace in light of modern anthropological and literary theory. Phebe Lowell Bowditch looks in particular at how the relationship between Horace and his patron Maecenas is reflected in these poems' themes and rhetorical figures. Using anthropological studies on gift exchange, she uncovers an implicit economic dynamic in these poems and skillfully challenges standard views on literary patronage in this period. Horace and the Gift Economy of Patronage provides a striking new understanding of Horace's poems and the Roman system of patronage, and also demonstrates the relevance of New Historicist and Marxist critical paradigms for Roman studies. In addition to incorporating anthropological and sociological perspectives, Bowditch's theoretical approach makes use of concepts drawn from linguistics, deconstruction, and the work of Michel Foucault. She weaves together these ideas in an original approach to Horace's use of golden age imagery, his language concerning public gifts or munera, his metaphors of sacrifice, and the rhetoric of class and status found in these poems.Horace and the Gift Economy of Patronage represents an original approach to central issues and questions in the study of Latin literature, and sheds new light on our understanding of Roman society in general.

The eighth century dawned on a Greek world that had remained substantially unchanged during the centuries of stagnation known as the Dark Age. This book is a study of the economic and cultural upheaval that shook mainland Greece and the Aegean area in the eighth century, and the role that poetry played in this upheaval. Using tools from political and economic anthropology, David Tandy argues that between about 800 and 700 B.C., a great transformation of dominant economic institutions took place involving wrenching adjustments in the way status and wealth were distributed within the Greek communities. Tandy explores the economic organization of preindustrial societies, both ancient and contemporary, to shed light on the Greek experience. He argues that the sudden shift in Greek economic formations led to new social behaviors and to new social structures such as the polis, itself a by-product of economic change. Unraveling the dialectic between the material record and epic poetry, Tandy shows that the epic tradition mirrored these new social behaviors and that it portrayed the stresses that economic change brought to the ancient Aegean world.Tandy brings in comparative evidence from other small-scale communities beset by changes, spotlighting the specific plight of one community, Ascra in Boeotia, on whose behalf Hesiod sang his Works and Days. The result is a lively, moving account of a human dilemma that, many centuries later, is all too familiar.

The Egyptians mesmerized the ancient Greeks for scores of years. The Greek literature and art of the classical period are especially thick with representations of Egypt and Egyptians. Yet despite numerous firsthand contacts with Egypt, Greek writers constructed their own Egypt, one that differed in significant ways from actual Egyptian history, society, and culture. Informed by recent work on orientalism and colonialism, this book unravels the significance of these misrepresentations of Egypt in the Greek cultural imagination in the fifth and fourth centuries B.C.E. Looking in particular at issues of identity, otherness, and cultural anxiety, Phiroze Vasunia shows how Greek authors constructed an image of Egypt that reflected their own attitudes and prejudices about Greece itself. He focuses his discussion on Aeschylus Suppliants; Book 2 of Herodotus; Euripides' Helen; Plato's Phaedrus, Timaeus, and Critias; and Isocrates' Busiris.Reconstructing the history of the bias that informed these writings, Vasunia shows that Egypt in these works was shaped in relation to Greek institutions, values, and ideas on such subjects as gender and sexuality, death, writing, and political and ethnic identity. This study traces the tendentiousness of Greek representations by introducing comparative Egyptian material, thus interrogating the Greek texts and authors from a cross-cultural perspective. A final chapter also considers the invasion of Egypt by Alexander the Great and shows how he exploited and revised the discursive tradition in his conquest of the country. Firmly and knowledgeably rooted in classical studies and the ancient sources, this study takes a broad look at the issue of cross-cultural exchange in antiquity by framing it within the perspective of contemporary cultural studies. In addition, this provocative and original work shows how Greek writers made possible literary Europe's most persistent and adaptable obsession: the barbarian.

The Roman empire remains unique. Although Rome claimed to rule the world, it did not. Rather, its uniqueness stems from the culture it created and the loyalty it inspired across an area that stretched from the Tyne to the Euphrates. Moreover, the empire created this culture with a bureaucracy smaller than that of a typical late-twentieth-century research university. In approaching this problem, Clifford Ando does not ask the ever-fashionable question, Why did the Roman empire fall? Rather, he asks, Why did the empire last so long? Imperial Ideology and Provincial Loyalty in the Roman Empire argues that the longevity of the empire rested not on Roman military power but on a gradually realized consensus that Roman rule was justified. This consensus was itself the product of a complex conversation between the central government and its far-flung peripheries. Ando investigates the mechanisms that sustained this conversation, explores its contribution to the legitimation of Roman power, and reveals as its product the provincial absorption of the forms and content of Roman political and legal discourse.Throughout, his sophisticated and subtle reading is informed by current thinking on social formation by theorists such as Max Weber, Jurgen Habermas, and Pierre Bourdieu.

Tragedy and Enlightenment: Athenian Political Thought and the Dilemmas of Modernity by Christopher Rocco offers a bold rethinking of the relationship between classical antiquity and contemporary political theory. Rocco argues that the dramas and dialogues of ancient Athens—Sophocles’ *Oedipus Tyrannos*, Plato’s *Gorgias* and *Republic*, and Aeschylus’ *Oresteia*—provide indispensable resources for grappling with the dilemmas of democracy, truth, and power in the age of postmodernity. Rather than treating Greek texts as historical artifacts or idealized models, Rocco reads them as interlocutors in debates over Enlightenment, modernity, and its discontents. He shows how tragedy and philosophy alike disclose both the emancipatory aspirations and the normalizing dangers of reason, consensus, and democratic culture, revealing how concepts of freedom, justice, and political identity are always contested, fragile, and incomplete.At the heart of the book is a methodological and theoretical intervention. Rocco situates his readings between the poles of Habermasian critical theory, which defends Enlightenment rationality, and Foucauldian genealogy, which destabilizes it. By bringing Athenian tragedy’s agonistic sensibility into dialogue with postmodern concerns, Rocco illuminates an alternative approach: one that resists both nostalgia for stable foundations and resignation to endless disruption. In this way, Tragedy and Enlightenment contributes not only to the study of classical political thought but also to pressing debates over democracy, identity, and cultural hegemony in contemporary theory. With its innovative juxtapositions of ancient and modern, philosophy and drama, reason and contest, the book demonstrates how reappropriating the Athenian past can deepen our understanding of the paradoxes and possibilities of political life today.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.